Leaderboard

Hello Everyone, OK, let's all take a breath and address a few things. First of all, I can see that me just taking a pause from the goa trance scene was interpreted as basically any possible interpretation ever. But let's then answer about some of the things that were expressed on this thread: A number of DAT releases expired past the original contracts with the artists after X number of years, and so we are renegotiating to continue to make remaining copies available as possible. Meanwhile, Covid also put a big halt to several planned releases for the year, which we are continuing to prepare for the time when we can move forward (in one case, mastering is done, artwork and booklets in preparation). And you will see that our Unreleased Goa sub label continues to release every couple of weeks. I realize how the no-notice suspension of our bandcamp while we undergo updating logistics and preparations could lead to speculation but the rumours being spread here are simply not true. Thank you for staying tuned while we update the website, catalogue, and new releases. About me logging in and not commenting, well, I have been a lot of time offline and a few times I connected I have read a few things but did not feel like writing explanations on how I run this venture and the choice we made in the meantime. I was more preoccupied with the global crisis, the pandemic and also the fact a lot of people have lost their job and are in difficulties, so actually we wanted to halt all operations to see how things were looking and about to be globally. I am sorry someone feels like our records are only good as frisbee and I'd like this person to write me privately and tell me exactly what were his concerns and what releases he has bought, if he feels like. Oh and lastly, I had to change my password twice, and a couple of times i got banned for retrying to log some times, so i did not feel really at ease and it might be someone tried to hack my account. In the meantime I have been living in the countryside to be safe from a terrible infection that in italy was very strong, so to be safe. And with less internet we slowed down but we indeed worked a lot on the UGR sublabel to show we were still active.

Dear friends, The votes have been uploaded to my main supercomputer and have been counted a thousand times over and over again. As always, these lists are gold. Some of you will encounter hidden gems, stuff that you missed... or you can start digging those sweet downtempo albums to find the perfect background soundtrack. A big thank you to all artists and labels for the music. Even if your score is not in the upper range, being included in the list means someone noticed your music and it means that now we are ALL noticing your music. Congratulations! Here's the link to the voting thread. Here are the results of PSYNEWS BEST OF 2019! UPTEMPO ======== 1 66 pts Psylent Buddhi - Secrets Of The Atom (Suntrip Records) 2 49 pts Ultimate Xperience - Realm Of A New Dawn (Neogoa Records) 3 47 pts K.U.R.O. & Charm - Japanese Vibrations (DAT Records) 4 44 pts Median Project - Constellation (Suntrip Records) 5 43 pts JaraLuca - The Prologue (Mammomam Records) 6 42 pts Battle Of The Future Buddhas - The Light Behind The Sun (Suntrip Records) 7 41 pts Merr0w - Odysseus (Global Sect Records) 8 40 pts GoaD - Hypnotic Mirage (Neogoa Records) 9 38 pts Sykespico - Perspective (Suntrip Records) 10 33 pts Various - ZNA Retro Futuristic Compilation (DAT Records) 11 31 pts Katedra - We Are Not Alone (Global Sect Records) 12 30 pts Total Eclipse - Tokyo Live (Suntrip Records) 13 29 pts Celestial Intelligence - Incandescent (Suntrip Records) 14 28 pts Xamanist - Out Of Time (Self released) 15 25 pts Various - Goagilde (Kali Earth Records) 16 21 pts Various - Analog Visions (DAT Records) 17 20 pts E-Mantra - Tartarus (Melusine Records) 18 18 pts Pete and Pan - Return Of The Goddess (Goa Madness Records) 19 18 pts Ree.K - Early Tracks (Hypnodisk) 20 18 pts Pleiadians - Pyramid (EtnicaNet) 21 15 pts Sneila - Rebirth (Unreleased Goa Records) 22 14 pts Spindrift - Deep Nature (StereoHemia Records) 23 14 pts Morphic Resonance - Bad Dreamer EP (Self released) 24 14 pts Sky Technology - Rainbow Spirit (Neogoa Records) 25 12 pts Various - Order Ordonata: Metamorphosis (Dragonfly Records) 26 12 pts Gubbology - Next Door To Mystery (Axios Records) 27 11 pts Dreamchild - Akashic Dreaming (Unreleased Goa Records) 28 10 pts Hedustma - Forms 03 (Ovnimoon Records) 29 10 pts Elysium - Live …And Beyond (Digital Reprints) 30 10 pts Four Carry Nuts - Single Collection (Classic Goa Trax) 31 9 pts Walpurgisnacht Projekt - Omega (Absolut Shit Records) 32 9 pts Dark Whisper - The Trivium (Alice-D Records) 33 9 pts Various - Yggdrabits (Yggdrasil Records) 34 8 pts Goch - Million Years Ago (Rules Of Nature Records) 35 8 pts Shadow Chronicles - Arcadia (Future Music Records) 36 8 pts Miranda - Cosmic Treasures Vol. 1 (Spiral Trax) 37 7 pts Wizack Twizack - The Tesseract (Spiral Trax) 38 7 pts Protonica - Symmetry (Iboga Records) 39 7 pts Out Of Orbit & Shpongle - no Disco (Shamanic Tales) 40 7 pts Omnium - Neural Geometry (StereoHemia Records) 41 7 pts Ephedra & Proxeeus & Ohm Mind - Mad Fusion EP (Goa Madness Records) 42 6 pts Various - Har Har Mahadev (Alice-D Records) 43 6 pts Mechanimal - Digital Nature (24/7 Media) 44 5 pts Material Music - MADI Experience (OHM Ganesh Pro) 45 4 pts Lunarave - Transmigration (OVNI Breakfast) 46 4 pts Blue Hue - The Mandala Effect (Plateau 5 Records) 47 4 pts MFG - Pure Energy (Suntrip Records) 48 3 pts Various - Astronauts In The Solar System (Global Sect Records) 49 3 pts Nobot - Human Update (Parvati Records) 50 3 pts Braincell - Gaia (Self released) 51 3 pts Ocelot - Iconoclast (Moon Koradj Records) 52 3 pts The Maniac - A Treatise On Acid (Timewarp Records) 53 2 pts Acid Destroyers - Monsters And Mad Man (Goa Madness Records) 54 2 pts Static Movement - SiMiN (Sol Music) 55 2 pts Goch - Forte EP (Kali Earth Records) 56 2 pts DJ Omsun - Illusorium (Moon Koradj Records) 57 2 pts Psychogen - Psychogenius (Unreleased Goa Records) 58 1 pts Rezonant - Time Code (Sangoma Records) 59 1 pts Yabzyy - Systematic Chaos (Kali Earth Records) 60 1 pts Jagoa - The First Steps (Self released) 61 1 pts Various - Fleinheim (The Cure) DOWNTEMPO =========== 1 43 pts Lauge - Dawn (Iboga Records) 2 37 pts Proxeeus - Celephais (Neogoa Records) 3 31 pts Avaris - The Forgotten Language (Axios Records) 4 30 pts Bluetech - Holotrope (Behind The Sky Music) 5 28 pts Distant System - Infinite Continuum (Self-released) 6 27 pts Saafi Brothers - Mystic Cigarettes (Remixed) (Liquid Sound Design) 7 25 pts Globular - Untangled Everything (Self-released) 8 22 pts Tengri And Friends - A Course In Miracles (Orbita Parvati) 9 17 pts Solar Fields - Origin #03 (Droneform Records) 10 14 pts Bluetech - The 4 Horsemen Of The Electrocalypse: The Pale Horse (Self-released) 11 10 pts 36 - C45 Dreamloops 1-2 12 10 pts Various - Ethnomystica Vol. 7 13 10 pts Advanced Suite - Shapes Of Nothing 14 10 pts Greg Hunter - Tantra 15 9 pts Desert Dwellers - Breath 16 9 pts Panda Dub - Horizons 17 9 pts Shamanizm Parallelii - Blue Lizard 18 9 pts Eric Electric - Run Away Controls 19 9 pts Mantra Move - Raven Dub 20 8 pts Yagya - Stormur 21 8 pts Advanced Suite - TAKING MUSic in tHe ROOMS th&t DreaMT 22 8 pts Various - Ensancha El Alma Vol. 1 23 7 pts Dreaming Cooper - Exploring The Universe 24 7 pts The Borgasm - Welcoem To The Borgasm 25 7 pts Blisswave - Manvantara 26 7 pts Various - Liquid Sound Design Collected Digital Works Part 1 27 6 pts Entheogenic - Hypatia 28 6 pts Ambient Mann - Another Dimension 29 6 pts Astronaut Ape - Deep 30 6 pts Bluetech - Liquid Geometries in Dub 31 5 pts Cabeiri - Molecule Language 32 5 pts Bluetech - Sci-Fi Lullabies 33 5 pts Bosa - Eyes Of The Jaguar 34 5 pts Pangani - Superdeep 35 4 pts Zen Baboon - Origiro 36 4 pts Unknown Reality - Gaia 37 3 pts Spatialize - Beyond The Radar 38 3 pts Various - Temple Of Dub 39 2 pts Shwamp - Inner Landscape 40 2 pts Sync24 - Omnius 41 1 pts Deep In Mind - Autumn To Spring 42 1 pts Ambientium - City Of Memories SEE YOU NEXT YEAR! Aspartic

