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Hello world our Psynews Youtube Channel has just seen the light of day At this moment, our first video was uploaded - which is the first part of a founders interview of Children himself - one of the people who founded the site! Please find it here: I hope you enjoy it. It marks one more steps in this 20th birthday jubilee year of 2020 and I personally hope that we will bing much more content your way this year - and also maybe better edited one as my video edit skills get better aswell The next steps are: a new forum will be created here (visible for members and above only) to discuss our Youtube channel and for you to give feedback and suggest content the second part of the interview with Children will be composed by me to be released in the not-so-far-away future We would appreciate if you support us on YouTube by subscribing to our channel, commenting - hopefully in the same police and positive way most people post it on the forums here - and yeah, also by dropping a like if you enjoy it #HappyBirthdayPsynews.ORG

Lots of social factors come at play when you try to figure out how "the scene" came to its current standards. 90s was a period without internet, or at least the social media was non-existing. You'd just do your thing, with no need for constant attention seeking or self-promotion. You'd sit in whatever psyhole you had there, compose, play at a party and the feedback would occur the natural way, via real human contact. These days you need following, likes and what not - it's all virtual though. And hey! You can also buy the likes, psyscene is under capitalistic law like it or not. All that's been said is affecting us all. Social media is giving us access to infinite amount of information and what kinda happened is our minds are focused on trillion things at once trying to swim through the pool of data. The consumption mode is on when it comes to psytrance, too. So many artists, so much music! As a reflection of a sort, haste & desire for recognition have unfortunately become major driving forces for many musicians. The social media driven world shows no mercy, it's just the state of things for the time being. Patience, vision and focus. I reckon the amount of these qualities has dropped significantly and hence understand the frustration of many. Only thing that might, just might, ease the pain is the fact new Sab Kuch Milegator album is only one track away...

Basically all of this.

i cannot understand how you keep the momentum of trolling for 10+ years. thats something else entirely. kudos.

하이. 접니다. AZ NHJO HYENNRO(아즈 노흐즈오 현느로)입니다. Hello peoples. Today I invent new genrestyle GOD TRANCE A->D haha This new genrestlye maybe soon nice popular hehe. GOD TRANCE GOTT TRANCE My friendly friends will make this genrestyle soon haha. www.aznhjohyennro.com www.aznhjohyennrorecords.com 0821097532747

Heh, "this old chestnut". I have many thoughts regarding the matter and I don't know how to turn them into a coherent story so I'll just list some random points: 1) First, there is the principle called Sturgeon's Law, often summarised as "ninety percent of everything is crap". I won't start dissecting the full details of Sturgeon's original statement nor its later interpretations. Anyway, I think the principle essentially says that when there are quality differences and personal preferences, only so many pieces can be "very good" or "like things should be". There are boatloads of music. Even that "very good" 10% (or a smaller fraction) can be so huge that our ears cannot take any more. Therefore we can pick the best, use it as the measuring stick, and rule the rest as "crap", even though in reality the "normal" level is somewhere within that 90% and we're just getting really picky. 2) The corpus of released goa/psy has been accumulating for decades. That makes things even worse regarding the "top 10 versus the rest" comparison. A lot of totally half-arsed stuff from the earlier decades has already been forgot for good. More or less consciously, we end up comparing the very best of those past years to the average level of recent releases. That comparison cannot end well. 3) Also, after thousands of full releases, it's getting more and more difficult to produce something truly original that we still categorise as goa. Either the release "sounds like X, Y and Z" or it doesn't quite fit into the genre. Imagine a hazy blob on the genre map that we label as goa. It consists of dots, which are releases. When the amount of dots increases, it's getting difficult to find any totally blank regions among the existing stuff. You end up either close to something that already exists or too far away from the centre. 4) There is also the phenomenon called sophomore slump. It's quite generic in nature, but it can be understood as "the second attempt being worse". In personal effort like producing music, it can mean that the first try manages to capture the raw power of what you really want to express. Then you kind of run out of steam. Even though the next one may be more polished, it cannot reach the same level of inspiration and originality. Another way to view it is that if you, as a listener, fall deeply in love with some specific approach, it's just inevitable that anything that differs from it has a high chance of being less appealing simply because it doesn't hit that sweet spot. But repeating the same-ish formula would feel like copy-paste or repetition so you cannot really win there. Coming up with something fresh and appealing is possible but really hard. "Easier said than done." And the artists out there cannot really read your deepest desires, nor are they under any obligation to fulfill them. If you're getting picky, it's your task to do the "crate digging" to find your personal gems, even though it may be a tedious task. 5) Also, nobody here is getting younger. There's just something special about the age when you first discover awesome music, visit your first parties and festivals, get drunk/high/laid and so on. As Constrictor put it, you cannot "recapture the magic that once was". When you grow older, you start to observe plenty of recurring patterns - things that get re-invented every ten years or whatever. Each iteration may be slightly different, but it cannot have the same impact as the first encounter with the subject. Just accept the fact that you're getting old and hard to impress, but every day someone else out there is discovering this genre for the first time and thinks that everything is awesome. Same music, different view. I'm definitely getting old and drowned under other commitments. I cannot do the same amount of crate digging as I used to. But I do remember that already back then when I had the time and energy, it was common to load 500 tracks to a preview playlist and ultimately pick just one or two of those as keepers. More than 90% was "crap", nothing new there. If you cannot do those 500 track marathons any more and you've already found enough good stuff to last a lifetime, just cherish those, but don't get too bitter about modern times. I still do discover very good stuff, occasionally. Most releases cannot meet the crazy expectations, but someone out there still enjoys them so they deserve to exist. Nice recommendations by Manuser, by the way. I've been blasting Proxeeus, for example, at work several times like it was 1995.

Thanks everyone for : - the effort in the "admins" tribe - the support of every visitor ! Glad this still exists, I'm not really up to date in terms of the latest albums and am using the website to check what I missed in the new groups ... well now I'm using myself the website for what I wanted it to be used for at the very beginning, find new artists ! ;-)

Hi there I understand your feelings regarding the forum and the decrease of contributions. I am quite new here on psynews and this last year I became very assiduous, consulting the forum, your reviews, your 20XX tops, ... to explore every day deeper the wonderful world of good electronic psy music thank you! All that to say if you think psynews is dying, well, it is not yet. It still has the power to trigger passion and enthousiasm. Maybe it just need a kick in the butt to be more dynamic, but the machine works. No solution in my post, I agree, just a different sight, and a strong support from a newcomer! I am sure there are plenty!

