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Oh hell time flies, it feels like I wrote the 20th bday thread not so long ago, but turns out if was before the Covid crisis... It's still accurate. What more is there to say to that? The is not the most active community but it should stay online as it contains a goldmine of information about Goatrance and Psytrance. BTW for those who don't know from the FB post, Psynews was moved to a brand new server one month ago, it feel so much faster now. Psynews certainly changed our lives. It changed mine big time, I keep realizing it. It was a big launchpad for several projects (Suntrip, Filteria...) It's like a fabric of wonderful people all around the world. Mind you, I'm even going to finally meet @Jon Cocco in the flesh next summer as he invited me to his place in the USA. Psynews keeps amazing me with everything it helped creating or enabled along the years. For those who need some more insights about this community, I still have this other thread in store HAPPY BIRTHDAY !

RA - To Sirius - 3CD Remastered Reissue This month marks the 25th anniversary of one of the most iconic and timeless albums in the history of Goa Trance: "To Sirius" by the legendary Norwegian act RA. To commemorate this milestone, DAT Universe has worked tirelessly behind the scenes with the band’s visionary founders, Christer Borge-Lunde and Lars W. Lind, to curate an extraordinary triple-CD reissue—a tribute that not only honours this revered masterpiece but also cements RA’s legacy in the pantheon of the genre. More than a mere celebration of their magnum opus, this ambitious project seeks to transcend nostalgia, expanding the reissue into the ultimate anthology, gathering the finest compositions ever crafted by the duo during the height of their creative journey. The painstaking process of meticulously digitizing the band’s priceless DAT tapes and unearthing their long-lost old archives was a labour of love spanning several years. The result is a captivating odyssey through RA’s early foray into Goa Trance, and a definitive panorama of their artistic evolution before their reformation in 2006. Originally released in 2000 by the Taiwanese label Blue Moon Productions, and reissued in 2001 by Nova Tekk, "To Sirius" emerged like a celestial anomaly in the Psychedelic Trance scene—a luminous UFO soaring above a landscape increasingly dominated by dark minimalist and techno-infused influences. Its arrival was nothing short of a revelation, conveying a sonic manifesto that rekindled the genre’s cosmic soul and melodic grandeur. RA’s seminal masterpiece encapsulates all the quintessential elements that defined the golden era of Goa Trance, seamlessly intertwining intricate melodies, ethereal atmospheres, and hypnotic rhythms. Yet, "To Sirius" stands as a bold and visionary endeavour—an enthralling alchemy of spiritual sounds that transcend the boundaries of trance. With its cutting-edge 3D sound design and futuristic precision, the album not only redefined the genre but also reignited a glimmer of hope for its resurgence at the dawn of the new millennium. The first disc presents a remastered version of the album staying true to its original essence while elevating it to new heights—each track now resonates with greater depth, richness and balance than ever before. For the first time ever, listeners will also experience the complete, unabridged version of "Astral Flight", restored after being truncated in the original release. The second disc brings together all previously released vinyl and compilation tracks produced in the 90s, alongside a trove of unreleased gems composed between 1997 and 1999—hidden treasures that never made the album’s final cut. These long-forgotten pieces, exhumed from the band’s secret vaults, have now been reinstated into the original work, breathing new life into this reissue—a true "rebirth". This collection also features a miraculous discovery: the medley "Mooncake – Tribes Of The Moon", born from RA’s inspired collaboration with Kerry Palmer and Graham Franklin of Dimension 5. The final disc unveils the finest previously unreleased tracks from the pivotal years leading up to the creation of "To Sirius" (1995-1996)—a mesmerizing journey through the duo’s formative era, where raw creativity and fearless experimentation forged their unmistakable sound signature. Spanning an eclectic range of tempos and styles, these early productions stand as vibrant testaments to the artistic evolution of a band destined to etch its singular legacy into music history. This reissue also includes a richly detailed booklet chronicling the history of RA, complete with in-depth liner notes from the duo. It offers a rare glimpse into the equipment they used, along with long-kept secrets revealed for the first time—including the origin of the "RA" alias and the hidden meaning behind the "To Sirius" album title. With this monumental reissue, "To Sirius" is reborn—a timeless masterpiece once again illuminating the vast cosmos of Goa Trance. Tracklist: Disc One: RA – To Sirius 01 [Prologue] 02:07 02 Astral Flight 15:12 03 Universal Key 09:13 04 Beyond Control 08:34 05 Initiated 07:47 06 Sign Of Life 08:47 07 R.O.M. 08:46 08 Paradox 07:53 09 Sirius 06:52 10 [Epilogue] 04:38 Disc Two: RA – Rebirth 01 Rebirth 03:30 02 Another Horizon 08:20 03 Spiritual Odyssey 05:57 04 Lifeline 06:36 05 Questions 07:59 06 Azure Child 08:20 07 Mooncake – Tribes of the Moon 08:59 08 Static Distress 07:58 09 Crystals 08:01 10 Unseen Sky 05:04 11 Sanctuary 07:11 Disc Three: RA – The Early Years 01 Gateway (Goa Mix) 09:35 02 Cheops (Spirit Nomad) 07:45 03 Iris 07:32 04 Soul Transfusion 09:30 05 The Calling 09:15 06 Messenger From Beyond 08:34 07 Sign Of Sun 08:58 08 Intermission 02:07 09 Cheops (Caravan of Life) 07:53 10 Gateway 07:38 You can pre-order your copy here: https://www.datuniverse.com/product/datuv004-ra-to-sirius-3cd/ https://datuniverse.bandcamp.com/album/to-sirius