Oh hell time flies, it feels like I wrote the 20th bday thread not so long ago, but turns out if was before the Covid crisis... It's still accurate. What more is there to say to that? The is not the most active community but it should stay online as it contains a goldmine of information about Goatrance and Psytrance. BTW for those who don't know from the FB post, Psynews was moved to a brand new server one month ago, it feel so much faster now. Psynews certainly changed our lives. It changed mine big time, I keep realizing it. It was a big launchpad for several projects (Suntrip, Filteria...) It's like a fabric of wonderful people all around the world. Mind you, I'm even going to finally meet @Jon Cocco in the flesh next summer as he invited me to his place in the USA. Psynews keeps amazing me with everything it helped creating or enabled along the years. For those who need some more insights about this community, I still have this other thread in store HAPPY BIRTHDAY !

And people wonder why this forum going downhill, this is a review thread, keep it that way

Man, I haven't logged in months and the very first topic that I see is EP stating he's leaving the scene. It's like I've been transported back to 2003. Or 2005. Or 2008. Or every year cause that's what EP does. Biggest drama queen of our scene.

so, you're saying his album has vaporized?

We are proud to be able to announce our upcoming release of 'Syb Unity Nettwerk' (June 2021) Check here a sample of the final art work Art Work: Kris Kylven Mastering: Colin OOOD

Hello world our Psynews Youtube Channel has just seen the light of day At this moment, our first video was uploaded - which is the first part of a founders interview of Children himself - one of the people who founded the site! Please find it here: I hope you enjoy it. It marks one more steps in this 20th birthday jubilee year of 2020 and I personally hope that we will bing much more content your way this year - and also maybe better edited one as my video edit skills get better aswell The next steps are: a new forum will be created here (visible for members and above only) to discuss our Youtube channel and for you to give feedback and suggest content the second part of the interview with Children will be composed by me to be released in the not-so-far-away future We would appreciate if you support us on YouTube by subscribing to our channel, commenting - hopefully in the same police and positive way most people post it on the forums here - and yeah, also by dropping a like if you enjoy it #HappyBirthdayPsynews.ORG

Except that very small fraction of these melodies is any good IMO.

For the ones that would like to know a bit more about the album... and beyond here is a little interview!