Well that clears up any confusion anyone was having ;p

we've heard so many samples of new tracks now (most of it sounding very good, starting off where the astral we know and love have left off years ago), that the new album has to be a quadruple album when it finally comes out in 2030.

Dear Suntrippers! We can announce our next CD-release on Suntrip Records! We will release a new big talent from Russia: Median Project! I would describe him as a mix between Mindsphere and Astral projection! Powerful, epic melodies and a lot of acid303s on top of it! Check the samples! Next week we will put the pre-order on bandcamp! : https://www.suntriprecords.com/release/cat/SUNCD56/

I guess most of you are mistaked. It's about mixing not the mastering. Katedra himself has always had this style of mixing: bassy, muddy, industrial. I know because we collaborated long ago on 'Magic Science & Imba - Ghost Town' where he was part of Magic Science, and you can hear his style in the track. Even if I am not, nor personaly nor professionaly for it/this style of mixing, I support and respect his ideas and presentation of his music. And important thing is freedom which not many labels give you these days but Global Sect does which is amazing. In most cases when I finish and send premasters to label they say 'It's too clean', 'It's more Fullon than Goa', or it's not clean enough or buyers prefer more this or that bla bla bla... here Katedra had complete freedom to express himself musical and production wise. Just relax and enjoy in what he delivers to you as his own Goa Trance without genre/style rules and boundaries

Goa is for Kamasutra Forest psy for a "Treesome" HA! Darkpsy for S&M in a dark Dungeon(Celler) Twilight for a Vampire Cosplay sexytime while Girl has her period Hi Tech for Virtual Reality hentai sex Progressive Psytrance is for a Gangbang in a LGBTQ Club Fullon is for mastrubation to 90s Anime Girls while crying...(because of loneliness) Progressive Trance for playing the game Twister naked(so called Gaytwister) Psybreaks for running through the city on MDMA with a boner

i cannot think of a single occasion that wouldn't instantly be better if psytrance was playing. even if there is no special synergy between whatever you're doing and psytrance. that's true for anything. think of it this way, if you fall from a ladder and break your arm it's shit. but if you fall from a ladder while psytrance was playing you can say: it's shit that i broke my arm while falling from a ladder but at least logic bomb was playing

Dear Suntrippers, here we are with the announcement of our next release! :) Actually, its a classic release from the late 90s and early 00s that never saw the daylight... And we are sure its one of the best psychedelic albums ever made! Psylent Buddhi - Secrets of the Atom! So, why was this release only released today? Its a long story... During early 00s during one of the Psynews contests an artist put some tracks online that were simply FANTASTIC. I never forgot this music and when we had Suntrip around 2005 we contacted him to release this smashing music on CD. By that time he lost ALL his file unfortunately :( So, we thought all was lost, untill last year our Israeli friend Kobi Harosh came to us with the original files! Luckely we still had the mail of the original producer and we managed to contact him! The rest will be legendary! Are you ready to hear his mind blowing music in FULL quality? Pre-Order: https://suntriprecords.bandcamp.com/album/psylent-buddhi-secrets-of-the-atom Samples: https://www.suntriprecords.com/release/cat/SUNCD53/ Release date: 8th of february! Tracklist: 1. Lunar Core 2. Neura 3. Secrets of the Atom 4. Moksha 5. Convergent Images 6. Metalucid 7. Innerscape 8. Lightswitch

Proxeeus made such a good album that it gets praise in reviews of other albums :DDDD

tbh most of these "subgenres" are just progressive psytrance. the whole guide seems to focus on progressive mainly and leaves out much distinction in other subgenres. what they call "psytrance" is often called "serbian style progressive" (the main label that pioneered that sound was the seribian label tesseract) or "fullon-influenced progressive". what i call "pure" psytrance is something like children of the bong - bionic bong, sex on mushroom - dirty 80s or prometheus - arcadia magik. if you look into what "hot" fresh tracks come closest to that you'll have to go with uk psytrance atm (btw, "psychedelic" really? comeon. if it isn't psychedelic it shouldn't be in that guide. calling a subgenre of psychedelic trance "psycedelic" is just nonsense). bunching up the old style of progressive "minimal psy" with zenonesque aka dark prog that has a very different distinct sound and came much later with nothing in between is also kind of strange. "tribal" is a joke here. it's not as if a track suddenly changes genre simply because you throw a sample in there. those "tribal" tracks are the same subgenre as what is called "mainstream" in the guide. the usual term would be "futureprog". so again this is progressive psytrance, but the kind where people rightfully start to question wheter it as much or anything to do with "psy". similar thing with offbeat. just because the bassline has a particular pattern it's not suddenly another genre. it is commonly called "hamburg-style progressive" because that sort of sound is most popular in nothern germany. "psytechno" is another mess. "psytek" is a subgenre from back in 2001 characterised by fast tempos and heavy focus on techno like percussion. think x-dream - thorazin, auricular - pilzvergiftung or etnica - technoshit. what was called "psytecho" a few years ago (the style has all but vanished now) was a cross between progressive (again!) and minimal techno/house. think d nox&beckers. utterly boring stuff if you ask me. "psy-tech-trance" is something i've never heard before. i've seen "techtrance" in the context of psy to refer to the "psytek" i mentioned above. but the examples here are just more regular progressive. albeit more on the commercial side. "psybreaks" i'm completely fine with. same with nitzho (although it might be useful to differentiate between new nitzhogoa and old nitzhonot which was related to but was not psy strictly speaking) "goa trance" definitely needs some differention. newschool goa has evolved to become way different from oldschool goa. and if you treated goa in the same way as they treat progressive, you'd end up with at least 20 "genres" of goa. astral projection - mahadeva would nonsensically end up in a different drawer (probably something like "tribal offbeat goa" if you apply the same rules) as astral projection - let there be light. fullon also needs differentiation. the ultra-commercial stuff they mention for regular or morning (?!?) fullon is much more different from actual regular fullon (think talamasca, post-goa cosmosis, logic bomb, optokoppler, psydrop, post-goa electric universe). morning fullon (protoculture, silicon sound, sirius isness, fatali) should be seperate if you want to go deeper than "goa, fullon ,prog, dark". night fullon (cpu, absolum, xerox) is different from twilight (slide). the division into dark, forest and hitech is sensible though i'd definitely split psycore and hitech. highko is nothing like crazy astronaut. "psychill" and "chillout"? really? either lump it all together under psychill or differentiate between at least psychill, psydub, downtempo psytrance and beatless ambient.