Proxeeus - The Outsider (Global Sect, 2025) We are excited to present the new 2CD album by Jerome Lesterps - a true professor of New School Goa Trance. Pre-order CDs, digital & merch: https://globalsect.bandcamp.com/album/proxeeus-the-outsider Proxeeus music is an absolutely unique phenomenon. The producer’s talent is multifaceted and manifests in various genres. On the first disc of The Outsider, you will experience an unforgettable epic musical adventure with a high, almost extreme tempo, intertwining space-shattering acid synthesizers with multilayered psychedelic effects. The first part of the album is a guaranteed fragmentation of the dancefloor into molecules and atoms. After this emotional and epic journey, you will dive into the depths of dark Goa Downtempo with a touch of Dub and Ambient, inspired by various literary works, especially the legendary Howard Lovecraft. We have also prepared special, exclusive UV merchandise for all Proxeeus fans. The design is done in a dark psychedelic style by our longtime partner Andrey Verner. Tracklist: 1. Fear Of The Unknown 2. Clanging 3. Even Death May Die 4. Close Contact With The Uttefly Bizarre 5. The Great Old Ones 6. The Outsider 7. The King In Yellow 8. When The Church Bells Ring 1. Awake And Lying Beside A Black Rose 2. The One Reality 3. Nights Of Sorrow 4. By Tonight I Shall Be No More 5. A Slumbering Phantasm 6. Lathi 7. Sona-Nyl 8. Philosophie Du Suicide Label: Global Sect Mastering: 4CN-Studios & Zymosis Studio Artwork: Andrei Verner Release date: 31 May 2025 Catalogue number: GSMCD025

Hi! I'm back with a new track! (which is technically not actually new, as it's based on something I started working on in 2021... whatever!) Laser-filled nitzhogoa! With a very slow BPM! (150 BPM, very slow indeed, lol! Most of the Nitzho I'm working on is at 155+ BPM) I love you Psytrance people and I'm in a good and very altruistic mood right now, so I wish you a lot of happiness in your life! ❤️ ^-^ (Especially those who listen to this track! :p) Hyper Power of Outer Space! EPIC (It's not me on the cover art!)

OUT NOW !!! https://globalsect.bandcamp.com/album/proxeeus-the-outsider

I've written some code to generate images in Clojure, going for a 90's rave flyer aesthetic. Let me know what you think:

Thanks, we are so happy it was so well received, it has been in the works for a few years, but it's so satisfying, and the band is also super pleased!

Happy Birthday Psynews!!! I started posting here when I was 14!!! 36 now At that time I started chatting with Sherlockalien and met up with him the following summer, we married 3 years later 😄 Psynews indeed was (and hopefully still is) capable of connecting people are any of the old members still active? What happened to Feathers 😁 Jeeee we all had some good laughs.. amazing really that this is still up 👌🏻 Congrats!!!!