Hey-hey. How's it? This is a bit of a large scale topic to tackle but I've been thinking about it every now and then. So the main question is - how's everything changed considering psytrance culture? What do you think? It's obviously a question that's intertwined with our technological/social/human progression. It's difficult to start making an analysis but to get things started... I'm arguing people are in collective terms less focused. This means what we "consume" needs to be easy and fast to digest. Any person needs to make a conscious effort to withhold a long attention span in the age is smart phones and social media. A shorter attention span is not the only thing - if you browse through endless amounts of data (phone/computer...), the creators of this data are in battle to win your attention. Your attention is money, straight and honest. It's views, likes and ad revenue. As you might have noticed, this battle is intense and ugly. It's almost like as if you've suddenly landed in this weird zoo with endless amount of monkeys hitting cymbals together. The loud and obscene run the show. Attention is also a drug like phenomenon, some people crave for it and are willing to take any measure to achieve it. And it certainly has been this way before the invention of internet, but nowadays you can't escape this toxic energy that easily. We're physically less in contact and digitally affected by behavior that we can easily classify sub standard. But isn't it so, that we've actually developed a skill to avoid the negative aspect of internet to some degree? That skill is indifference. People are far more indifferent than before. We just have to ignore a lot of things, because the amount of stimulus has significantly risen in the 10-15 years or so. In global terms the rise of indifference is great for the ones in control. But for the majority, for the planet, for the evolution of mankind... it's toxic. It creates a world of apathy and that's when things get dark when we run out of empathy and hopefulness. Let's see how the aforementioned, in my opinion, affects psytrance culture: 1) Drop of quality / When it's "fast-food" it means you only have to figure out a few things like production standards to achieve the pop-appeal. And sure, there's a place for easily digestible music and it can be fun too. But how about the very opposite? The ruthlessly difficult yet intelligent sound? The reason to do music, the idea behind it, has certainly changed for the worse. The big names are very clinical in their approach and pretty much create the same track over and over again. These days there's more ego & less Soul. 2) Drop of interest / People are less engaged. Less focus means we give each other, not to mention our art, less time and appreciation. We hardly stop to admire a great work even when we hear it. We don't write reviews. Those take time and who cares! Right? That's just the way cookie crumbles these days. 3) No more classics / There's no consensus on what's good and what's not. Just a few single opinions at most. There's no real indicators of quality and popularity these days neither, because views and stardom can be bought. We can all probably agree Hallucinogen's Twisted is a classic yes? But come to talk about anything from the last 10 years I wouldn't know. I couldn't know. 4) Less story-telling albums / ...and more digital singles! Because singles can be released more often therefore staying "active" as an artist/label. Activity is one of the key elements to gaining attention online. A full length album? Yesterday's antics.

I love this place and if you need any help with Mod/Admin'ing, I'd be happy to support. 😃

A Diggers Exclusive from TIP Records on the way: "The Mystery Of The Yeti", 2 X 12", to be released in August. https://www.diggersfactory.com/vinyl/278548/mystery-of-the-yeti-the-mystery-of-the-yeti

And: "Transient States - Ballade en Forêt Double 180g black vinyl housed in premium 4mm sleeve. Mastered for vinyl by Robert Elster." Also available on NebulosaRecords.com Friday 5th of May

Let me announce: "Entheogenic - Spontaneous Illumination 20th anniversary | 101x marbled and black. Double 180g heavyweight vinyl housed in premium gatefold sleeve with fresh artwork from Miro Moric. Mastered for vinyl by Glenn Schick Mastering." On NebulosaRecords.com Friday 5th of May, vinyl pre-orders will be up!

Hey Folks, An Update here. The album is going ahead. The crowd funder was successful enough to make the project happen. The tracks are finished, and mastered, and artwork was completed, and everything has now gone off to the vinyl pressing facility and it will be around the beginning of June that the albums are shipped to me from the pressing company. It's in motion and will happen. A huge thanks to all who made a contribution, without whom the whole project would not have been possible. Kudos to you all. If anyone wants to pre order the double vinyl from me they can......just make contact with Nervasystem over at the FB page and I can sort you out. Get in touch sooner rather than later though, as they are extremely limited to 100 copies and two thirds of those are already ordered, so after i reserve my few personal copies, and save a few for very close friends and gigs, there's not many left, and they may all go before too long. I won't re-press this release, when they are gone, they are gone. It's going to be a bit special this one: Instant collectors item.....so if you are interested, contact me over at the FB page, or failing that you could try messaging on the Nervasystem Bandcamp. I'm seldom here, so those other ports of call are the best way to reach out if you wanted to secure a copy of the record. Cheers PS.....Here's a picture of the art on the inside of the gatefold cover.

Well, it seems that if I disappear for a while to actually finish the transitional work and don't come here, you guys really miss me ! So one thing at a time please: First of all this thread is about the work we have been doing as a team for years and I believe we did some great releases, which were always praised, especially by some of the members here as well. A forum It's not really my favourite place to come to, I'd rather work on facebook where updates are posted more often and where we have also Mark curating some awesome flashback Fridays every week. If that is not being active, as we were finished preparing an incredible release, I don't know what is I am really pleased to announce the 3CD of Total Eclipse has been finally sent to the press last week. By the way, just as a side note, the music and artwork were ready in January but there was a delay with the booklet, which features the history of Total Eclipse that was acquired through different interviews that our collaborator Cosmogenesis took at different times with the band. After the transcription there was a revision and then an accurate check and revision courtesy of Mark (DJ Solitare) and Pavlos who always help creating wonderful booklets. Then, there was the hard work of finding the right photos for said booklet and all this process took months, so, that how we arrived to June this year. Finally we also launched DAT Universe the new label which will include other genres and sub-labels too, so yes, we all have been pretty busy and frankly coming to comment here was not a priority. I also have a real job to attend, which is not related to music, so there's that. Also, in the meantime we continued to release almost monthly with UnreleasedGoaRecords, I worked on those releases as well, through the whole time, so it's not really we have not done antyhing. Finally, I am not on a tropical island, unfortunately, and cannot really see the point of messages about a work I did for a compilation, which was agreed with the label owner. If someone wants to discuss anything with me, should do so on facebook and privately, not on a forum. I thought the work we did as a collective was something appreciated and if a label takes time to make things in a diligent way, gets accused of disappearing. Bandcamp will be launched at the end of the month when the Total Eclipse CD will be released, and hope that this message covers everything. I probably should have this thread closed at this point because I don't really like the vibe going on, will have a new thread about the new label which should be better.