I mean, I know I'm supposed to like it and I really want it to be a stunning release, but... Let's be honest unless your have a Trump supporter-esque level of sycophancy this release isn't gonna make it on most people's top ten. Hell it's not even the best in their own catalog. It's good, but not Etnica out of retirement good. Or D5 good. IMHO it lacks depth, doesn't have the explosive power that a lot of releases today have, and it really seems to be a stripped down version of what they used to do. Good, but not great. I definitely expected more.

Well the full lock down my end is sorted. Just had a Sequential Pro 3, Prophet 6 & Erica Synths Tech System delivered. Kids got a a trampoline installed in the back yard this morning & a Nintendo Switch. Spent the weekend cooking and freezing lots of quality food, and set up my wife's gone office properly. Actually could not be happier, especially as it was confirmed today that when we had what was a bad cold a two weeks back and self isolated was the virus. Self isolated as in while we have waited for results we have not gone out the front door. The wife, kids and I all have had it & are clear. Fingers crossed we're immune now.

I write this more relative to any music not just trance. It is true that for vinyl some specific issues need care and attention, this includes not having overly wide (stereo) low frequencies below 300Hz, it does not have to be mono though, it just must not have a too wide bass which can end up causing groove tracking issues and skipping. Harshness in the upper mid range can very easily sound like nasty scratchy distortion on vinyl so sibilance and harsh frequencies in the upper mids must not be out of control. There must not be excessive highs above 13kHz. The ideal for a vinyl cut would be 24 bit masters at the sample rate of the artists DAW mix project. Cutting very heavily limited files is likely to have detrimental issues for the fidelity of a vinyl cut. It can be done but speak to the lathe engineer and present any such limited file/s to him or her to in advance and let it be known it is the only version you can get hold of. End results are not easy to predict but at least the lathe engineer knows about this issue and may be able to mitigate against a very poor sounding cut. Mastering for vinyl, as in a mastering engineer producing quality controlled pre masters can be done digitally, there are no technical reasons why it must be analogue. Of course analogue has its own sonic properties which may be desirable for a digital or vinyl release but this has no relationship to a rule that analogue eq/compression must be used for vinyl. Notwithstanding the lathe itself which is of course analogue by nature. As with most professional mastering a combination of both is highly likely but this is because the use of analogue and digital mastering tools tends to produce the most pleasing end result for many styles of music. Contrary to popular belief 16 bit digital has a wider dynamic range than the vinyl format can reproduce. Vinyl is not more dynamic than 16 bit audio. The difference is that the ideal for a good sounding vinyl cut is not using a file with extremely restricted dynamics which is often the case for a digital release. It is easily possible to create a digital release which has or even exceeds the dynamics of a vinyl release. It is just that virtually no one does it, because it would likely be 8dB-14dB (very approximately) lower in volume compared to todays releases. That would leave DJ's scratching their heads and the bigger psy labels would not release such material unless they had a complete reverse of philosophy that greater dynamics is better. So it is just likely that the audio that is committed to vinyl is more dynamic in itself. I would be surprised if an average non brick wall limited psy trance track mix has dynamics exceeding 12dB. (unless of course there is some ambient intro section faded in from zero) But average dynamics from the loudest power sections to ambient break downs, the dynamics are not very wide. Once they have been limited a dynamic range of 8dB would be a surprise. Modern music mixes tend not to have wide dynamic ranges, every channel will often have some compression going on, especially the backbone rhythm sections drums and bass. The exception of course would be acoustic forms of music. The theoretical dynamic range of 16 bit audio is around 96dB, audibly more if dithered correctly from a 24 bit depth source. Vinyl dynamic range is roughly between 65 and 80dB (rare) and is a moving target as the vinyl wears introducing greater noise and of course crackling. The top end can also soften quite quickly with multiple plays as the friction of the needle in the groove erodes the groove. I totally understand why people enjoy the sound of vinyl, much less or non limited mixes, different audio processing, softer top end and upper mids, easier on the ears and the feel of vinyl in your hands. But it is not that vinyl is inherently of greater fidelity as a format.

Okay, if it's a tread for requests/wishes to goa producers, then mine would be: - Learn some musical theory, goa is a melodic genre but not any random sequence of notes is actually a melody. - Use less layes, less notes. Quality over quanity. Use less elements, give them more room to breathe, polish them to make them sound really exciting instead of burying them in a super-busy mix. - Think more about the track stucture, breakdowns/buildups/climaxes, tension/release. A track must tell a story to be actually great - Try more new different sounds, there is a world beyond the cutoff and resonance knobs on a 303 emulation. There is FM synthesis, wavetable synthesis, additive synthesis, all of them are capable of making all sorts of unusual futuristic trippy sounds.

Yeah, tell that to party/festival organizers and/or label managers, not producers. Do you really think we enjoy having our work completely brickwalled just to please somebody's PA ? Be unique, and get crucified by the almighty Goa mafia who knows better, because "omG uR NoT gOa". Or try to stay within the genre's boundaries, and get crucified by the almighty Goa mafia who knows better, because "ur NOT uniQue omg". Your choice. See above. At the end of the day, a genre is....a genre for a reason. Uh-oh, what if I like higher-bpm goa and anything lower than 150 bores the shit out of me. Seriously, those "tips" are hysterical and a perfect summary of this scene as a whole.

i remember you, but you not been the worst here all of us here in australia have been cleansed by fire