Background: I have never been a Filteria fan. When he was a new artist I assumed it was kind of new school stuff but when I read all the amazing revews here from Goa fans and the comparisons to Pleiadians, I tried a couple times to listen to Sky Input, but I had a similar reaction to most of the other handful of negative reviewers: there are good Goa sounds and melodies but once the tracks get going it becomes a sort of wall of monoculture, like, I love chocolate cake but I don't want every space in my fridge and cupboards squashed full of only chocolate cake. (I should also mention incidentally that IFO is not one of my most favorite albums, though I do like it and listen to it quite a lot. I feel it has more color than Sky Input). I read that Daze of Our Lives is considered by many an improvement on the earlier albums so I have given it my first couple of listens. I am trying to let go of my biases, but that is hard to do, but I do need to say that the best bits of this album are really good and there are certainly moments where there is a really interesitng and unique sound. For me the really good bits are when he goes more ambient / downtempo and lets the music breathe a little. My favorites are the first and last tracks. I think he should try a whole album of downtempo. The other stuff, I like it OK, and I will give it more listens. It's technically good; the melodies are good; the effects are really good, but I honestly have to say that for most of it I don't get that really magic feeling that I get with older Goa or something like RA. It is hard to put my finger on it and it may be down to preconceptions. It might be something to do with the mastering or just Filteria sliding back into his tendencies for a relentlessly constant level of energy in a track. There are colorful melodies and organic effects yet many of the tracks for me feel a little on the flatter, less colorful, more homogenous kind of side in terms of their overall impression. This is just my subjective personal preference. I should mention this album does have quite a few Posfordlike elements that are done quite well, the warping chords and bright arpeggios. He has also nailed the weird, stuttery vocal effects although I do wonder if these were verging on being over-used here, though that's a minor quibble. This is no Hallucinogen 3 for me though, unfortunately. I award that title to Artha's incredible Influencing Dreams. I give tracks 1 and 9 9/10. The rest, I would have to give it more listens to really rank it fairly but my current feeling is if I was just rating the technical achievement it would probably be about 7 or 8/10 but in terms of my own enjoyment, 6/10. So for the whole album: 7/10.

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... one of the best decisions of my life. I used to read this forum like it was a bible when I was 20ish. 15 years later I'm organizing parties in Finland and I play Goa whenever I get the chance. Fullon is SO much easier to mix, but making 1 hour to 1.5 hour sets of goatrance is like finding the genre all over again. Every single time. It feels like I'm creating stories whenever I make my sets. Every single track brings something new, they tell stories that have never been heard, they push sounds and melodies that never been explored before. They intricately have a soul that trancends the life we are so accustomed to. Sometimes it takes 10 hours of goddamn hard work to make just over an hour of goatrance to flow together (even with my insanely vast knowledge of the genre!), but every - damn - time, it's totally worth it. There's like 5 people in Finland putting together goatrance sets during the year and it's a total pleasure being one the very few going against the mainstream of hitech, fullon, forest (that has nothing to do with forest, the fuck is wrong with that genre?) and other minimal psytech types of sounds. Last weekend I had the upmost privledge being able to deliver goatrance that transforms from 140bpm danceable super rhymtic and hypnotic goatrance (M-Run, Radical Distortion) to 156bpm soft nitzhogoa (Goalien & Agneton) and everyone who was in the front row was banging their heads off!!! I seriously could not have believed I could bring these sounds to peoples ears that have never heard them - and get them to enjoy it! This music literally was a saving grace for me. I used to be a nobody. Goatrance was something I consumed alone, skateboarding, hanging around on forums. I still kinda am a nobody, but goatrance made me a person who gives people experiences they never experienced before - I'd imagine that counts for something more than just being an npc. Goatrance, as a genre, is a goddamn joy. The melodies, the stories. People who make, play and consume goa, I've found, are the best type of people. The one's that have the capacity to ask more, the one's that think. The one's that care. Last weekend I had an older couple come up to me that my set from the weekend before was the best.. I was not sure what I heard so I asked them "this one, or the other one?", they answered "BOTH". ❤

