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Hello Everyone, OK, let's all take a breath and address a few things. First of all, I can see that me just taking a pause from the goa trance scene was interpreted as basically any possible interpretation ever. But let's then answer about some of the things that were expressed on this thread: A number of DAT releases expired past the original contracts with the artists after X number of years, and so we are renegotiating to continue to make remaining copies available as possible. Meanwhile, Covid also put a big halt to several planned releases for the year, which we are continuing to prepare for the time when we can move forward (in one case, mastering is done, artwork and booklets in preparation). And you will see that our Unreleased Goa sub label continues to release every couple of weeks. I realize how the no-notice suspension of our bandcamp while we undergo updating logistics and preparations could lead to speculation but the rumours being spread here are simply not true. Thank you for staying tuned while we update the website, catalogue, and new releases. About me logging in and not commenting, well, I have been a lot of time offline and a few times I connected I have read a few things but did not feel like writing explanations on how I run this venture and the choice we made in the meantime. I was more preoccupied with the global crisis, the pandemic and also the fact a lot of people have lost their job and are in difficulties, so actually we wanted to halt all operations to see how things were looking and about to be globally. I am sorry someone feels like our records are only good as frisbee and I'd like this person to write me privately and tell me exactly what were his concerns and what releases he has bought, if he feels like. Oh and lastly, I had to change my password twice, and a couple of times i got banned for retrying to log some times, so i did not feel really at ease and it might be someone tried to hack my account. In the meantime I have been living in the countryside to be safe from a terrible infection that in italy was very strong, so to be safe. And with less internet we slowed down but we indeed worked a lot on the UGR sublabel to show we were still active.

Dear friends, The votes have been uploaded to my main supercomputer and have been counted a thousand times over and over again. As always, these lists are gold. Some of you will encounter hidden gems, stuff that you missed... or you can start digging those sweet downtempo albums to find the perfect background soundtrack. A big thank you to all artists and labels for the music. Even if your score is not in the upper range, being included in the list means someone noticed your music and it means that now we are ALL noticing your music. Congratulations! Here's the link to the voting thread. Here are the results of PSYNEWS BEST OF 2019! UPTEMPO ======== 1 66 pts Psylent Buddhi - Secrets Of The Atom (Suntrip Records) 2 49 pts Ultimate Xperience - Realm Of A New Dawn (Neogoa Records) 3 47 pts K.U.R.O. & Charm - Japanese Vibrations (DAT Records) 4 44 pts Median Project - Constellation (Suntrip Records) 5 43 pts JaraLuca - The Prologue (Mammomam Records) 6 42 pts Battle Of The Future Buddhas - The Light Behind The Sun (Suntrip Records) 7 41 pts Merr0w - Odysseus (Global Sect Records) 8 40 pts GoaD - Hypnotic Mirage (Neogoa Records) 9 38 pts Sykespico - Perspective (Suntrip Records) 10 33 pts Various - ZNA Retro Futuristic Compilation (DAT Records) 11 31 pts Katedra - We Are Not Alone (Global Sect Records) 12 30 pts Total Eclipse - Tokyo Live (Suntrip Records) 13 29 pts Celestial Intelligence - Incandescent (Suntrip Records) 14 28 pts Xamanist - Out Of Time (Self released) 15 25 pts Various - Goagilde (Kali Earth Records) 16 21 pts Various - Analog Visions (DAT Records) 17 20 pts E-Mantra - Tartarus (Melusine Records) 18 18 pts Pete and Pan - Return Of The Goddess (Goa Madness Records) 19 18 pts Ree.K - Early Tracks (Hypnodisk) 20 18 pts Pleiadians - Pyramid (EtnicaNet) 21 15 pts Sneila - Rebirth (Unreleased Goa Records) 22 14 pts Spindrift - Deep Nature (StereoHemia Records) 23 14 pts Morphic Resonance - Bad Dreamer EP (Self released) 24 14 pts Sky Technology - Rainbow Spirit (Neogoa Records) 25 12 pts Various - Order Ordonata: Metamorphosis (Dragonfly Records) 26 12 pts Gubbology - Next Door To Mystery (Axios Records) 27 11 pts Dreamchild - Akashic Dreaming (Unreleased Goa Records) 28 10 pts Hedustma - Forms 03 (Ovnimoon Records) 29 10 pts Elysium - Live …And Beyond (Digital Reprints) 30 10 pts Four Carry Nuts - Single Collection (Classic Goa Trax) 31 9 pts Walpurgisnacht Projekt - Omega (Absolut Shit Records) 32 9 pts Dark Whisper - The Trivium (Alice-D Records) 33 9 pts Various - Yggdrabits (Yggdrasil Records) 34 8 pts Goch - Million Years Ago (Rules Of Nature Records) 35 8 pts Shadow Chronicles - Arcadia (Future Music Records) 36 8 pts Miranda - Cosmic Treasures Vol. 1 (Spiral Trax) 37 7 pts Wizack Twizack - The Tesseract (Spiral Trax) 38 7 pts Protonica - Symmetry (Iboga Records) 39 7 pts Out Of Orbit & Shpongle - no Disco (Shamanic Tales) 40 7 pts Omnium - Neural Geometry (StereoHemia Records) 41 7 pts Ephedra & Proxeeus & Ohm Mind - Mad Fusion EP (Goa Madness Records) 42 6 pts Various - Har Har Mahadev (Alice-D Records) 43 6 pts Mechanimal - Digital Nature (24/7 Media) 44 5 pts Material Music - MADI Experience (OHM Ganesh Pro) 45 4 pts Lunarave - Transmigration (OVNI Breakfast) 46 4 pts Blue Hue - The Mandala Effect (Plateau 5 Records) 47 4 pts MFG - Pure Energy (Suntrip Records) 48 3 pts Various - Astronauts In The Solar System (Global Sect Records) 49 3 pts Nobot - Human Update (Parvati Records) 50 3 pts Braincell - Gaia (Self released) 51 3 pts Ocelot - Iconoclast (Moon Koradj Records) 52 3 pts The Maniac - A Treatise On Acid (Timewarp Records) 53 2 pts Acid Destroyers - Monsters And Mad Man (Goa Madness Records) 54 2 pts Static Movement - SiMiN (Sol Music) 55 2 pts Goch - Forte EP (Kali Earth Records) 56 2 pts DJ Omsun - Illusorium (Moon Koradj Records) 57 2 pts Psychogen - Psychogenius (Unreleased Goa Records) 58 1 pts Rezonant - Time Code (Sangoma Records) 59 1 pts Yabzyy - Systematic Chaos (Kali Earth Records) 60 1 pts Jagoa - The First Steps (Self released) 61 1 pts Various - Fleinheim (The Cure) DOWNTEMPO =========== 1 43 pts Lauge - Dawn (Iboga Records) 2 37 pts Proxeeus - Celephais (Neogoa Records) 3 31 pts Avaris - The Forgotten Language (Axios Records) 4 30 pts Bluetech - Holotrope (Behind The Sky Music) 5 28 pts Distant System - Infinite Continuum (Self-released) 6 27 pts Saafi Brothers - Mystic Cigarettes (Remixed) (Liquid Sound Design) 7 25 pts Globular - Untangled Everything (Self-released) 8 22 pts Tengri And Friends - A Course In Miracles (Orbita Parvati) 9 17 pts Solar Fields - Origin #03 (Droneform Records) 10 14 pts Bluetech - The 4 Horsemen Of The Electrocalypse: The Pale Horse (Self-released) 11 10 pts 36 - C45 Dreamloops 1-2 12 10 pts Various - Ethnomystica Vol. 7 13 10 pts Advanced Suite - Shapes Of Nothing 14 10 pts Greg Hunter - Tantra 15 9 pts Desert Dwellers - Breath 16 9 pts Panda Dub - Horizons 17 9 pts Shamanizm Parallelii - Blue Lizard 18 9 pts Eric Electric - Run Away Controls 19 9 pts Mantra Move - Raven Dub 20 8 pts Yagya - Stormur 21 8 pts Advanced Suite - TAKING MUSic in tHe ROOMS th&t DreaMT 22 8 pts Various - Ensancha El Alma Vol. 1 23 7 pts Dreaming Cooper - Exploring The Universe 24 7 pts The Borgasm - Welcoem To The Borgasm 25 7 pts Blisswave - Manvantara 26 7 pts Various - Liquid Sound Design Collected Digital Works Part 1 27 6 pts Entheogenic - Hypatia 28 6 pts Ambient Mann - Another Dimension 29 6 pts Astronaut Ape - Deep 30 6 pts Bluetech - Liquid Geometries in Dub 31 5 pts Cabeiri - Molecule Language 32 5 pts Bluetech - Sci-Fi Lullabies 33 5 pts Bosa - Eyes Of The Jaguar 34 5 pts Pangani - Superdeep 35 4 pts Zen Baboon - Origiro 36 4 pts Unknown Reality - Gaia 37 3 pts Spatialize - Beyond The Radar 38 3 pts Various - Temple Of Dub 39 2 pts Shwamp - Inner Landscape 40 2 pts Sync24 - Omnius 41 1 pts Deep In Mind - Autumn To Spring 42 1 pts Ambientium - City Of Memories SEE YOU NEXT YEAR! Aspartic