Lost my attention in modern Goa Trance and im speaking from producers perspective... and it's gonna be long but worth of read imo. Today Goa is one of most limited Trance styles, even more than that Offbeat Prog most of us can't stand. There are so much rules these days which you have to follow just to get released, to play somewhere? Even worse. Sometimes I wonder if we as producers even have a freedom to do what we like or think we do and that people will actually support that. Expectations and personal tastes of few will eventualy kill Goa scene, not 'bad' producers themselves. We are small scene struggling to survive but all we do is bitching around and killing wish of new or producers that already gave a lot on scene. Those that we still praise from 90s, well 99% of them don't give a thing for last 20 years and didn't contribute to scene at all while you have new guys doing and putting everything they can so this scene could go on and so they could really enjoy in life as an artists and all fun it brings. If you are not like Etnica, you sucks, If you are not like Tim Schuldt its too boring, it's not dark enough. If you have modern bassline you are Fullon. It's not 90s Goa ripoff, well it sucks. You see problem now? Every single style in Psychedelic Trance genre have been developing since it's beggining, every couple of years style changed itself and most of them for better. And people there actually accept that because they understand 2005 Full on is 15 years old and it was good for that period, now is different and good for today. Progressive from early 00s was also good, but Ace Ventura is killing it now and killing it big for 2020 and people fucking love that. Remember Twisted System back in 2004? Fucking best Twilight ever. Well Ajja is king now sorry. Goa trance, 95 MWNN and Etnica, 2005 crazy Filipe Santos, 2010 Filteria, today... who knows? Every music was good for its period, some survived for 20-30 years, some not. But everyone moved on, new music, new generations, everyones having fun big time, parties and festivals bigger than ever, more music than ever for each and everyone but not for us Goa people. To us nothing is ever good enough specialy when you don't want to ripoff music from 25 years ago doing over and over same things, we just want same music, same style, same group of artist playing here and there. As an artist you are forced to do what others (label, promoters, scene?) want just to get released and get some attention from people so you can feel welcome on scene. So you make what they want which is maybe musicaly better but technicaly it's crap and everyone knows it but it's ok because it sounds like 90s. Maybe you got lucky to get booked on them few Goa Trance festivals and play for a bit bigger crowd so you get bigger and better promotion. Then you want more and more, why not to play for even more and even more often but oh wait you can't. Nobody want too book you, all promoters booked you already, so you are not interesting to them anymore, lets try others but nobody ever fucking heard of you. You would like to play on Boom or Ozora, all of us want but wait they never heard of you because marketing in Goa scene is one worse ever because they are not daring to invest at least 50euros in their digital promotions of your releases for which you are obviously not payed enough or not payed at all. Second thing, remember that you sounds like 90s, technicaly/production wise it's crap so is your music to 99% people out there because you couldn't use damn boring 'fullon bassline' or 'fullon kick' and now your music sounds ears bleeding on big systems and who da fuck want to put this guy on stage in front of 50000 people? I personaly would never, only if he doesn't brings me tons of money. 50000 people won't hear Goa Trance just that few days, where are tons of other big parties and festivals? If labels and agencies know what people really want today, why they don't force artists corectly and invest in them? You know that 50k on artist pages means a lot to get booking? Make his artist page on facebook get 50k likes! People like fancy produced videos of artists playing, doing interviews or studio sessions? You are fucking manager, so fucking make that happen! Is it really that hard? People on dancefloor love modern sound, so fucking force your artists to have production quality of Astrix instead of forcing them to boycott fucking EQ in their projects. And last thing but most important we forget if we want to survive is because we don't know how to sell product (read music). Literally we are worst there. You release something but 90% of scene don't have a clue that release is out. Are we doing business because this artist-label-parties-scene stuff is business after all, or we just satisfing our personal taste and personal frustrations? Are we as people, giving enough and fucking DECENT support to guys doing this music? Hell no! Even worse is that their damn labels don't give them decent support, just opportunity to get more money or promotion for their own name. I am here with you for 11 full years, 2500 posts, active for so many years. Meet some of you and become good friends in real life. You know my alter ego but some of you know me as a person. We have some history here right? Let me take a personal example so I don't target any other artist... My latest release 'Imba - Liberation EP' was released 2 and half months ago, to be exact 73 days and yet not a single review on it. How and why? Not that it's most important thing to artist but to most of us it has value. We came here because we value some thing here and some words can inspire us to keep doing it. I would really love to read some words from some respected members in scene, good or bad but I would love just to discuss and see. - Is it possible that nobody heard it yet for 73 days? Hard to believe that. - Is it possible that nobody could spare 10-20 mins to write it for 73 days? Hard to believe that. - Is it really that terrible that nobody wan't even to think about it? Even harded to believe that not because is mine but because I saw/heard it on dancefloor. Even in promo post only 2 people left some comment... This example is just one small thing of many, not most essential for survival of Goa music but to some people could mean a lot. How often you sent supportive msg to artist, new or older just to thank him and make him feel right and happy for doing this? How often have you shared artists music or party videos on your social media just as support? I haven't recieved msg here in ages and just simple Thank You would mean a lot to me or someone... Artist is not producing music just for themselves, not this type of music as you can't live from it. If they don't feel connected with people they will stop, one by one. I asked myself many times why? Yeah I am enjoying, I love this music and love the lifestyle, traveling, playing and fun but for who? Morphic Resonance who is very much loved here or in scene generaly, who gets lots of attention... got same questions on our last meeting. Many guys does... And here we are back to beggining, the people for whom we are doing all of this. First of all is: can you say that you as listener/party goer/Goa Trance lover doing enough for Goa Trance so it can survive and be good? Are we artists only guilty because scene is like this and you lost attention? We are too lazy to comment, talk, support someone which takes just couple of minutes but we are always ready to bitch artist who lost months or even years on some release just because he is not Etnica and he is not 90s. This is not 'Mom got me a toy I didn't want', it's far more important than personal expectations and taste. If you want scene to survive ofcourse... I didn't want to offend anyone with this post and I hope nobody found offended. Just pointing some main problems and I hope that you will think about...

Like usual... Search and you will find I think 2019 was a REALLY good year music wise, much better as many years before... the times of only melodic new goa trance is definately over!

Hell yeah, how many websites in the world can claim to have 20 years of existence ? For those who are new here and sdon't know how it all started, just have a look here: Psynews (goatrance.free.fr at the time) was meant to replace the defunct Third Eye UK , and it turned out to be much more than that. This community, a lot of real-life friendships and initiatives like Suntrip Records. I talked with the Psynews creator, @Children a few days ago, he's good, his kids are teenagers...maybe you'll hear about him soon

Calling his newer work commercial is completely wrong. Melodic trance in the style of Afgin had a peak around the start of the 00ies but nowadays is way less popular than Psytrance. You're applying definitions of the term 'commercial' as used in 2002, not 2020. Secondly, to answer the OP, he doesn't produce as much anymore, but still plays sets quite often. Last year alone I saw him playing live in Beligum, Spain and Israel.

not enough singing and limiting. also nhjo at least made the perfect tracks for the season. may i remind you of this masterpiece:

ah its the new Nhjo

fuck you rasist forum i never log in here again

2 new Astral Projection tracks samples from their 2020 new For All Mankind album!!