Morioun - Dawn Of Illusions (Global Sect, 2024) Pre-order digital & CDs: https://globalsect.bandcamp.com/album/morioun-dawn-of-illusions We are pleased to present to you the third studio album of the rising star of the new school Goa-trance, Morioun project. You have already heard great tracks on the compilation Hallucinations Of The Buddha, as well as releases on other labels. We are always very happy to see new names and fresh views on our all favorite style of music. Tracks from this album were written by Daniel Lübke (Germany) between 2019-2024, using digital and analogue equipment. Lyrics of Salam Sahara written by Daniel Lübke, translated and recorded in Moroccan arabic by Amine Sefnaj Tracklist: 1. Huaxa Nakh 2. 4-Seven-A-Nine 3. Abundance of Complexity 4. Space Academy (feat. SETI Project) 5. Vacuum Tube Laboratory 6. Darth Fader 7. Salam Sahara 8. A Dream Within 9. Generation Mars 10. The Drake Equation Release date: 24 December 2024 Label: Global Sect Mastering: 4CN-Studios W&P: Daniel Lübke

The Hallucinogen Singles boxed set is up for pre-sale on Bandcamp. Grab it now 😃 https://hallucinogenmusic.bandcamp.com/album/hallucinogen-5xlp-singles-remastered-deluxe-media-book-pre-order-only-ships-on-or-around-17th-february-2025

Digitalis - The Fourth State album (features unreleased older tracks) on vinyl - limited to 50 copies: https://organicsigns.bandcamp.com/album/os05-digitalis-the-fourth-state

Vaporized Human Odyssey 2023 Digital Reprints Human Odyssey 1 1-1Vaporized (2)–Return To The Source 12:51 1-2Vaporized (2)–Circle Of Dust 11:21 1-3Vaporized (2)–Solar Cycles 10:38 1-4Vaporized (2)–Human Odyssey 9:44 1-5Vaporized (2)–Full Moon 9:44 1-6Vaporized (2)–Silverbox 10:54 1-7Vaporized (2)–Enter The Circle 10:37 Human Odyssey 2 2-1Vaporized (2)–Return To The Source (Dig Deeper Mix) 12:51 2-2Vaporized (2)–Circle Of Dust (Red Rock Mix) 10:36 2-3Vaporized (2)–Solar Cycles (In Orbit Mix) 11:03 2-4Vaporized (2)–Red Dust 10:22 2-5Vaporized (2)–Silverbox (Acid Mix) 9:47E 2-6Kristian* & DJ Cosmix–The Vision (Vaporized Remix) 10:00 2-7Vaporized (2)–Artifact 12:22 This is a fascinating double album released in 2023 by Danish artist Kristian Thinning Andersen. He is most famous as Elysium, though he has a variety of other monikers. Andersen made some of the greatest Goa tracks ever in the 90s with a unique mellow, tribal, and hypnotic style. One of my personal favourites is the Sheyba ep on Flying Rhino from 1995: Who can forget the wolf howls in "Ancient Lands" which take the listener deep into the ancestral past. Other notable releases include Spiritual's "Ride the Snake", Kaaya's "Ormazd", Kailash's "Higher", and the two Elyzium albums Dance for the Celestial Beings (1995) and Celestial Sounds and Neurotic Tribal Beats (1997). Evocative, storytelling stuff, more for the inner journey than for 'aving it on the dancefloor, though plenty potent on the dancefloor too. Rather than give a track by track formalist description, I want to try to sum up Andersen's artistic goal and the feel of his tunes, with which I'm sure many of you are familiar. Perhaps the most important thing then is to point out that if you are a fan of his work, as I am, then this is a must. Andersen has not changed his style. This is not to say that he is stuck or lacks variety or experiment or is narrow, but he simply has his own unique style that is instantly recognisable. And what a style it is - poised hovering in the liminal zone between the dancefloor and the chill out area with bpms seldom getting up into the 140s, its distinctive feature is hypnosis. In a sense, then, his music