Oh hell time flies, it feels like I wrote the 20th bday thread not so long ago, but turns out if was before the Covid crisis... It's still accurate. What more is there to say to that? The is not the most active community but it should stay online as it contains a goldmine of information about Goatrance and Psytrance. BTW for those who don't know from the FB post, Psynews was moved to a brand new server one month ago, it feel so much faster now. Psynews certainly changed our lives. It changed mine big time, I keep realizing it. It was a big launchpad for several projects (Suntrip, Filteria...) It's like a fabric of wonderful people all around the world. Mind you, I'm even going to finally meet @Jon Cocco in the flesh next summer as he invited me to his place in the USA. Psynews keeps amazing me with everything it helped creating or enabled along the years. For those who need some more insights about this community, I still have this other thread in store HAPPY BIRTHDAY !

And people wonder why this forum going downhill, this is a review thread, keep it that way

Man, I haven't logged in months and the very first topic that I see is EP stating he's leaving the scene. It's like I've been transported back to 2003. Or 2005. Or 2008. Or every year cause that's what EP does. Biggest drama queen of our scene.

so, you're saying his album has vaporized?

We are proud to be able to announce our upcoming release of 'Syb Unity Nettwerk' (June 2021) Check here a sample of the final art work Art Work: Kris Kylven Mastering: Colin OOOD

Hello world our Psynews Youtube Channel has just seen the light of day At this moment, our first video was uploaded - which is the first part of a founders interview of Children himself - one of the people who founded the site! Please find it here: I hope you enjoy it. It marks one more steps in this 20th birthday jubilee year of 2020 and I personally hope that we will bing much more content your way this year - and also maybe better edited one as my video edit skills get better aswell The next steps are: a new forum will be created here (visible for members and above only) to discuss our Youtube channel and for you to give feedback and suggest content the second part of the interview with Children will be composed by me to be released in the not-so-far-away future We would appreciate if you support us on YouTube by subscribing to our channel, commenting - hopefully in the same police and positive way most people post it on the forums here - and yeah, also by dropping a like if you enjoy it #HappyBirthdayPsynews.ORG

Except that very small fraction of these melodies is any good IMO.

Hey-hey. How's it? This is a bit of a large scale topic to tackle but I've been thinking about it every now and then. So the main question is - how's everything changed considering psytrance culture? What do you think? It's obviously a question that's intertwined with our technological/social/human progression. It's difficult to start making an analysis but to get things started... I'm arguing people are in collective terms less focused. This means what we "consume" needs to be easy and fast to digest. Any person needs to make a conscious effort to withhold a long attention span in the age is smart phones and social media. A shorter attention span is not the only thing - if you browse through endless amounts of data (phone/computer...), the creators of this data are in battle to win your attention. Your attention is money, straight and honest. It's views, likes and ad revenue. As you might have noticed, this battle is intense and ugly. It's almost like as if you've suddenly landed in this weird zoo with endless amount of monkeys hitting cymbals together. The loud and obscene run the show. Attention is also a drug like phenomenon, some people crave for it and are willing to take any measure to achieve it. And it certainly has been this way before the invention of internet, but nowadays you can't escape this toxic energy that easily. We're physically less in contact and digitally affected by behavior that we can easily classify sub standard. But isn't it so, that we've actually developed a skill to avoid the negative aspect of internet to some degree? That skill is indifference. People are far more indifferent than before. We just have to ignore a lot of things, because the amount of stimulus has significantly risen in the 10-15 years or so. In global terms the rise of indifference is great for the ones in control. But for the majority, for the planet, for the evolution of mankind... it's toxic. It creates a world of apathy and that's when things get dark when we run out of empathy and hopefulness. Let's see how the aforementioned, in my opinion, affects psytrance culture: 1) Drop of quality / When it's "fast-food" it means you only have to figure out a few things like production standards to achieve the pop-appeal. And sure, there's a place for easily digestible music and it can be fun too. But how about the very opposite? The ruthlessly difficult yet intelligent sound? The reason to do music, the idea behind it, has certainly changed for the worse. The big names are very clinical in their approach and pretty much create the same track over and over again. These days there's more ego & less Soul. 2) Drop of interest / People are less engaged. Less focus means we give each other, not to mention our art, less time and appreciation. We hardly stop to admire a great work even when we hear it. We don't write reviews. Those take time and who cares! Right? That's just the way cookie crumbles these days. 3) No more classics / There's no consensus on what's good and what's not. Just a few single opinions at most. There's no real indicators of quality and popularity these days neither, because views and stardom can be bought. We can all probably agree Hallucinogen's Twisted is a classic yes? But come to talk about anything from the last 10 years I wouldn't know. I couldn't know. 4) Less story-telling albums / ...and more digital singles! Because singles can be released more often therefore staying "active" as an artist/label. Activity is one of the key elements to gaining attention online. A full length album? Yesterday's antics.