What did I just watch? Disgusting and neither Full On or Oldschool lol.. and certainly not both! haha..

Damn, JaraLuca got us all by surprise here! A huge jump forward since his last delicious album. This one is even bigger and better. Lots of unpredictable turns in each track, highly danceable and lots of power. It's a fresh album without copying himself or other artists. Very impressive and candidate for goa album of the year!

Dear trippy friends, I've collected and sorted all the votes from the 2018 voting thread and the results are in. I didn't style or pimp the list, sorry. But the results are correct! :-) Congratulations to the winners and all artists!!!!! UPTEMPO 1 48 pts Denshi-Danshi - Brain Chemistry (Suntrip) 2 47 pts Triquetra - Ecstatic Planet (Suntrip Records) 3 41 pts Proxeeus - Non-Euclidean Geometry (Goa Madness Records) 4 40 pts Morphic Resonance - Perplexity (Suntrip) 5 33 pts Median Project - In The Depths Of Space (Global Sect Music) 6 30 pts Unknownium - Unknownium (BMSS) 7 29 pts E-Mantra - Stapanii Timpului (Suntrip) 8 27 pts V/A - Shambhala (Global Sect Music) 9 25 pts Ray Castle & Collaborators - Mystique Of The Metaverse (Suntrip) 10 24 pts Ephedra - What The Future Brings (Goa Madness Records) 11 24 pts Sab Kuch Milegator - Surrounded By Surreality (Self-relea sed) 12 24 pts Veasna - Spectral Flux (Neogoa) 13 21 pts Ufomatka - Off the Beaten track of the universe (Cronomi) 14 19 pts SubConsciousMind - Symphonies Of Life (Self-released) 15 18 pts Etnica - The Juggeling Alchemists Under The Black Light (Dat Records) 16 16 pts V/A - 303 Syndrome (Mamomam Records) 17 15 pts Cos mosis - Retrofuturism (Digital Reprints) 18 15 pts VA - Under the Moss 4 (Forest Freaks) 19 14 pts Lectro Spectral Daz e - Infinitely Intricate Unfolding Kaleidoscope (Neogo a) 20 12 pts Gangguru - Be Your Own Guru (DAT) 21 11 pts VA - The Call of Goa 3: New Horizons (Timewarp) 22 10 pts Igor Swamp - Akrabadabra (Hippie Killer Productions/Nullzone) 23 10 pts Abraxas - Inner Worlds (Future Music) 24 10 pts Archaic - Mountain Powers (Parvati) 25 10 pts Material Music - Love & Magic [The Dust Album] (Kali Earth Records) 26 10 pts nangijala - fermented behaviour (zenon) 27 10 pts Ov erdream - Redux (self-released) 28 10 pts Re-Horakhty - Purgatoria (Forest Freaks) 29 10 pts VA Chronika Chapter V (Liquid Drop Groove) 30 9 pts deviant species - advent of the blue radula (trick music) 31 9 pts Goch & Friends - Woody Vegetation (Vantara Vichitra) 32 9 pts Material Music - Magic Science o f DNA (Ovnimoon Records ) 33 9 pts Starseed - Galactic Incubation Atmospheres EP (Iono) 34 9 pts VA - Purple Brain (A.N.A.L.) 35 8 pts Espoo So und Machine - Discobedience (S ound Kitchen) 36 8 pts juno reactor - the mutant theatre (metropolis) 37 8 pts Somnesia - Infinite Mind (Timewarp) 38 8 pts V/A - Offspring of the Dra gon (Manic Dragon Records) 39 8 pts v/a - The 50th Parallel (Suntrip) 40 7 pts Igor Swamp - Akrabadabra (Hippie Killer Productions/Nullzone) 41 7 pts Omnivo x - Surrender (Goa Madness) 42 7 pts Psykovsky & Friends - P rostra Potustoronn ego Zertsa l a (Not On Label (Psykovsky Se lf-released)) 43 7 pts Roof Raiser - Synthetic Forest (Another Dimension Music) 44 6 pts va - lost diamonds (digital diamonds) 45 6 pts VA - Lotus 46 6 pts VA Colo urs of Goa 3 (Timewarp) 47 6 pts Visions - Goblin Fungus (Geoma gnetic) 48 5 pts Concept Lightwork - Moments of Magic (Timewarp) 49 5 pts Sirius Music - Gaias Tears (Ovnimoon Records) 50 5 pts Urjasa - Happy Landing (Hypnotica) 51 5 pts v a - psychedelic depths (manifol d studio) 52 5 pts v/a - Return To The Source (BMSS) 53 5 pts VA Hear t of Goa 6 (Ovnimoon) 54 4 pts I nfected Mushroom - IM21 (HOMmeg a HD) 55 4 pts Insignia - Time Travel EP (D acru) 56 4 pts Material Music - Love & Magic [Master XXPSY Systems] (Kali Earth Records) 57 4 pts Smuds - For Fuld Musik (Real Vision Music) 58 4 pts U bar Tmar - Early Fusion (Zion 604) 59 4 pts V/A Goa Trance Legacy by Kanc Cover (SpaceDock Re cords) 60 4 pts va - hadra trance festival (hadra) 61 4 pts VA K ensho (Sangoma) 62 3 pts Anarkick - Eat the Mushroom (Anarkick Records) 63 3 pts Jayex - Soul Echoes (Surface Tension) 64 3 pts Solar Fields - Red Green Blue (Sidereal) 65 2 pts Fiery Dawn- Magus (Timewarp) 66 2 pts Oraalidonitsi - Who Cares About Name (Random) 67 2 pts V/A - Elan Vital (Melusine Records) 68 2 pts infected mushroom - head of nasa... (monstercat) 69 1 pts Discolin - Hercule Roilot (Nullzone) 70 1 pts Qiujan - Jahān-e Qiu (Self-re leased) 71 1 pts Rayavana - San ds Of Time (Sita) DOWNTEMPO 1 33 pts Kaya Project - Up from the Dust (Tribal Shift) 2 24 pts Suduaya - Loveology (altar) 3 24 pts Youth & Gaudi - Astronaut Alchemists (Liquid Sound Design) 4 23 pts Globular - Entangled Everything (Self-released) 5 21 pts Solar Fields - Ourdom (Sidereal) 6 19 pts Nibana - Earth From Above (Self-released) 7 18 pts Dr Trippy - Bhang! (Disco Gecko) 8 16 pts Entheogenic - Kykeon (Universal Symbiosis) 9 16 pts Geoglyph - Geolinguistic (Psychedelic Jelly) 10 15 pts Akshan - World of Duality (Altar) 11 11 pts Maiia - Evolution 12 10 pts Advanced Suite - Drifting (self-released) 13 10 pts Airi - After The Rain (Zenon) 14 10 pts Conical Brazers - Crazy (Not On Label (chrncl brwsrs Self-released)) 15 10 pts Kalpataru Tree - Rhythmic Fractals Of Earth's Imagination (Self-released) 16 10 pts the polish ambassador + the diplomatic scandal - land of the lush (self) 17 9 pts Connect.Ohm - 9980 re-issue (Ultimae) 18 9 pts Echo Season - Periphery 19 9 pts Kaya Proje ct - The Dust Remixes (Not On Label (Seb Taylor Self-rel eased)) 20 8 pts Kuba - Animalia (Liqui d Sound Design) 21 8 pts State Azure - Mirror infinite 22 8 pts Zen Baboon Collected 23 7 pts Klaada - Breaking The Cycle (Mindspring Music) 24 7 pts Rukirek – I Will Return In Thousand Years 25 7 pts sephira - the master work (self) 26 6 pts Argus - Field Of Dreams (Altar) 27 6 pts Blue lunar monkey - Essential Oneness 28 6 pts Shogo Buzz - Shogo Buzz (Self-released) 29 5 pts One Arc degree - The glow baneath 30 5 pts Scion - Ascend (Self-released) 31 5 pts v a - blue dubs vol.1 (blue hour sounds) 32 4 pts abraham carmona - ibiza (liquid sound) 33 4 pts Rameses 2 - Spacewalk 2 Zero gravity 34 4 pts VA - Lurve Connection 35 4 pts VA Psychill downbeats 36 3 pts Deep Forest And Gaudi - Epic Circuits 37 3 pts Seamoon - Archaic Mind (Merkaba) 38 3 pts VA - Ethneomystica Vol. 6 (Mystic Sound Records) 39 3 pts va - ethnostep 8 (subbass) 40 3 pts VA Goa meditation 2 41 2 pts Master Margherita - Border 50 (Ultimae Records) 42 2 pts Shamanizm Parallei - Blue Lizard 43 2 pts VA - Vision Quest (Visionary Shamanics) 44 1 pts Indigo Egg - Aten (...txt) 45 1 pts VA - Infusions Vol. 6