is the very essence of trance, which is a hypnotic state, a state of immersion if you will. There's a deep calm in his music, that is quite different to the ecstatic excitement, even freneticism, of a lot of trance and psytrance. It is more of a highlands plateau than the peaks and valleys of psytrance. It is likely that the Dionysian among us will not like this calm and will find this album boring. If you want high drama, crushing rhythms, major chords, frenzied build-ups, hardcore blastoff, then look elsewhere. For those who can enter this calm state, it provides the meditative bliss of relaxation and acceptance. This music creates the atmosphere in which it is best appreciated. Here are the words of the man himself: "I wanted to return to the way I think trance should be like. To me, trance is a slowly building journey on the dance floor by its hypnotizing patterns and deep soundscapes. Repetitively rhythmic to put you in a state of trance." Andersen emphasises his return to proto-Goa, which was slower and lacked the build-ups and galloping horse basslines of post-millenial psytrance. What I most appreciate about this relaxation is that it tends to grant the space for the mind to expand into fantasy - it is quite easy to be swept to far-off lands with these tunes. This does not mean that Vaporized lacks intensity. Intensity may be provided by tribal vibes through vocals, samples, percussion. Whilst I do miss the tribal vibes a bit on this latest album, they are still there in the background. Intensity is also provided by the microdynamics of texture and small changes. A master of texture, Andersen was always good at making sounds that ranged from silken smooth to ragged ripping. Many of his sounds, showcased by the relatively constant rotating polyrhythms in the background have more pixels per nanosecond than there are motes of dust in the Sahara (though you will need a good hifi to hear this). Part of the sonic magic is the recordings and masterings: no compression wars here and sounds have space to breathe, do not blur together, dynamics are free. I checked out my vinyl and cds and the only information on the mastering I could find was "Prodam" and "Podam" - I searched but nothing came up. This is also true of this new work, which is also well produced. This high quality recording and mastering pays off in psychoactive sound with good micro as well as macro dynamics. This is crucial to Andersen because he is very good at small changes, subtle shifts of delicate percussion, unexpected time wobbles - small changes amidst heavy repetition that can tug at your ear, especially when you are in the calm and receptive state of trance. There, in a nutshell, I think you have the spirit of Elysium/Vaporized: hypnotic trance. It is relatively introspective stuff that eschews drama, performativity, grandiosity, hysteria, going instead for meditative calm. This, of course, does not mean that the artist is always so calm himself. Hypnosis is also invariably haunted by the image of the zombie: who is controlling the hypnotised is the question that typically arises. Is it a corporate AI? Perhaps it is the Soviet nostalgia hackers? No, it is definitely the aliens described by Cixin Liu. Whether you are concerned about being hypnotised or not, the questions that have historically accompanied the inner path do flutter about this introspective art. Of course, this means that this is more home music than for the main floor. If hypnotic trance sounds appealing to you, then you won't do better than this excellent album and the stunning back catalogue behind it. ~*~