I love this place and if you need any help with Mod/Admin'ing, I'd be happy to support. 😃

A Diggers Exclusive from TIP Records on the way: "The Mystery Of The Yeti", 2 X 12", to be released in August. https://www.diggersfactory.com/vinyl/278548/mystery-of-the-yeti-the-mystery-of-the-yeti

And: "Transient States - Ballade en Forêt Double 180g black vinyl housed in premium 4mm sleeve. Mastered for vinyl by Robert Elster." Also available on NebulosaRecords.com Friday 5th of May

Let me announce: "Entheogenic - Spontaneous Illumination 20th anniversary | 101x marbled and black. Double 180g heavyweight vinyl housed in premium gatefold sleeve with fresh artwork from Miro Moric. Mastered for vinyl by Glenn Schick Mastering." On NebulosaRecords.com Friday 5th of May, vinyl pre-orders will be up!

Hey Folks, An Update here. The album is going ahead. The crowd funder was successful enough to make the project happen. The tracks are finished, and mastered, and artwork was completed, and everything has now gone off to the vinyl pressing facility and it will be around the beginning of June that the albums are shipped to me from the pressing company. It's in motion and will happen. A huge thanks to all who made a contribution, without whom the whole project would not have been possible. Kudos to you all. If anyone wants to pre order the double vinyl from me they can......just make contact with Nervasystem over at the FB page and I can sort you out. Get in touch sooner rather than later though, as they are extremely limited to 100 copies and two thirds of those are already ordered, so after i reserve my few personal copies, and save a few for very close friends and gigs, there's not many left, and they may all go before too long. I won't re-press this release, when they are gone, they are gone. It's going to be a bit special this one: Instant collectors item.....so if you are interested, contact me over at the FB page, or failing that you could try messaging on the Nervasystem Bandcamp. I'm seldom here, so those other ports of call are the best way to reach out if you wanted to secure a copy of the record. Cheers PS.....Here's a picture of the art on the inside of the gatefold cover.

Well, it seems that if I disappear for a while to actually finish the transitional work and don't come here, you guys really miss me ! So one thing at a time please: First of all this thread is about the work we have been doing as a team for years and I believe we did some great releases, which were always praised, especially by some of the members here as well. A forum It's not really my favourite place to come to, I'd rather work on facebook where updates are posted more often and where we have also Mark curating some awesome flashback Fridays every week. If that is not being active, as we were finished preparing an incredible release, I don't know what is I am really pleased to announce the 3CD of Total Eclipse has been finally sent to the press last week. By the way, just as a side note, the music and artwork were ready in January but there was a delay with the booklet, which features the history of Total Eclipse that was acquired through different interviews that our collaborator Cosmogenesis took at different times with the band. After the transcription there was a revision and then an accurate check and revision courtesy of Mark (DJ Solitare) and Pavlos who always help creating wonderful booklets. Then, there was the hard work of finding the right photos for said booklet and all this process took months, so, that how we arrived to June this year. Finally we also launched DAT Universe the new label which will include other genres and sub-labels too, so yes, we all have been pretty busy and frankly coming to comment here was not a priority. I also have a real job to attend, which is not related to music, so there's that. Also, in the meantime we continued to release almost monthly with UnreleasedGoaRecords, I worked on those releases as well, through the whole time, so it's not really we have not done antyhing. Finally, I am not on a tropical island, unfortunately, and cannot really see the point of messages about a work I did for a compilation, which was agreed with the label owner. If someone wants to discuss anything with me, should do so on facebook and privately, not on a forum. I thought the work we did as a collective was something appreciated and if a label takes time to make things in a diligent way, gets accused of disappearing. Bandcamp will be launched at the end of the month when the Total Eclipse CD will be released, and hope that this message covers everything. I probably should have this thread closed at this point because I don't really like the vibe going on, will have a new thread about the new label which should be better.

"I'm quitting. I swear. I'M DOING IT. LOOK HOW MUCH I'M QUITTING. THERE. I'M GONE." *furiously mashes F5 for 3 months to see reactions*

He's literally been filling the Hypnotic LFO Room Bandcamp with his stuff these days: https://thehypnoticlforoom.bandcamp.com/ Not sure what to make of that post, he's probably still fine with taking "those people's" money, but whoever has bought stuff off his Bandcamp better download it before he pulls a Santos.

younger brother made an album called vaccine and the trance version was called vaccine electronic but I think it is just a name there is no reference or lyrics about an actual vaccine and the album sucks anyway - both versions

Hey-ho Goa people. For a whole week, starting today, I'm giving a discount with 90% off on complete Neogoa Records digital discography hosted at the Bandcamp! Instead of paying €113.00 EUR for 46 releases, you pay just €11.30 EUR! Boost your collection, support our work and enjoy in some diverse psychedelic goodness made by amazing musicians around the globe! Share if you care! Le link: https://neogoarecords.bandcamp.com/