"I'm quitting. I swear. I'M DOING IT. LOOK HOW MUCH I'M QUITTING. THERE. I'M GONE." *furiously mashes F5 for 3 months to see reactions*

He's literally been filling the Hypnotic LFO Room Bandcamp with his stuff these days: https://thehypnoticlforoom.bandcamp.com/ Not sure what to make of that post, he's probably still fine with taking "those people's" money, but whoever has bought stuff off his Bandcamp better download it before he pulls a Santos.

younger brother made an album called vaccine and the trance version was called vaccine electronic but I think it is just a name there is no reference or lyrics about an actual vaccine and the album sucks anyway - both versions

Hey-ho Goa people. For a whole week, starting today, I'm giving a discount with 90% off on complete Neogoa Records digital discography hosted at the Bandcamp! Instead of paying €113.00 EUR for 46 releases, you pay just €11.30 EUR! Boost your collection, support our work and enjoy in some diverse psychedelic goodness made by amazing musicians around the globe! Share if you care! Le link: https://neogoarecords.bandcamp.com/

Dear Suntrippers! 1.) New VA - Gamma Draconis 2.) Future releases ------------------------------------------------------------------------------ 1.) New VA - Gamma Draconis We are very proud to release our new compilation, Gamma Draconis! After years of working with these goa-trance legends they made 1 more old school goa-trance track especially for us! So, lets revive for once that amazing 90s vibe! The result is an 8 track compilation with music that ranges from classic melodic trance, modern goa-trance to darker acidic stuff by the biggest names in trance history! 1. Roy Sasson - Mentalogue 2. Xenomporph - Dying Sun 3. Battle Of The Future Buddhas - Shinechaser 4. Shakta - Expedition To Earth 5. Astral Projection - Dominion 6. MFG - Global Light (Retro Version) 7. RA - Eikon 8. Oforia - Emotionally Charged Memories For once, we also printed it as a 2LP-vinyl. You can buy it now, but it can only be send next monday. The cd is already available, and we can also fulfill your digital needs of course The cheapest if you want to buy only 1 release or only digital: https://suntriprecords.bandcamp.com/ The cheapest for you if you want to buy several cds/tshirts/packs: https://www.suntriprecords.com/shop/ 2.) Future releases We are on fire at Suntrip, because we are already finalising our next 3 releases! The next one, during the second part of november, will be the long awaited third part of Mindsphere's trilogy Expect emotional, analog, warm pure goa-trance! At the end of december/early january we will make the winter a bit more bright! We will release a melodic forest - old night-style goa-trance cd For sure a bit more underground compared to our usual releases but we think you will be surprised by the music you will hear on it! And at the second part of february you will get the second cd of Khetzal, finally, after 13 years!! But that won't be all. We are working on a new Filteria album, a new Median project album, a new goa-trance compilation and some more stuff as well! Thanks for the eternal support dear fans! Keep goa-trance alive! In these Corona times your support is even more vital then ever before!

What's gold is the fact that this scene was built in the back of murderous ex-military Israelites & has-been hippies abusing the seemingly liberal lifestyle afforded to them by a poverty stricken nation desperate for the money they brought, with not a care to the devastation this scene has caused to the people of Goa & India over the decades. Furthermore misusing religious prayers & symbols with drug abused while claiming its for enlightenment when it's just an excuse to drop chemicals and become wankers. This scene was and still is the ultimate in religious & culture theft for the abuse in the name of drug abuse. You're all delusional if you deny this. The majority of real Indian people absolutely despise what the scene in Goa did to them. But white folk always take what they want with little care for others and their cultures.

I'm missing colorful, story-telling 10+ min tracks... rest assured, they're rare to hear because they're difficult to make. There needs to be coherence within the change and it's actually difficult to achieve without some level of conceptual thinking. It's exactly these sort of threads on Psynews that initially sparked the flame to start composing. My personal vision can only be materialized by me. In fact, I'm gonna open my FL and try to come up with final melody to the last track of forthcoming 4th album.

Haha haha

Artist: Pete & Pan Title: Return Of The Goddess Label: Goa Madness Records Date: November 27, 2019 1. Serra Del Estrela 2. Elysian Fields 3. passing Spirits 4. Tantric Tweak, 5. The Fool 6. Abundance 7. Nowhere 8. Solstice 9. Muse (Bonus Track) Peiter, will you tell me a story? I’ll do better than that for you Peiter, we are going to make one together Pieter Goessens & Pieter van den Broeck make up Pete & Pan. If you haven't watched the Goa Madness interview with these fella's go and do so to get an idea of what they are all about. Alternatively you can take my word for it that they are all about having a fun and bringing enjoyment to the world. And if you know about Goa Madness Records then you probably know that they pretty much only release well produced psychedelic Goa albums. Taking this into account you can expect a well produced psychedelic Goa trance album that is almost filled to the brim with good times and positive story telling. The feel good aspect of this album is something I haven't heard since listening to Spiritual Healing. ~ Serra Da Estrela Good intro's are the most wonderful little gift that makes an album so much better. Serra Estrela has Astrix level Shamanic Tale vibes and does the trick of transporting you to another world like nothing else. The baseline is deadly and the magical atmospheres carry you through to a large vibrant melody that pick you up and take you higher and higher if you let it. Elysian Fields An anthem for all the teenage boys and girls out there that could never get some. A perfect mix of despondent teenage insecurity floats around positive future outlooks. If Elysian Field (Which is perfectly titled) does not pull an adolescent from their glum self pity into a mood terrorized by hope and positivity then nothing but time will. There is a playful little surprise for us further down the line that turns into a gamechanger for the track. Passing Spirits I like the vocal samples here. They all fit in really well and remind me of old 90's vocal trance that I used to hear in my friends old gym. Body Pump in North Australia circa 2005 is written all over this track. 8 bit sounds can also be found around Passing Spirits as can some key changes that almost always leave me feeling cheated. This time is no different but I find it easier to get over it and move on to my continued enjoyment of the track. The wicked first act sets the scene for the rest of the track that is The Fool. The smooth leads form into a smooth melody that travels around the void calmly juxtaposed against a dirty bassline and kickdrum. The two take turns with your attention and build a glitter spangled storyline Tantric Tweak Cool title and another cool intro comes as no surprise. If you want a track that builds and builds and builds then this might be the track for you. The explosion of feel good vibes wrapped up in a wide melody makes you want to stroll where rays of sunshine can surround you in warmth the way that Tantric Tweak warms you from the inside. Darker atmospheres crawl out of the intro to Abundance but quickly get buddied up next to some playful positivity. The track builds and builds into something almost unrecognizable to the beginning. Absolutely incredible story telling that has so far remained impossible to not get lost in. Nowhere Melodies of raw sugar screech across your brain and etch themselves into it. Behind that you have a melodies begging you to throw your arms out to the side to glide on euphoria. Solstice Starting energetic and full of playful potential as can be expected with these bubbas. Here you're gonna get more twists, just as many feel good melodies and scorching raw leads of nuclear fusion. Muse (Bonus Track) It's been a long time since ive sat through such a purposefully uplifting banger. Muse is the sort of track you close a magical festival experience with, leaving everyone full of bliss and peace. A favourite from the album for it's pure emotional power. ~ Goa Madness continue their selection of hand crafted, top quality maestro produced Goa Trance. The production quality here is on par with Hypnoxocks Eurythmia, everything is polished, clean & purposeful. Each Track is a story and each finishes far away from where it starts. Listen to your album however you want, but try as many different ways as possible, back to forth, front to back, on shuffle. each time you get a different perspective and a different journey. Some of the track in Return Of The Goddess are the sort of music The Muses Rapt should have been producing in 2019. Well Pieter & Pieter have taken the torch and given us something that is so delightful I'm scared of listening to it too much. If Pieter & Pieter are going to go to the effort of releasing this piece of wonder then i'll face my fears and listen to this album till my heart is content. This album is certainly going into my top 10 for 2019 and something I'll be bumping every time I need a little extra aural love in my life. Thank you Goa Madness and all of the Pieters involved in this project. https://goamadnessrecordsofficial.bandcamp.com/album/return-of-the-goddess