The second full-length album by Distant System is now available here

TMedian project: Constellation Suntrip Records / Goa-trance 1. Antidote 2. Mission Adept 3. It Is Not Possible 4. Infinite Space 5. On The Edge 6. Pandora's Box 7. Sand Of Time 8. Sunrise 9. The Constellation Of Aries Median Project is Sergey Petrenko, a fairly new artist in Goa-trance. I enjoyed his previous album, In the Depth of Space (2017). So when I saw MP had a track called Life Line on Suntrip's compilation, The 50th Parallel (2018), my curiosity peeked. I thought the song was one of the best tracks on the compilation. Constellation (2019) is very melodic and psychedelic, coupled with strong synths, kicks, acid, and atmosphere. It's a very dance-friendly Goa album and some have even referred to it as Astral Projection meets Mindsphere. I'd like to add Artifact303 to that comparison chart 1. Antidote is a morning Goa song. The psy-ambient intro is beautiful. We're treated to some AP-esque melodies (without emulating AP thankfully), colourful and uplifting. I liked the adjustments at 3:45 and 5:15, and the melodies at 5:28 and 6:42. The latter incorporated key changes nicely. The song did little to keep my interest or engage me though. To me it sounded too safe and typical, formulaic. That said, it's a nice track. I'm all for positive vibes! I just find it more conventional than memorable. That said, I imagine the intent was to start the album off with an easier piece before moving into the more elaborate, complex, and cosmic story arc / Goa ones. 3.5 / 5 2. Mission Adept is more interesting! The song is zippy, kinetic, intense, and exciting-- like a new Filteria track. The ambient notes are good! Initially I found the occasional ringing effect (like a land-line phone at 2:32 and 2:39) a bit odd, but it grows to be altered as the music progresses, more alien and foreign in nature. Still I would have preferred to not have a telephone association in those few moments, as it distracted from the cosmic (imaginative) feel in my mind. The song has a visceral sense of urgency that I liked, and the atmosphere's great! The third act sounded like a healthy continuance of Act 2, but was solid! This is a fun, fast-paced track! 4.0 / 5 3. It Is Not Possible expands on the more electric approach that began with Mission Adept. The song is sharper, more fluid, intense, and powerful. I loved the synths in the opening act, and the forth minute took the music to new highs. The last act is homogenous-- less inventive when comparing the second to the first. That said. this is a thrilling, intergalactic song with strong synths, atmosphere, and climax! Couldn't the song have been called "It Is Possible" though since anything and everything is possible? This song is going to lift dance-floors, and it's great for working out, or immersing the mind into energetically, for home-listening. Super track! 4.75 / 5 4. Infinite Space maintains the more intergalactic approach. Great intro. The synths from 2:27 to 4:15 were ultra-melodic, juicy, and reminded me of Lemurians in their prime-- exceptional. The music quickly transitioned thankfully to vary things up, and the scenery shifted from 4:42 to 6:00. Here the main lead hugged the spotlight. I honestly thought it went on for a bit longer than necessary. Fortunately the melodic growth at 6:01 was satisfying. But the cool down part went on for a bit longer than needed. I suppose its a friendly approach for DJ's to mix but it grew a little draggy to me. This is a sweet track with one of the best melodies (2:27) I've heard all year! 4.5 / 5 5. On The Edge reminds me of what a new AP album could sound like. The song takes off like a rocket, remaining fully-charged and gripping. Excellent climax in the third minute. The transition at 4:00 maintained the catchy feels. There is a transitional segment where the tempo changes up with supporting elements. This part was so suspenseful, fun, catchy, and unexpected before what happened next! Man I wish there were more transitions this catchy to pulsate us to more magnetic terrain (thinking out loud). The song becomes more varied and delectable (for the most part) as it progresses. 5 / 5 6. Pandora's Box starts off great. The AP-esque synths and voice effects in the first several minutes (the song's first half) is strong. The artist keeps things interesting, moving, creative, and fun! Is it me though or does Act 1 seem to not know when to end? The song runs out of ideas at some point around 4:35 forward and grows repetitive and bland, lazy compared to the first half. The forth minute could have transitioned to healthier, more varied (wonderful) terrain. 3.5 / 5 7. Sand Of Time begins like a new AP track that's strong, gripping, and dark. The artist balances intense with harmonious synths (add atmosphere) beautifully. Act 1 [0:00 to 3:30] is excellent! Oddly, the segment from 3:31 to 4:23 was a bit empty and bland, like a typical way to transition via remove layers until something else arrives. I get that its purpose is to allow us to breathe, but give us something interesting to sink our minds into! The Ambient/Goa-influenced interlude that follows [4:24 to 5:15] is wonderful, coupled with warm atmosphere, voice effects, and more. It's an eventful, stand-out moment on the album. Now I have TWO THOUGHTS on what comes next. ONE: The hymns (stepping up and down in arrangement) sound typical and take away from the fantasy vibe, and climax via 5:17 forward is too formulaic and bland, as if the artist was trying to cater to the more general crowd. I've heard mainstream Trance climaxes like these hundreds of times (It's not why I listen to Goa music). TWO: Act 2 set the uplifting climax up nicely despite it sounding a bit similar (bland?) and safe, but it works for the general crowd. The hymn key changes aren't bad. They add an ethereal touch to the dance-friendly finale despite the more mainstream friendly (conventional) approach sounding less impressive, ambitious, and imaginative than I would have liked. This is a tough one to score. I loved everything up until the segment starting at 5:17 where the song's structure and direction took the easy way out. Nice atmosphere! 