Dear Suntrippers! 1.) New VA - Gamma Draconis 2.) Future releases ------------------------------------------------------------------------------ 1.) New VA - Gamma Draconis We are very proud to release our new compilation, Gamma Draconis! After years of working with these goa-trance legends they made 1 more old school goa-trance track especially for us! So, lets revive for once that amazing 90s vibe! The result is an 8 track compilation with music that ranges from classic melodic trance, modern goa-trance to darker acidic stuff by the biggest names in trance history! 1. Roy Sasson - Mentalogue 2. Xenomporph - Dying Sun 3. Battle Of The Future Buddhas - Shinechaser 4. Shakta - Expedition To Earth 5. Astral Projection - Dominion 6. MFG - Global Light (Retro Version) 7. RA - Eikon 8. Oforia - Emotionally Charged Memories For once, we also printed it as a 2LP-vinyl. You can buy it now, but it can only be send next monday. The cd is already available, and we can also fulfill your digital needs of course The cheapest if you want to buy only 1 release or only digital: https://suntriprecords.bandcamp.com/ The cheapest for you if you want to buy several cds/tshirts/packs: https://www.suntriprecords.com/shop/ 2.) Future releases We are on fire at Suntrip, because we are already finalising our next 3 releases! The next one, during the second part of november, will be the long awaited third part of Mindsphere's trilogy Expect emotional, analog, warm pure goa-trance! At the end of december/early january we will make the winter a bit more bright! We will release a melodic forest - old night-style goa-trance cd For sure a bit more underground compared to our usual releases but we think you will be surprised by the music you will hear on it! And at the second part of february you will get the second cd of Khetzal, finally, after 13 years!! But that won't be all. We are working on a new Filteria album, a new Median project album, a new goa-trance compilation and some more stuff as well! Thanks for the eternal support dear fans! Keep goa-trance alive! In these Corona times your support is even more vital then ever before!

What's gold is the fact that this scene was built in the back of murderous ex-military Israelites & has-been hippies abusing the seemingly liberal lifestyle afforded to them by a poverty stricken nation desperate for the money they brought, with not a care to the devastation this scene has caused to the people of Goa & India over the decades. Furthermore misusing religious prayers & symbols with drug abused while claiming its for enlightenment when it's just an excuse to drop chemicals and become wankers. This scene was and still is the ultimate in religious & culture theft for the abuse in the name of drug abuse. You're all delusional if you deny this. The majority of real Indian people absolutely despise what the scene in Goa did to them. But white folk always take what they want with little care for others and their cultures.

I'm missing colorful, story-telling 10+ min tracks... rest assured, they're rare to hear because they're difficult to make. There needs to be coherence within the change and it's actually difficult to achieve without some level of conceptual thinking. It's exactly these sort of threads on Psynews that initially sparked the flame to start composing. My personal vision can only be materialized by me. In fact, I'm gonna open my FL and try to come up with final melody to the last track of forthcoming 4th album.

Haha haha

Artist: Pete & Pan Title: Return Of The Goddess Label: Goa Madness Records Date: November 27, 2019 1. Serra Del Estrela 2. Elysian Fields 3. passing Spirits 4. Tantric Tweak, 5. The Fool 6. Abundance 7. Nowhere 8. Solstice 9. Muse (Bonus Track) Peiter, will you tell me a story? I’ll do better than that for you Peiter, we are going to make one together Pieter Goessens & Pieter van den Broeck make up Pete & Pan. If you haven't watched the Goa Madness interview with these fella's go and do so to get an idea of what they are all about. Alternatively you can take my word for it that they are all about having a fun and bringing enjoyment to the world. And if you know about Goa Madness Records then you probably know that they pretty much only release well produced psychedelic Goa albums. Taking this into account you can expect a well produced psychedelic Goa trance album that is almost filled to the brim with good times and positive story telling. The feel good aspect of this album is something I haven't heard since listening to Spiritual Healing. ~ Serra Da Estrela Good intro's are the most wonderful little gift that makes an album so much better. Serra Estrela has Astrix level Shamanic Tale vibes and does the trick of transporting you to another world like nothing else. The baseline is deadly and the magical atmospheres carry you through to a large vibrant melody that pick you up and take you higher and higher if you let it. Elysian Fields An anthem for all the teenage boys and girls out there that could never get some. A perfect mix of despondent teenage insecurity floats around positive future outlooks. If Elysian Field (Which is perfectly titled) does not pull an adolescent from their glum self pity into a mood terrorized by hope and positivity then nothing but time will. There is a playful little surprise for us further down the line that turns into a gamechanger for the track. Passing Spirits I like the vocal samples here. They all fit in really well and remind me of old 90's vocal trance that I used to hear in my friends old gym. Body Pump in North Australia circa 2005 is written all over this track. 8 bit sounds can also be found around Passing Spirits as can some key changes that almost always leave me feeling cheated. This time is no different but I find it easier to get over it and move on to my continued enjoyment of the track. The wicked first act sets the scene for the rest of the track that is The Fool. The smooth leads form into a smooth melody that travels around the void calmly juxtaposed against a dirty bassline and kickdrum. The two take turns with your attention and build a glitter spangled storyline Tantric Tweak Cool title and another cool intro comes as no surprise. If you want a track that builds and builds and builds then this might be the track for you. The explosion of feel good vibes wrapped up in a wide melody makes you want to stroll where rays of sunshine can surround you in warmth the way that Tantric Tweak warms you from the inside. Darker atmospheres crawl out of the intro to Abundance but quickly get buddied up next to some playful positivity. The track builds and builds into something almost unrecognizable to the beginning. Absolutely incredible story telling that has so far remained impossible to not get lost in. Nowhere Melodies of raw sugar screech across your brain and etch themselves into it. Behind that you have a melodies begging you to throw your arms out to the side to glide on euphoria. Solstice Starting energetic and full of playful potential as can be expected with these bubbas. Here you're gonna get more twists, just as many feel good melodies and scorching raw leads of nuclear fusion. Muse (Bonus Track) It's been a long time since ive sat through such a purposefully uplifting banger. Muse is the sort of track you close a magical festival experience with, leaving everyone full of bliss and peace. A favourite from the album for it's pure emotional power. ~ Goa Madness continue their selection of hand crafted, top quality maestro produced Goa Trance. The production quality here is on par with Hypnoxocks Eurythmia, everything is polished, clean & purposeful. Each Track is a story and each finishes far away from where it starts. Listen to your album however you want, but try as many different ways as possible, back to forth, front to back, on shuffle. each time you get a different perspective and a different journey. Some of the track in Return Of The Goddess are the sort of music The Muses Rapt should have been producing in 2019. Well Pieter & Pieter have taken the torch and given us something that is so delightful I'm scared of listening to it too much. If Pieter & Pieter are going to go to the effort of releasing this piece of wonder then i'll face my fears and listen to this album till my heart is content. This album is certainly going into my top 10 for 2019 and something I'll be bumping every time I need a little extra aural love in my life. Thank you Goa Madness and all of the Pieters involved in this project. https://goamadnessrecordsofficial.bandcamp.com/album/return-of-the-goddess