Lots of social factors come at play when you try to figure out how "the scene" came to its current standards. 90s was a period without internet, or at least the social media was non-existing. You'd just do your thing, with no need for constant attention seeking or self-promotion. You'd sit in whatever psyhole you had there, compose, play at a party and the feedback would occur the natural way, via real human contact. These days you need following, likes and what not - it's all virtual though. And hey! You can also buy the likes, psyscene is under capitalistic law like it or not. All that's been said is affecting us all. Social media is giving us access to infinite amount of information and what kinda happened is our minds are focused on trillion things at once trying to swim through the pool of data. The consumption mode is on when it comes to psytrance, too. So many artists, so much music! As a reflection of a sort, haste & desire for recognition have unfortunately become major driving forces for many musicians. The social media driven world shows no mercy, it's just the state of things for the time being. Patience, vision and focus. I reckon the amount of these qualities has dropped significantly and hence understand the frustration of many. Only thing that might, just might, ease the pain is the fact new Sab Kuch Milegator album is only one track away...

하이. 접니다. AZ NHJO HYENNRO(아즈 노흐즈오 현느로)입니다. Hello peoples. Today I invent new genrestyle GOD TRANCE A->D haha This new genrestlye maybe soon nice popular hehe. GOD TRANCE GOTT TRANCE My friendly friends will make this genrestyle soon haha. www.aznhjohyennro.com www.aznhjohyennrorecords.com 0821097532747

Heh, "this old chestnut". I have many thoughts regarding the matter and I don't know how to turn them into a coherent story so I'll just list some random points: 1) First, there is the principle called Sturgeon's Law, often summarised as "ninety percent of everything is crap". I won't start dissecting the full details of Sturgeon's original statement nor its later interpretations. Anyway, I think the principle essentially says that when there are quality differences and personal preferences, only so many pieces can be "very good" or "like things should be". There are boatloads of music. Even that "very good" 10% (or a smaller fraction) can be so huge that our ears cannot take any more. Therefore we can pick the best, use it as the measuring stick, and rule the rest as "crap", even though in reality the "normal" level is somewhere within that 90% and we're just getting really picky. 2) The corpus of released goa/psy has been accumulating for decades. That makes things even worse regarding the "top 10 versus the rest" comparison. A lot of totally half-arsed stuff from the earlier decades has already been forgot for good. More or less consciously, we end up comparing the very best of those past years to the average level of recent releases. That comparison cannot end well. 3) Also, after thousands of full releases, it's getting more and more difficult to produce something truly original that we still categorise as goa. Either the release "sounds like X, Y and Z" or it doesn't quite fit into the genre. Imagine a hazy blob on the genre map that we label as goa. It consists of dots, which are releases. When the amount of dots increases, it's getting difficult to find any totally blank regions among the existing stuff. You end up either close to something that already exists or too far away from the centre. 4) There is also the phenomenon called sophomore slump. It's quite generic in nature, but it can be understood as "the second attempt being worse". In personal effort like producing music, it can mean that the first try manages to capture the raw power of what you really want to express. Then you kind of run out of steam. Even though the next one may be more polished, it cannot reach the same level of inspiration and originality. Another way to view it is that if you, as a listener, fall deeply in love with some specific approach, it's just inevitable that anything that differs from it has a high chance of being less appealing simply because it doesn't hit that sweet spot. But repeating the same-ish formula would feel like copy-paste or repetition so you cannot really win there. Coming up with something fresh and appealing is possible but really hard. "Easier said than done." And the artists out there cannot really read your deepest desires, nor are they under any obligation to fulfill them. If you're getting picky, it's your task to do the "crate digging" to find your personal gems, even though it may be a tedious task. 5) Also, nobody here is getting younger. There's just something special about the age when you first discover awesome music, visit your first parties and festivals, get drunk/high/laid and so on. As Constrictor put it, you cannot "recapture the magic that once was". When you grow older, you start to observe plenty of recurring patterns - things that get re-invented every ten years or whatever. Each iteration may be slightly different, but it cannot have the same impact as the first encounter with the subject. Just accept the fact that you're getting old and hard to impress, but every day someone else out there is discovering this genre for the first time and thinks that everything is awesome. Same music, different view. I'm definitely getting old and drowned under other commitments. I cannot do the same amount of crate digging as I used to. But I do remember that already back then when I had the time and energy, it was common to load 500 tracks to a preview playlist and ultimately pick just one or two of those as keepers. More than 90% was "crap", nothing new there. If you cannot do those 500 track marathons any more and you've already found enough good stuff to last a lifetime, just cherish those, but don't get too bitter about modern times. I still do discover very good stuff, occasionally. Most releases cannot meet the crazy expectations, but someone out there still enjoys them so they deserve to exist. Nice recommendations by Manuser, by the way. I've been blasting Proxeeus, for example, at work several times like it was 1995.

Thanks everyone for : - the effort in the "admins" tribe - the support of every visitor ! Glad this still exists, I'm not really up to date in terms of the latest albums and am using the website to check what I missed in the new groups ... well now I'm using myself the website for what I wanted it to be used for at the very beginning, find new artists ! ;-)

Basically all of this.