4 / 5 8. Sunrise is a beautiful morning sunrise track. Not only that-- it's full of life, hope, electricity (passion/drive), and inspiration. I love the sound/melody work in the first act, combining beauty with momentum, determination. The band of melodies at 2:00 is strong, accentuated with atmosphere, ambient, etc., and a bouncy, delectable Goa tune. There's a cool effect at 3:17. The band of melodies exit for new growth and the music climbs. Nicely balancing high with low sounds, the vehicle reaches an island (interlude) around the fifth minute, allowing us to catch our breath before a quick climb to-- an amazing, kinetic, adrenaline-searing climax across the fifth and sixth minute. Wow! To top it off, the song is accentuated with complimentary leads across the last act. The song puts a smile on my face. I love it!!! Thank you (to artist) for pushing the energy envelope, feels, and creativity, and for not settling for something conventional and formulaic sounding! This is an outstanding morning/Goa sunrise track! 5 / 5 9. The Constellation Of Aries a strong, gripping and electric first few minutes that pad this thing as the [level design] crescendo of sounds begins to form, doubling and tripling like a tidal wave collecting energy until exploding into a monster climax! The ocean calms down for act 2, keeping the moving atmosphere in tact as new synths take shape. This is a great part, alleviating (swishing up) the big arc and allowing us to return to the groovy, acid, sexy even melodies that kicked things off. We arrive at a brief transition in the fifth minute before this fiery ball of ethereal energy begins to rebuild-- this time acquiring angelic energy packets, melodies along the way until this enormous rainbow climaxes again-- this climax is complimented with sustained leads. It's beautiful!!! This is going to be another huge track on dance floors. It's loaded with energy, positive vibes, heart, and spirit. 4.75 / 5 CONCLUSON Constellation is a high energy, high quality cosmic [neo] Goa album that is clearly inspired by [but does not emulate] AP's Dancing Galaxy and Another World-- but different and for our time now. It's very dance friendly, climactic, and ascensional sounding at times. Suntrip is expanding their types of Goa Trance which is nice to see! The album showcases attractive sound/melody work, atmosphere, and some of the best climaxes I've heard in quite some time, e.g., On the Edge, Sunrise, The Constellation of Aries. The opening track doesn't do justice to how good the album is, but I suppose the intent was to start off the album with a friendlier (for wider, more general audiences) track before the more cosmic journey that awaits. That said, there were a few times where I felt more variety, development, and evolution would have been amazing. Pandora's Box for instance runs out of steam halfway through and never recovers. Furthermore, Sands of Time, though infectiously AP-inspired, settles for a conventional climax approach in the last act that arguably took away from an otherwise great (less conventional) chapter. Lastly, sometimes the key changes enrich the music while a few other times, I felt that they made the music feel a little more conventional. These issues might not be everyone's and the pros outweigh the cons for me. Constellation is Suntrip's most accessible, mainstream-friendly Goa album to date IMO. I get that not every album has to sound so daringly out-of-the-box-- Hallucinogen, Pleiadians, Cosmosis, etc., to be satisfying. That said, the few bland/formulaic segments (at times) took away from an otherwise super [neo] Full On (non-stop like AP dance friendly) Goa album. The artist proves that In the Depth of Space was no fluke, just as he did with Life Line on Suntrip's The 50th Parallel. The album is a treat for fans of melodic Goa-trance. This is a visionary, cosmic ride full of great work, and is one of Suntrip's best releases. The cover and overall art is very pretty too! HIGHLIGHTS MISSION ADEPT (!), IT IS NOT POSSIBLE (!!!), INFINITE SPACE (!!), ON THE EDGE (!!!), SANDS OF TIME (!!), SUNRISE (!!!), THE CONSTELLATION OF ARIES (!!) 4.5 / 5 Samples / Buy https://www.suntriprecords.com/release/cat/SUNCD56/ https://suntriprecords.bandcamp.com/album/median-project-constellation

I was going to wait till I listened to it 100 times, but after 20 times I think I'm getting the feel. This is one of the best goa trance I have ever heard. We already had a great share of good music and amazing artists, but Median is right up there. Shining. Where his album on Global Sect was also very good, Constellation has enormous depth, euphoric layers, and fantastic balanced frequencies. I'm very happy to hear that Sergey tuned down the snares and claps, which were very present in his previous work. I'm listening to parts of Constellation every day. In my bed, in the car, ... He manages to transform a whole idea into music. Only given to the most talented. Every track is a space journey. Every track puts a smile on your face. Very good review Tsotsi! Constellation deserves that. We will look back and confirm year after year that Constellation is a milestone in Goa history. I'm sure of that. Grab it while you can!