Lots of social factors come at play when you try to figure out how "the scene" came to its current standards. 90s was a period without internet, or at least the social media was non-existing. You'd just do your thing, with no need for constant attention seeking or self-promotion. You'd sit in whatever psyhole you had there, compose, play at a party and the feedback would occur the natural way, via real human contact. These days you need following, likes and what not - it's all virtual though. And hey! You can also buy the likes, psyscene is under capitalistic law like it or not. All that's been said is affecting us all. Social media is giving us access to infinite amount of information and what kinda happened is our minds are focused on trillion things at once trying to swim through the pool of data. The consumption mode is on when it comes to psytrance, too. So many artists, so much music! As a reflection of a sort, haste & desire for recognition have unfortunately become major driving forces for many musicians. The social media driven world shows no mercy, it's just the state of things for the time being. Patience, vision and focus. I reckon the amount of these qualities has dropped significantly and hence understand the frustration of many. Only thing that might, just might, ease the pain is the fact new Sab Kuch Milegator album is only one track away...

Heh, "this old chestnut". I have many thoughts regarding the matter and I don't know how to turn them into a coherent story so I'll just list some random points: 1) First, there is the principle called Sturgeon's Law, often summarised as "ninety percent of everything is crap". I won't start dissecting the full details of Sturgeon's original statement nor its later interpretations. Anyway, I think the principle essentially says that when there are quality differences and personal preferences, only so many pieces can be "very good" or "like things should be". There are boatloads of music. Even that "very good" 10% (or a smaller fraction) can be so huge that our ears cannot take any more. Therefore we can pick the best, use it as the measuring stick, and rule the rest as "crap", even though in reality the "normal" level is somewhere within that 90% and we're just getting really picky. 2) The corpus of released goa/psy has been accumulating for decades. That makes things even worse regarding the "top 10 versus the rest" comparison. A lot of totally half-arsed stuff from the earlier decades has already been forgot for good. More or less consciously, we end up comparing the very best of those past years to the average level of recent releases. That comparison cannot end well. 3) Also, after thousands of full releases, it's getting more and more difficult to produce something truly original that we still categorise as goa. Either the release "sounds like X, Y and Z" or it doesn't quite fit into the genre. Imagine a hazy blob on the genre map that we label as goa. It consists of dots, which are releases. When the amount of dots increases, it's getting difficult to find any totally blank regions among the existing stuff. You end up either close to something that already exists or too far away from the centre. 4) There is also the phenomenon called sophomore slump. It's quite generic in nature, but it can be understood as "the second attempt being worse". In personal effort like producing music, it can mean that the first try manages to capture the raw power of what you really want to express. Then you kind of run out of steam. Even though the next one may be more polished, it cannot reach the same level of inspiration and originality. Another way to view it is that if you, as a listener, fall deeply in love with some specific approach, it's just inevitable that anything that differs from it has a high chance of being less appealing simply because it doesn't hit that sweet spot. But repeating the same-ish formula would feel like copy-paste or repetition so you cannot really win there. Coming up with something fresh and appealing is possible but really hard. "Easier said than done." And the artists out there cannot really read your deepest desires, nor are they under any obligation to fulfill them. If you're getting picky, it's your task to do the "crate digging" to find your personal gems, even though it may be a tedious task. 5) Also, nobody here is getting younger. There's just something special about the age when you first discover awesome music, visit your first parties and festivals, get drunk/high/laid and so on. As Constrictor put it, you cannot "recapture the magic that once was". When you grow older, you start to observe plenty of recurring patterns - things that get re-invented every ten years or whatever. Each iteration may be slightly different, but it cannot have the same impact as the first encounter with the subject. Just accept the fact that you're getting old and hard to impress, but every day someone else out there is discovering this genre for the first time and thinks that everything is awesome. Same music, different view. I'm definitely getting old and drowned under other commitments. I cannot do the same amount of crate digging as I used to. But I do remember that already back then when I had the time and energy, it was common to load 500 tracks to a preview playlist and ultimately pick just one or two of those as keepers. More than 90% was "crap", nothing new there. If you cannot do those 500 track marathons any more and you've already found enough good stuff to last a lifetime, just cherish those, but don't get too bitter about modern times. I still do discover very good stuff, occasionally. Most releases cannot meet the crazy expectations, but someone out there still enjoys them so they deserve to exist. Nice recommendations by Manuser, by the way. I've been blasting Proxeeus, for example, at work several times like it was 1995.

Thanks everyone for : - the effort in the "admins" tribe - the support of every visitor ! Glad this still exists, I'm not really up to date in terms of the latest albums and am using the website to check what I missed in the new groups ... well now I'm using myself the website for what I wanted it to be used for at the very beginning, find new artists ! ;-)

Basically all of this.

Well that clears up any confusion anyone was having ;p

we've heard so many samples of new tracks now (most of it sounding very good, starting off where the astral we know and love have left off years ago), that the new album has to be a quadruple album when it finally comes out in 2030.

i cannot understand how you keep the momentum of trolling for 10+ years. thats something else entirely. kudos.

Dear Suntrippers! We can announce our next CD-release on Suntrip Records! We will release a new big talent from Russia: Median Project! I would describe him as a mix between Mindsphere and Astral projection! Powerful, epic melodies and a lot of acid303s on top of it! Check the samples! Next week we will put the pre-order on bandcamp! : https://www.suntriprecords.com/release/cat/SUNCD56/

I guess most of you are mistaked. It's about mixing not the mastering. Katedra himself has always had this style of mixing: bassy, muddy, industrial. I know because we collaborated long ago on 'Magic Science & Imba - Ghost Town' where he was part of Magic Science, and you can hear his style in the track. Even if I am not, nor personaly nor professionaly for it/this style of mixing, I support and respect his ideas and presentation of his music. And important thing is freedom which not many labels give you these days but Global Sect does which is amazing. In most cases when I finish and send premasters to label they say 'It's too clean', 'It's more Fullon than Goa', or it's not clean enough or buyers prefer more this or that bla bla bla... here Katedra had complete freedom to express himself musical and production wise. Just relax and enjoy in what he delivers to you as his own Goa Trance without genre/style rules and boundaries

i still listen to and adore Amen from 2003. So if this new album is anywhere close to that, I look forward to another 20 years of sonic bliss Ive watched all their clips from youtube shorts, and there are some very interesting tracks here, so its looking good! im kind of excited! even though its really hard to get excited these days, at 42 😅