Well that clears up any confusion anyone was having ;p

we've heard so many samples of new tracks now (most of it sounding very good, starting off where the astral we know and love have left off years ago), that the new album has to be a quadruple album when it finally comes out in 2030.

i cannot understand how you keep the momentum of trolling for 10+ years. thats something else entirely. kudos.

Dear Suntrippers! We can announce our next CD-release on Suntrip Records! We will release a new big talent from Russia: Median Project! I would describe him as a mix between Mindsphere and Astral projection! Powerful, epic melodies and a lot of acid303s on top of it! Check the samples! Next week we will put the pre-order on bandcamp! : https://www.suntriprecords.com/release/cat/SUNCD56/

I guess most of you are mistaked. It's about mixing not the mastering. Katedra himself has always had this style of mixing: bassy, muddy, industrial. I know because we collaborated long ago on 'Magic Science & Imba - Ghost Town' where he was part of Magic Science, and you can hear his style in the track. Even if I am not, nor personaly nor professionaly for it/this style of mixing, I support and respect his ideas and presentation of his music. And important thing is freedom which not many labels give you these days but Global Sect does which is amazing. In most cases when I finish and send premasters to label they say 'It's too clean', 'It's more Fullon than Goa', or it's not clean enough or buyers prefer more this or that bla bla bla... here Katedra had complete freedom to express himself musical and production wise. Just relax and enjoy in what he delivers to you as his own Goa Trance without genre/style rules and boundaries

i cannot think of a single occasion that wouldn't instantly be better if psytrance was playing. even if there is no special synergy between whatever you're doing and psytrance. that's true for anything. think of it this way, if you fall from a ladder and break your arm it's shit. but if you fall from a ladder while psytrance was playing you can say: it's shit that i broke my arm while falling from a ladder but at least logic bomb was playing

Dear Suntrippers, here we are with the announcement of our next release! :) Actually, its a classic release from the late 90s and early 00s that never saw the daylight... And we are sure its one of the best psychedelic albums ever made! Psylent Buddhi - Secrets of the Atom! So, why was this release only released today? Its a long story... During early 00s during one of the Psynews contests an artist put some tracks online that were simply FANTASTIC. I never forgot this music and when we had Suntrip around 2005 we contacted him to release this smashing music on CD. By that time he lost ALL his file unfortunately :( So, we thought all was lost, untill last year our Israeli friend Kobi Harosh came to us with the original files! Luckely we still had the mail of the original producer and we managed to contact him! The rest will be legendary! Are you ready to hear his mind blowing music in FULL quality? Pre-Order: https://suntriprecords.bandcamp.com/album/psylent-buddhi-secrets-of-the-atom Samples: https://www.suntriprecords.com/release/cat/SUNCD53/ Release date: 8th of february! Tracklist: 1. Lunar Core 2. Neura 3. Secrets of the Atom 4. Moksha 5. Convergent Images 6. Metalucid 7. Innerscape 8. Lightswitch

Proxeeus made such a good album that it gets praise in reviews of other albums :DDDD

I personally would prefere it if the forum keeps running. I'm only posting once in a blue moon but I do read it way more. And I've been able to discover some amazing tracks/artists/albums through this forum lately so it is still very helpfull for me. I don't think it's that bad if moderating the forum only happens with a delay. Considering the forum is not very active anyway I don't see any harm with that.

Would love to love them but they lost me after Classical :(

Yes, I've done war crimes when I was 7, advanced generation!

Well I suppose it’s about time to officially state that I’m back and making music again. While it will be awhile before I get anything new out there, I have started plugging away at some new tunes. In the meantime I have finally started a Bandcamp page at https://jikkenteki.bandcamp.com While all the material there is also at Ektoplazm, I am also in the process of consolidating some older stuff, compilation tracks and such to put up on Bandcamp as well until I’m ready to unleash some new stuff. As for the new stuff, well “jikkenteki” means “experimental” in Japanese and that name was chosen for a reason...

Please don't say Thomas Vitali. Say Psynina! The guy was suspicious to me since almost 6 years... Sorry I just need to quote myself now: heh ...

Complex subject, complex melody or no complex melody, musical theory or no musical theory. Personally either complex melodic or not complex melodic tracks either have it or they don't. This is foremost dance music, its origins kicking up red laterite dust on the Goan shore line, so we can expect complex melody to have a second place to groove and atmosphere (which is often created using simple melody). Of close second importance this is trance music, the goal is to hypnotize, greater complexity melodically or with sonic layers tends to retract from this potential. I know from experience here. There are a few artists whose sound design and rhythmic programming / production discriminatory skill and attention to minuscule sonic detail stands out a cut above others IMO. Their music is as un-melodic as it could be but it is awesome and has the "spirit". I suspect this comes from immersion in the culture of Goa, living it ! You cannot intellectualize that. However, I do think melody is largely what makes tracks stand out in lieu of extremely skilled rhythmic sound design. But there is a fine line as this music is largely based around the Phrygian mode and this both limits and also gives it a worthy (and historic) home, this scale alone gives the mood, more or less dark/moody/intense/slightly eastern. So ultimately, to me personally it comes down to feel, it either has the something "Je ne sais quoi" or does not. How you got there or your knowledge does not mean very much to me, compared to how did I feel ? Traditional intellect has little place in the spiritual, consciousness expanding origins of this music. To use a rather nebulous word, for myself either a track imbues the spirit or not. What is that spirit if we "word" it ? Maybe a sense of openness, depth, space, intrigue, mystery, expanse, drive, hypnosis, sentiment, magic, togetherness, wonder, connected-ness, timeless-ness, distance, meditative focus on the moment, now. I think it is very difficult to gain the interest of those who solely or predominantly enjoy music from 25-15 years ago, you cannot garner favour against emotional sentimentality attached to memory, that is very powerful force. (even making retro tracks). Trying to make something new to penetrate the arena of sacred memories will be very difficult. (and I say that with respect as all of a certain age have them) I seemingly have more plays of my overtly retro sounding tracks than more modern sounding ones. Maybe it is because I have had some vision based concept for them and I conveyed it well and it resonated with more people. Whilst the O.P. made interesting points in his video I think he missed the aspect that extreme forms of music of any genre always tend to have their draw. Hi-Tech is not generally for me, but as it can be viewed as the extreme end of psy it will surely always have some following. I don't think psy trance conforms to the "trends" of other styles of dance music. It self propels through new experiences and advancement of the surrounding events and visual efforts, psy trance delivers a specific vibration and culture, no other genre encompasses this unique origin and international depth. By and large you know what you are going to get. To this end it is a scene like no other. Let people follow their own ways, you make this music because you love to, whatever happens is just part of the bigger flow, water finds its natural resting place. Do your thing for your little corner of the scene, be true to your little contribution. Life is short, put energy in with those and what resonates with your input. The rest will be a waste of energy.