Well my first album was RA - Earthcall and then Artha - Dream Telepathy, before that I labelled the album Loud - 5 Billion Stars as Goa. I didn't listen to any old school until about 2-3 years into my experience and didn't like it until one special night with me and Hallucinogen. How about that for credentials? There are pretty big differences between the two. But I think we already know what they are. Old school had a sense of play about where you can almost feel the artists on the other side of the track. The good albums certainly feel like they come from artists with a broader musical range who loop A LOT LESS, probably due to hardware. The tracks have quirks and more subtle changes that are a result of live knob twisting and all that. The looping that does go on gets tweaked so it doesn't sound so same same. Also the tracks have room to move, much more space in oldschool. HOWEVER, Kick drums are often weak and even if a good melody is present, having starting from heavily layered music I miss the craziness and extra psychedelia present in Neogoa layers. Some Old school blows my mind and I love how nothing is placed in a track without a purpose, but the real eargasms, increased heart rates and jumping around comes from Neogoa. While I hear the creative genius behind the classic old school albums, I get far more lost within modern classics.

Dear beloved supporters and fan of the work of DAT Records, it is with enormous pleasure that I can say that the production of the crop circles release on vinyl is going ahead and we are very close. We should have copies in store in early July and we are so happy about it. I also want to tell you that in all these months we have worked relentlessly to make some big announcements about our future at DAT. More Exciting news, coming soon

just got back to Australia now words cannot describe what we just experienced i have been to thousands of live shows in my life........ but have never witnessed anything quite like this..... WOW

Since we're all mostly using Bandcamp here on Psynews, I didn't find any topic where we can share the findings, so after a friend of mine told me yesterday about full-discography by Bluetech for only $5 over at Bandcamp I was thinking about making a topic here where we can share some good findings. I'll leave the Bluetech link here and will continue to share my own findings (in psychedelic trance, chillout, dub styles). Feel free to drop your own name your price / free goodies from Bandcamp Bluetech - https://bluetech.bandcamp.com/

Label: Biijah Records Country: Guatemala Released: 08 Feb 2019 Style: Psy-Trance Bandcamp Tracklist: 1. Ritualtool - RustyBass 08:18 2. Propagul - Alien Seeds 08:44 3. Full Face - Coconutrees 07:00 4. Mubali - Fu, Interrupted 07:26 5. Smuds - Turn A Sphere Inside Out 07:33 6. Ohmpapa - Mutchi Swutchi 08:48 7. Shivattva - Samurai Lifestyle 07:45 8. NoizeBug - Underground Religion 10:37 9. Scope vs PsyVader - Bluemoon 07:54 Biijah Records, although a relatively unknown label from Guatemala, is a long-running imprint that has been releasing some fantastic darkpsy material since 2010. This is the second compilation titled Alien Seeds that gathers some very talented producers that deliver real goods. It takes a lot to make me enjoy darkpsy, as it isn't my favorote branch of psy-trance, but Alien Seeds 2 has some amazing productions and I've eventually decided to write a full track-by-track review. REVIEW 1. Ritualtool - RustyBass 08:18 The opening track of the compilation is quite good. In the first half it plays with some spooky voices, and then switches gears to more traditional psy-tools. What I like about it is that it always stays subdued, which kind of works here pretty well. 4/5 2. Propagul - Alien Seeds 08:44 It takes some time before Propagul puts something edible on the table, but even then this track tends to get a bit dull. I like some of the parts though. 3/5 3. Full Face - Coconutrees 07:00 Here's an unusual number. The track follows an unconventional structure and is in a constant flux. The way its built makes it really interesting, because you never know what's coming next. Usually, I don't like tracks that have no clear path, but in this rare case it works in the favor of the piece. 4/5 4. Mubali - Fu, Interrupted 07:26 "Who the hell is interrupting my Kung Fu?" - the phrase that literally interrupts the track in the middle after a strong start. Then, it sort of rejects everything that it had built and throws everything out the window opting for a different path. The mood changes in the second half, it gets more disturbing, but no less interesting. Mubali is a well-known name in the darkpsy scene, so I'm not suprised to hear another great piece from him. 4/5 5. Smuds - Turn A Sphere Inside Out 07:33 Ooh, love the beats on this one, chunky and metallic. No really, the rhythm drives this whole track, and it's really amazing. The bassline changes throughout as well, and the rest of the track is set up in such a way that it complements the kick and the bass. This is a fascinating piece of psychedelic music. 5/5 6. Ohmpapa - Mutchi Swutchi 08:48 There are glimpses of fun in this track, but not by much. 2/5 7. Shivattva - Samurai Lifestyle 07:45 This track is teasing me with good moments, but never reveals itself entirely for me to enjoy it properly. 2/5 8. NoizeBug - Underground Religion Underground Religion starts with a hindu chant, which reminded me of EU's The Prayer. I'm not sure if it's the same one, but it really sets a certain mood for a track. It gets really freaky by the middle point, and I'm not sure I like everything that I hear. It's a 50/50 for me, so I'll go with the rounded up score on this one. 3/5 9. Scope vs PsyVader - Bluemoon 07:54 The last piece is quite unusual in a good way. the second half sounds especially cool and original with its prominent sound effects and melodic snippets. Overall, a great finisher to a solid compilation. 4/5 --- Alien Seeds 2 is by far the best darkpsy compilation that I've heard recently. It's got tracks with different levels of intensity, and there are some real gems here. Not all the tracks worked for me, but most did and that's more than enough for me. The best piece on the compilation is Smuds "Turn A Sphere Inside Out." I like tracks that work both in your bedroom and on the dancefloor, and that's what Smuds achieves here with excellence. 3.5/5

plz make elaborate plz.

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Yeah, t-shirts have arrived (and I'm already wearing mine) and I hope next week we will have complete material ready to go up on the Bandcamp.