First of all, happy holidays guys, i hope you are all doing well. 😎 Congrats to all new parents 💪💜 I've been busy with real life (hardcore mode) for last 2 years and even we managed to put out The Purge by Lunar Dawn this year, honestly I've lost the drive for Goa music in general (yeah, The Purge isn't a Goa album), around pre-Covid pandemics. Recently, when it comes to psytrance, I'm more into full-on/Israeli stuff. Heck, I did a DJ set first time since 2011 this December in local club. And it was fun. 😋 My old Facebook profile (with shitload of contacts around the globe) is passe for some time now, so I'm thinking about getting rid of this incognito one too. I'm getting old, and it's not like it was back in the heydays of early goa-groups and pages. Besides that, i'm enjoying some weird trap music too, extreme metal as usual and spending my time on NBA fantasy apps. Funny thing, this might be the first post ever on Psynews that I posted from mobile phone. Weird times. Overall, still checking Psynews when I can, not the music that much, but always happy to see some old-farts around here. Take care guys 🤘💜

I went to Goa a couple of times in the early 2000s and two cd albums that caught my attention because they were just everywhere for sale were MFG "The Prophecy" and Rastaliens "Freestyle". No other cds were as available as those two in Anjuna. I guess that someone, probably slightly obsessive and with good taste, just copied tons of each. This might be relevant because Goa, especially early on, crosses over with techno, trance, acid etc and has been seen as fluffy or cheesy. Just one example in the form of a question to make the point: was Technossomy a Platipus band or a Goa outfit? For every hands in the air Goa anthem, there is a darker minor part of the track, or another darker track, or another outfit making more introverted sounds. Darkness has been part of Goa from the beginning is what I'm saying. This is inevitable with a Dionysian cultural movement, because every euphoria has its come down or shadow. In the Shiva trance dance you have to navigate the darkest hour before the dawn when you are tired and the music is at its most intense. Moreover, as Magus so rightly observes, how could a space-themed style not be full of the infinite darkness between the stars? Whilst "The Prophecy" is not dark exactly, its main theme is ominous and MFG's industrial roots come through in the music. Rastaliens always lurked in the shadows. Goa in the 2000s was not the Goa of the late nineties, but I think the point still stands. What I like about this is that like any good art form Goa has its salt and pepper, its light and dark. It makes sense that we'd be more attuned to the dark side now, given the darker times in which we are currently living. Do we see more eco-apocalypse, conspiracy, horror, and so on, in contemporary trance? But forget all that, in the true spirit of darkness there can only be one dark lord: X E N O M O R P H muaaaahhhhahahahaha

Artist: M-Run Title: Live Session Album Label: Cronomi Records Date: March, 2020 1. Live Session 1 - A Trip to Andromeda 2. Live Session 2 - Technosonic 3. Live Session 3 - Spiral Cloud 4. Live Session 4 - Chronos (Live Version) 5. Live Session 5 - The Magic Mug 6. Live Session 6 - The Redeemer 7. Live Session 7 - Hexagon 8. Live Session 8 - Oxigenated Seal What's this? A new M-run album? Sure, I'll dig into this. Let me get a cup of coffee first to keep focused. Hold my calls. Ahhh...that's the stuff. Now let's see...M-run for those that don't know is Mario Matakovic from Croatia and this is his second album. His first Some Run Just For Fun was a revelation in the goa trance scene. Easily a classic chock full of butt shaking grooves that took goa into directions never before seen. If you're a fan of goa trance it is mandatory listening. So with his second album for the Cronomi label he embarked on a very ambitious project, giving us a behind the scene look how he creates his music in the studio. So he created his tracks, practiced and rehearsed shooting for a recording in one take. Do you realize how difficult and extraordinary that is? Easy? Sure, maybe for an octopus. But to control an entire track and play it flawlessly in one take? And each track had a different hardware setup? I wonder how much F word was uttered during those takes. How many cats were kicked because he messed up one little bit and had to start all over again? I wouldn't be surprised if he was sick to death of playing these tracks. If I were you Mario I would be looking over my shoulder for PETA. They don't take kindly to cat kicking. "Ok Mario...take 76. F*cking hell." So what's the music like? First I'll say this is not Some Run II. Yes there are plenty of grooves and his production is second to none. Each track is its own tale and it is super easy to get lost inside. While his first album was an atom bomb with one jaw dropping moment after another this one is more laid back. It's not so much a "get on the dancefloor album" (although you could certainly dance to it), but more of a cerebral relaxed vibe. There are plenty of head bobbing beats and space age sound effects and even some times where it is powerful (Spiral Cloud, Hexagon). His production is second to none (love me some kicks without hi-hats to start a track) and I can honestly say it grows on me with each repeated listen. The all important first track sets the tone, bringing an organic and mysterious allure. Technosonic with its vocoded speech brings a down and dirty groove. The Magic Mug is like sitting in a groovy cauldron during an Egyptian summer. The Redeemer carries such a funky swagger while continuously building on its foundation that it is instantly one of my favorites. I would say this is another triumph for Mario. His two albums are distinctly different, but share equally impressive music. I heartily recommend this album. Cronomi Bandcamp

Yes, I've done war crimes when I was 7, advanced generation!

come on you cant draw a parallel like that anyone would feel badly insulted being compared to felipe santos

Hello cosmonauts Here is our plan for 2021: Cosmic Dimension - Altar of Wisdom (new album) Astronobios (EP) VA Trinity (compiled by Ages Of Love) Alienapia and Shivaૐ - FOA (forest goa album) Artifact303 - From the Stars (new album) Centavra Project (debut album)

Ive always thought of it like this. Psychedelic Trance is the mother genre, then we have goatrance as one sub and also psytrance as another. Yes that becomes a bit confusing since both share the same name; but they are indeed two different things. for example goa is like astral while psy is like infected. Of course thats just how i have looked at it personally for all these years. I dont remember anyone even calling it "psytrance" until a bit later, early 2000s i think. But maybe we did call some stuff "psy" even earlier than that... Hard to remember. Anyway i think "psytrance" as a genre is mother to sub-genres like dark, forest, tech, etc. While Goa and "Psy" has always been slightly distinct flavors under the matriarch; "Psychedelic Trance". makes sense to me at least