Lost my attention in modern Goa Trance and im speaking from producers perspective... and it's gonna be long but worth of read imo. Today Goa is one of most limited Trance styles, even more than that Offbeat Prog most of us can't stand. There are so much rules these days which you have to follow just to get released, to play somewhere? Even worse. Sometimes I wonder if we as producers even have a freedom to do what we like or think we do and that people will actually support that. Expectations and personal tastes of few will eventualy kill Goa scene, not 'bad' producers themselves. We are small scene struggling to survive but all we do is bitching around and killing wish of new or producers that already gave a lot on scene. Those that we still praise from 90s, well 99% of them don't give a thing for last 20 years and didn't contribute to scene at all while you have new guys doing and putting everything they can so this scene could go on and so they could really enjoy in life as an artists and all fun it brings. If you are not like Etnica, you sucks, If you are not like Tim Schuldt its too boring, it's not dark enough. If you have modern bassline you are Fullon. It's not 90s Goa ripoff, well it sucks. You see problem now? Every single style in Psychedelic Trance genre have been developing since it's beggining, every couple of years style changed itself and most of them for better. And people there actually accept that because they understand 2005 Full on is 15 years old and it was good for that period, now is different and good for today. Progressive from early 00s was also good, but Ace Ventura is killing it now and killing it big for 2020 and people fucking love that. Remember Twisted System back in 2004? Fucking best Twilight ever. Well Ajja is king now sorry. Goa trance, 95 MWNN and Etnica, 2005 crazy Filipe Santos, 2010 Filteria, today... who knows? Every music was good for its period, some survived for 20-30 years, some not. But everyone moved on, new music, new generations, everyones having fun big time, parties and festivals bigger than ever, more music than ever for each and everyone but not for us Goa people. To us nothing is ever good enough specialy when you don't want to ripoff music from 25 years ago doing over and over same things, we just want same music, same style, same group of artist playing here and there. As an artist you are forced to do what others (label, promoters, scene?) want just to get released and get some attention from people so you can feel welcome on scene. So you make what they want which is maybe musicaly better but technicaly it's crap and everyone knows it but it's ok because it sounds like 90s. Maybe you got lucky to get booked on them few Goa Trance festivals and play for a bit bigger crowd so you get bigger and better promotion. Then you want more and more, why not to play for even more and even more often but oh wait you can't. Nobody want too book you, all promoters booked you already, so you are not interesting to them anymore, lets try others but nobody ever fucking heard of you. You would like to play on Boom or Ozora, all of us want but wait they never heard of you because marketing in Goa scene is one worse ever because they are not daring to invest at least 50euros in their digital promotions of your releases for which you are obviously not payed enough or not payed at all. Second thing, remember that you sounds like 90s, technicaly/production wise it's crap so is your music to 99% people out there because you couldn't use damn boring 'fullon bassline' or 'fullon kick' and now your music sounds ears bleeding on big systems and who da fuck want to put this guy on stage in front of 50000 people? I personaly would never, only if he doesn't brings me tons of money. 50000 people won't hear Goa Trance just that few days, where are tons of other big parties and festivals? If labels and agencies know what people really want today, why they don't force artists corectly and invest in them? You know that 50k on artist pages means a lot to get booking? Make his artist page on facebook get 50k likes! People like fancy produced videos of artists playing, doing interviews or studio sessions? You are fucking manager, so fucking make that happen! Is it really that hard? People on dancefloor love modern sound, so fucking force your artists to have production quality of Astrix instead of forcing them to boycott fucking EQ in their projects. And last thing but most important we forget if we want to survive is because we don't know how to sell product (read music). Literally we are worst there. You release something but 90% of scene don't have a clue that release is out. Are we doing business because this artist-label-parties-scene stuff is business after all, or we just satisfing our personal taste and personal frustrations? Are we as people, giving enough and fucking DECENT support to guys doing this music? Hell no! Even worse is that their damn labels don't give them decent support, just opportunity to get more money or promotion for their own name. I am here with you for 11 full years, 2500 posts, active for so many years. Meet some of you and become good friends in real life. You know my alter ego but some of you know me as a person. We have some history here right? Let me take a personal example so I don't target any other artist... My latest release 'Imba - Liberation EP' was released 2 and half months ago, to be exact 73 days and yet not a single review on it. How and why? Not that it's most important thing to artist but to most of us it has value. We came here because we value some thing here and some words can inspire us to keep doing it. I would really love to read some words from some respected members in scene, good or bad but I would love just to discuss and see. - Is it possible that nobody heard it yet for 73 days? Hard to believe that. - Is it possible that nobody could spare 10-20 mins to write it for 73 days? Hard to believe that. - Is it really that terrible that nobody wan't even to think about it? Even harded to believe that not because is mine but because I saw/heard it on dancefloor. Even in promo post only 2 people left some comment... This example is just one small thing of many, not most essential for survival of Goa music but to some people could mean a lot. How often you sent supportive msg to artist, new or older just to thank him and make him feel right and happy for doing this? How often have you shared artists music or party videos on your social media just as support? I haven't recieved msg here in ages and just simple Thank You would mean a lot to me or someone... Artist is not producing music just for themselves, not this type of music as you can't live from it. If they don't feel connected with people they will stop, one by one. I asked myself many times why? Yeah I am enjoying, I love this music and love the lifestyle, traveling, playing and fun but for who? Morphic Resonance who is very much loved here or in scene generaly, who gets lots of attention... got same questions on our last meeting. Many guys does... And here we are back to beggining, the people for whom we are doing all of this. First of all is: can you say that you as listener/party goer/Goa Trance lover doing enough for Goa Trance so it can survive and be good? Are we artists only guilty because scene is like this and you lost attention? We are too lazy to comment, talk, support someone which takes just couple of minutes but we are always ready to bitch artist who lost months or even years on some release just because he is not Etnica and he is not 90s. This is not 'Mom got me a toy I didn't want', it's far more important than personal expectations and taste. If you want scene to survive ofcourse... I didn't want to offend anyone with this post and I hope nobody found offended. Just pointing some main problems and I hope that you will think about...