I am not the overseer of all psy trance kick and bass but I know a few bits and bobs. Just as well as every time I make a track I use different synths different processing and I enjoy that, at least 5 different bass synths (I like Bazzism and Kick2 equally for different reasons). There is no easy answer, there is no.... do X, Y and Z and then you have great kick and bass. (How many times did you follow the many tutorials and got to the end thinking it sounds nothing like the video !) Never think of this as bass alone or kick alone, both affect the character of the overlap, they are as one (and as far as phase goes the kick is dropping in pitch so phase will be aligned for what? one or 2 cycles ?). No one will see your oscilloscope or phase alignment tool on the dance floor or when they listen to your track. Visual tools are however useful, for myself personally as a second check or once thing start sounding just about right. Phase is 1 parameter of many interdependent parameters, it is important, it stops odd psychoacoustic effects and inconsistent sound and cancellation of sub. So 4-5 hours roughly to get something just about acceptable usually, that is synthesizing the kick and the bass line. Sometimes I will commit to audio and sometimes not, some synths do a better job than others in this regards. I spend more time on the listening for a few days, thinking... "Has this invoked the spirit of the last 2 decades of this music ? " more than I look at an oscilloscope. I test a kick and bass (and then snare and hat) at least 3-5 times on a different day deliberating if I have the "feel and effect" right before I will build a track on top. And on more than one occasion I scrap the entire kick and bass and start again because I have not achieved my goal or feel I can do better or the effect I wanted was absent. If kick and bass was just aligning phase up everyone's kick and bass would be great and probably sound the same right ? Clearly this is not the case. In my experience perception of good kick and bass varies a fair bit between producers. If we all listed our top 3 kick and basses the variation would likely be all over the place... this alone makes nonsense of it being a purely technical exercise. All the tools and techniques on YouTube etc. are very useful but in the end I think once you have all the techniques, in themselves a big job to absorb, you are still on your own in that final say so of .. if this what I want and is this good enough for me and my aspirations/goals. If it is sounding right and working everywhere you play it on headphones and speakers you are golden. And there is no shame in using a sample either, some people's idea of creativity and fun is not making their own kick and bass, no one sees your sampler or synth on the dance floor. Using synths is more of a personal technical challenge / feeling of satisfaction after release for me, so far no bass samples used. Just like becoming good at anything in life, you learn, apply, test and experiment, you may make less than stellar kick and bass initially but slowly you refine and through multiple experiments it starts to come together more consistently and quickly because you evolve out errors in your methodology, you also get an aural memory for what good kick and bass is to you personally.

Just like goa trance died in 1998 when X-Dream released Radio

Put that video @ Playback Speed x 1.75 and it's like you're at a party and there's that dude trying to explain to everybody the latest shit-hot conspiracy theory.

Just bought myself this little box of fun!

Yeah, tell that to party/festival organizers and/or label managers, not producers. Do you really think we enjoy having our work completely brickwalled just to please somebody's PA ? Be unique, and get crucified by the almighty Goa mafia who knows better, because "omG uR NoT gOa". Or try to stay within the genre's boundaries, and get crucified by the almighty Goa mafia who knows better, because "ur NOT uniQue omg". Your choice. See above. At the end of the day, a genre is....a genre for a reason. Uh-oh, what if I like higher-bpm goa and anything lower than 150 bores the shit out of me. Seriously, those "tips" are hysterical and a perfect summary of this scene as a whole.

Calling his newer work commercial is completely wrong. Melodic trance in the style of Afgin had a peak around the start of the 00ies but nowadays is way less popular than Psytrance. You're applying definitions of the term 'commercial' as used in 2002, not 2020. Secondly, to answer the OP, he doesn't produce as much anymore, but still plays sets quite often. Last year alone I saw him playing live in Beligum, Spain and Israel.

ah its the new Nhjo

TMedian project: Constellation Suntrip Records / Goa-trance 1. Antidote 2. Mission Adept 3. It Is Not Possible 4. Infinite Space 5. On The Edge 6. Pandora's Box 7. Sand Of Time 8. Sunrise 9. The Constellation Of Aries Median Project is Sergey Petrenko, a fairly new artist in Goa-trance. I enjoyed his previous album, In the Depth of Space (2017). So when I saw MP had a track called Life Line on Suntrip's compilation, The 50th Parallel (2018), my curiosity peeked. I thought the song was one of the best tracks on the compilation. Constellation (2019) is very melodic and psychedelic, coupled with strong synths, kicks, acid, and atmosphere. It's a very dance-friendly Goa album and some have even referred to it as Astral Projection meets Mindsphere. I'd like to add Artifact303 to that comparison chart 1. Antidote is a morning Goa song. The psy-ambient intro is beautiful. We're treated to some AP-esque melodies (without emulating AP thankfully), colourful and uplifting. I liked the adjustments at 3:45 and 5:15, and the melodies at 5:28 and 6:42. The latter incorporated key changes nicely. The song did little to keep my interest or engage me though. To me it sounded too safe and typical, formulaic. That said, it's a nice track. I'm all for positive vibes! I just find it more conventional than memorable. That said, I imagine the intent was to start the album off with an easier piece before moving into the more elaborate, complex, and cosmic story arc / Goa ones. 3.5 / 5 2. Mission Adept is more interesting! The song is zippy, kinetic, intense, and exciting-- like a new Filteria track. The ambient notes are good! Initially I found the occasional ringing effect (like a land-line phone at 2:32 and 2:39) a bit odd, but it grows to be altered as the music progresses, more alien and foreign in nature. Still I would have preferred to not have a telephone association in those few moments, as it distracted from the cosmic (imaginative) feel in my mind. The song has a visceral sense of urgency that I liked, and the atmosphere's great! The third act sounded like a healthy continuance of Act 2, but was solid! This is a fun, fast-paced track! 4.0 / 5 3. It Is Not Possible expands on the more electric approach that began with Mission Adept. The song is sharper, more fluid, intense, and powerful. I loved the synths in the opening act, and the forth minute took the music to new highs. The last act is homogenous-- less inventive when comparing the second to the first. That said. this is a thrilling, intergalactic song with strong synths, atmosphere, and climax! Couldn't the song have been called "It Is Possible" though since anything and everything is possible? This song is going to lift dance-floors, and it's great for working out, or immersing the mind into energetically, for home-listening. Super track! 4.75 / 5 4. Infinite Space maintains the more intergalactic approach. Great intro. The synths from 2:27 to 4:15 were ultra-melodic, juicy, and reminded me of Lemurians in their prime-- exceptional. The music quickly transitioned thankfully to vary things up, and the scenery shifted from 4:42 to 6:00. Here the main lead hugged the spotlight. I honestly thought it went on for a bit longer than necessary. Fortunately the melodic growth at 6:01 was satisfying. But the cool down part went on for a bit longer than needed. I suppose its a friendly approach for DJ's to mix but it grew a little draggy to me. This is a sweet track with one of the best melodies (2:27) I've heard all year! 4.5 / 5 5. On The Edge reminds me of what a new AP album could sound like. The song takes off like a rocket, remaining fully-charged and gripping. Excellent climax in the third minute. The transition at 4:00 maintained the catchy feels. There is a transitional segment where the tempo changes up with supporting elements. This part was so suspenseful, fun, catchy, and unexpected before what happened next! Man I wish there were more transitions this catchy to pulsate us to more magnetic terrain (thinking out loud). The song becomes more varied and delectable (for the most part) as it progresses. 5 / 5 6. Pandora's Box starts off great. The AP-esque synths and voice effects in the first several minutes (the song's first half) is strong. The artist keeps things interesting, moving, creative, and fun! Is it me though or does Act 1 seem to not know when to end? The song runs out of ideas at some point around 4:35 forward and grows repetitive and bland, lazy compared to the first half. The forth minute could have transitioned to healthier, more varied (wonderful) terrain. 3.5 / 5 7. Sand Of Time begins like a new AP track that's strong, gripping, and dark. The artist balances intense with harmonious synths (add atmosphere) beautifully. Act 1 [0:00 to 3:30] is excellent! Oddly, the segment from 3:31 to 4:23 was a bit empty and bland, like a typical way to transition via remove layers until something else arrives. I get that its purpose is to allow us to breathe, but give us something interesting to sink our minds into! The Ambient/Goa-influenced interlude that follows [4:24 to 5:15] is wonderful, coupled with warm atmosphere, voice effects, and more. It's an eventful, stand-out moment on the album. Now I have TWO THOUGHTS on what comes next. ONE: The hymns (stepping up and down in arrangement) sound typical and take away from the fantasy vibe, and climax via 5:17 forward is too formulaic and bland, as if the artist was trying to cater to the more general crowd. I've heard mainstream Trance climaxes like these hundreds of times (It's not why I listen to Goa music). TWO: Act 2 set the uplifting climax up nicely despite it sounding a bit similar (bland?) and safe, but it works for the general crowd. The hymn key changes aren't bad. They add an ethereal touch to the dance-friendly finale despite the more mainstream friendly (conventional) approach sounding less impressive, ambitious, and imaginative than I would have liked. This is a tough one to score. I loved everything up until the segment starting at 5:17 where the song's structure and direction took the easy way out. Nice atmosphere! 4 / 5 8. Sunrise is a beautiful morning sunrise track. Not only that-- it's full of life, hope, electricity (passion/drive), and inspiration. I love the sound/melody work in the first act, combining beauty with momentum, determination. The band of melodies at 2:00 is strong, accentuated with atmosphere, ambient, etc., and a bouncy, delectable Goa tune. There's a cool effect at 3:17. The band of melodies exit for new growth and the music climbs. Nicely balancing high with low sounds, the vehicle reaches an island (interlude) around the fifth minute, allowing us to catch our breath before a quick climb to-- an amazing, kinetic, adrenaline-searing climax across the fifth and sixth minute. Wow! To top it off, the song is accentuated with complimentary leads across the last act. The song puts a smile on my face. I love it!!! Thank you (to artist) for pushing the energy envelope, feels, and creativity, and for not settling for something conventional and formulaic sounding! This is an outstanding morning/Goa sunrise track! 5 / 5 9. The Constellation Of Aries a strong, gripping and electric first few minutes that pad this thing as the [level design] crescendo of sounds begins to form, doubling and tripling like a tidal wave collecting energy until exploding into a monster climax! The ocean calms down for act 2, keeping the moving atmosphere in tact as new synths take shape. This is a great part, alleviating (swishing up) the big arc and allowing us to return to the groovy, acid, sexy even melodies that kicked things off. We arrive at a brief transition in the fifth minute before this fiery ball of ethereal energy begins to rebuild-- this time acquiring angelic energy packets, melodies along the way until this enormous rainbow climaxes again-- this climax is complimented with sustained leads. It's beautiful!!! This is going to be another huge track on dance floors. It's loaded with energy, positive vibes, heart, and spirit. 4.75 / 5 CONCLUSON Constellation is a high energy, high quality cosmic [neo] Goa album that is clearly inspired by [but does not emulate] AP's Dancing Galaxy and Another World-- but different and for our time now. It's very dance friendly, climactic, and ascensional sounding at times. Suntrip is expanding their types of Goa Trance which is nice to see! The album showcases attractive sound/melody work, atmosphere, and some of the best climaxes I've heard in quite some time, e.g., On the Edge, Sunrise, The Constellation of Aries. The opening track doesn't do justice to how good the album is, but I suppose the intent was to start off the album with a friendlier (for wider, more general audiences) track before the more cosmic journey that awaits. That said, there were a few times where I felt more variety, development, and evolution would have been amazing. Pandora's Box for instance runs out of steam halfway through and never recovers. Furthermore, Sands of Time, though infectiously AP-inspired, settles for a conventional climax approach in the last act that arguably took away from an otherwise great (less conventional) chapter. Lastly, sometimes the key changes enrich the music while a few other times, I felt that they made the music feel a little more conventional. These issues might not be everyone's and the pros outweigh the cons for me. Constellation is Suntrip's most accessible, mainstream-friendly Goa album to date IMO. I get that not every album has to sound so daringly out-of-the-box-- Hallucinogen, Pleiadians, Cosmosis, etc., to be satisfying. That said, the few bland/formulaic segments (at times) took away from an otherwise super [neo] Full On (non-stop like AP dance friendly) Goa album. The artist proves that In the Depth of Space was no fluke, just as he did with Life Line on Suntrip's The 50th Parallel. The album is a treat for fans of melodic Goa-trance. This is a visionary, cosmic ride full of great work, and is one of Suntrip's best releases. The cover and overall art is very pretty too! HIGHLIGHTS MISSION ADEPT (!), IT IS NOT POSSIBLE (!!!), INFINITE SPACE (!!), ON THE EDGE (!!!), SANDS OF TIME (!!), SUNRISE (!!!), THE CONSTELLATION OF ARIES (!!) 4.5 / 5 Samples / Buy https://www.suntriprecords.com/release/cat/SUNCD56/ https://suntriprecords.bandcamp.com/album/median-project-constellation