Being original in this genre today isn't a small task, but the two Piets definitely are! One is a member of Quantum Fantay and you can definitely hear that in parts, which is beautiful. The other one is easily one of the most creative persons I know and has evidently studied the music on dancefloors all over the world for a long time. There's so much knowledge and creativity in this album that even though it's still very early, I believe that it's one of the most authentic goa trance albums of the decade. Hats off, guys, honestly!

I must say straight away that I agree with you guys on this compeletly. I also wrote up some of my thoughts on it, here they are: Even though it’s hard to put into words the pure divine power that this gem is, at least in any earthly language, I still feel obliged to give it a try. Before you ever get taste of the music the art already gives you this vibe of this dissonant world with brain-treees (-> Brainforests) and mirror-ladders warping the space to your perspective. I like it most of any Suntrip art I've seen in a while (Just as the music - not meant as a diss to their other releases obv.) The Great Light shines through the mysterious veil of spiraling melodies and softer beats in the long and calmly pacing buildup, some tension throughout with the constant breaky elements. A few elements keep being added, others subtracted, never overloading the sonic soundscape, accounting for a very old-school feel. As the tension rises the Great Light breaks the spiral veil and rises in climax up and up, for roughly a minute before calming down and padding out the sonic skies with some acid licks and going up into a final climax. Great start to the album, gives you a gentler, softer summary of how the entire thing is going to play out. Coming of the climax of the previous soundscape-shadow-world, we are introduced into the weird world of PsychoTherapy with a gentle melody and warm bassline, before the kickdrum and, subsequently, the first mad acidscreeches enter. The entire soundscape has a few calm ponds and a whole lot of howling acid hurricanes, where there really is no clear climax, no strongest storm and finality, just mad and cyclic acid all over. There could barely be a better name chosen for this piece, representing a sonic equivalent of a paranoiac trying to leave a forest as the light dies around him with the sun set. Directly following, we get a perfect encapsulation of sunrise, beginning with very mystic sounding speech samples and a PHAT kick, then some sweet hihats, and just behind it the sweet melody of the first rays awaits. Tranceologia definitely feels a little more crowded, but by no means overcrowded, it has the huge swath of melodies encoding the first, gentle, toned down sunbeams, the colors returning, the air, cold and moist yet, the stamped out ground, the wriggling mass of humans on and above it, and the ecstatic trance of the perfect Goa Sunrise. The breaks in the final build launch the following climax into Cloud nine (for me atleast, gotta have them breaks for Frühstück) Although I can’t really make any sense of the fourth tracks name, it does not in any way diminish the glory and splendor of “6EQJE5” It’s the first (and only?) one to pull no punches and enters almost immediately with a kickdrum and a bassline a few loops late, transitioning into hihats, a few screeching, tension-building acid screams and then abruptly and unexpectedly early, everything just EXPLODES in your face, as the melody flies off the handle into a nostalgic, bittersweet drama. This first climax is debatably the highest this track will go, but the following little melodic spirals and powerful energetic acid roars are still worth every second and round the track out nicely. Still, my soul is most encompassed by that first and most melodic climax. Concerta is introduced with some gentle acid and a warm bassy melody, with the kickoff then a few mysteries are posed in the language of melody. More unsettling albeit powerful melodies are introduced as the tension is conducted a pace above the previous suite’s each go. The track doesn’t stray much from it’s hypnotic core though and is, together with the following track, the most newschool-ish one on the album. Speaking if which – the live mix of Visiting Earth is a thing of beauty. I definitely see the comparison with Filteria and RA, Filteria contributing the mad acid that hits you as the curtain is drawn, RA the clean, classic cheese straight from the orient and Sykespico themselves the bombastic climax – the way it is gently teased and grows stronger and more solid about you is simply beautiful. Dance Float is introduced with some cheesy dramatic trance, lays then the foundation with a phat sounding kickbass, leers then into direction of some cheesy psy-style bells, before throwing that sideways and picking up full power, with lush leads and twirling acid and it doesn’t let up but once, till the end. Towards the end the synthlines seem to pick up some of the acids twist. Lovely. After all of the Realm-Warping adventures over the last hour, you arrive at Space Station, to chill for a few, and you hear the dissonance creeping up, and hear the breaks, and then weird shit hits the fan in zero gravity and there’s alien excrement allover, staining all of it with inherent, integral weirdness. From the bass and percussion to the weirdly placed breaks and the hectic as hell acid. Very energetic, weird and playful, even picking up some drama for the climax, all you need to carry out your diabolic interdimensional scheme. Rounding all this out into a ball of superheated plasma, the duo give us Perlimor Star – a beauty stricken through and through with a groovy hoovey breakbeat, melancholic melodies that just spiral out and out, and some well-placed piano and female vocal cheese. Have I already told you how much I love breaks? Well I do, so, so much. Especially when paired with melodies the both spiral outwards and look inwards. Beautiful piece of downtempo goa, the perfect age-old secret of ending on a downtempo note. Perspective reminds me, just as most of the ones who’ve said something here, a lot of oldschool – but it is not Pleidians I would associate most with this style – a lot of the tracks are, to me, in their playful insanity, very reminiscent of the old Denshi Danshi stuff, and that’s a good thing. Also, I just have to remark that I absolutely love how Sykespico play with the composition, not just layering everything on top of eachother, but creating lots of dynamics and power. Can’t wait to hear them play at Apsara, missed them last time unfortunately, had not a clue how awesome their stuff is till this came in, totally out of left field. Not as relevant, since I doubt many people nowadays have read it (not in Germany anyways), the album gives me the impression of Corwin walking and warping strange, chaotic shadow worlds (a Character from Zelazny’s classic Chronicles of Amber, where powerful demigods can walk an infinity of universes by adjusting aspects of their surroundings with the help of their imagination) Edit: effed up a word.

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