The Goa Constrictor – A Fabricated Reality (Live @ ZNA 2024) …A Fabricated Reality – Live@ZNA2024… (2hr03min/320MP3/297.6MB/©2024) Genre: Goa Suomi Direct Audio Download/Stream: TheGoaConstrictor-FabricatedReality.mp3 Direct Video Download/Stream: TheGoaConstrictor-FabricatedReality-ZNA2024.m4v YouTube: youtube.com/watch?v=LLXSufQ1e4w I was honored and blessed to be chosen to represent as a Goa Guardian at this summer’s (2024) ZNA Gathering in Portugal. I played from 4AM -> 6AM, closing out the night and ending as the sky started opening up. I documented the journey to/from and during the festival, as well as the set itself, and created a video diary of the entire experience. I highly recommend checking out the video but if you only want the music, you may stream/download that too. The mix represents a chunk of what brought me to Goa and what has moved me all of these years. Some of my earliest vinyls and rarities that I always wanted to play on a big system to a crowd of lovers like this. I hope you can hear that and capture what captures me. Enjoy the ride as reality is only that which we make it! Click for Tracklist:

I have to admit, I'm a bit hesitant to upload this because I really don't want to step on any toes. However, I feel like it's time we talked about something that's been on my mind and on the minds of many others. Has Psytrance lost its edge? Has it become a bit too formulaic? A lot of the tracks I come across these days seem to follow the same set of rules—using similar sounds and carrying the same general vibe. Many of my friends who are DJs and producers—very active in the Psytrance community—have shared similar concerns but often choose not to speak up to avoid any negative backlash. Since I'm no longer reliant on the scene for my livelihood, I feel it's important to bring this conversation forward. See how general interest in Psytrance has declined: https://trends.google.com/trends/explore?date=all&q=psytrance,psy trance,psy-trance&hl=en-GB In this video, I'm revisit some tracks from some of the most innovative Psytrance artists from the early days, before 2000, and explore how we've moved from a musically diverse scene to one that today sounds remarkably consistent. While this is all highly subjective and there are certainly exceptions, I think we need to discuss the current state of Psy-trance. Please leave your comments, let's dive into this together! Playlist used in the video: U?si=t4328LDRaroZVy3D

Please keep it going. As we get older other things take up our time but sometimes we also end up with more time. I'd been reading the site occasionally for many years but only signed up two years ago and am visiting much more often now and writing posts. I much prefer old style forums and if you ended this site the members would disperse onto multiple sites making a small community even smaller. I also love the feeling of timelessness this site invokes. People happily continue discussions inside threads that had been dormant for many years. It's trippy. Your average web surfer would get confused by that! The threads remain timeless because the great music is timeless. Thanks for all your hard work keeping the site running.

Friends, today we will tell you about our further plans regarding the compilation. As you already know, we have released the first part consisting of 6 discs and is, at the moment, the largest release released on CD in the Goa Trance style. If you completely open the box of this disc, you will see a cross-shaped geometric figure. This figure will represent the central part of the overall epic picture. The subsequent parts of the compilation will be designed in such a way that they will be attached to the central part like "Tetris". Therefore, we strongly recommend that all collectors who have not purchased the first part, be sure to purchase it, because your future collection will be missing the main element. We have warned you, there are less than 100 copies left: https://globalsect.bandcamp.com/album/va-hallucinations-of-the-buddha-6cd The release will consist of 5 parts, each of which will include 6 discs. LONGREAD ON OUR SITE: https://globalsect.org/b/30-cd-compilation-its-not-a-hallucination/

What is this shit ..... Well, here we go! Released on 6/04-25 ... Find it here on KER's BC page, https://kaliearth.bandcamp.com/album/unidentified-form-of-sound-e-p .. and other places where you buy and stream music. ~;~

Our self-released mini-album Roaring City arrived today. https://progressive-anarchists.bandcamp.com/album/roaring-city Just need a free download code? Get it here: https://www.progressive-anarchists.org/code-rc.php

my father was a known homosexual. i mean everybody knew him. all over the neighborhood. they knew him as the best homosexual there ever was. and when he was a sailor in the 50s - he was well known in the mess hall. he used to tell me stories on how they ran what they called "wasa loppet" . You sit in a couch and jerk off the guy next to you. he was very well known. i love you dad, rest in peace. you little gaylord. he even asked me several times, "hey boy, are you gay?" and i was like NO ffs im not!! youve asked me tons of times, IM NOT GAY! but, i think he never truly believed me. but considering i ended up loving goa trance, i think, maybe im ultragay. only gaylords love goatrance i think.

Hello everyone, first post here. Hope everyone is having a good weekend. I've been looking for 130ish 90s or early 2K goa/psytrance/trance/prog trance stuffs. Possibly records. Possibly no upbeat or riding basslines (typical of late 2K psytrance) or too minimal influences (typical of scandinavian prog trance) Absolutely love these: Love how deep this one is Love the melody here and the acid bassline The long now If perfection was a thing, it would be the B2 side of this beauty I'd love some help, thank you

Thank you for posting this! It is a great coincidence because I have also been looking for Goa of around 130 bpm this last week or two and honestly not finding much. Almost all Goa is faster than that and then psychill and psybient are normally quite a bit slower. It is of particular interest to me as I learn to make Goa trance as the track I am currently working on is at 131 bpm. I was tempted to try and make the beat a bit faster to conform more to what listeners seem to expect from Goa, but then my melodies don't work so it will stay at this speed I think. I will have a listen to these other tracks as they may help my inspiration. I too generally enjoy my trance on the slower side these days. A very high bpm does not often play well with anxiety.

Oh wow, I didn't even realize. Happy 25 years Psynews! I'm arriving late. This is wonderful! Mountains of excellent information, from albums and songs to so much more. I own and am aware of HUNDREDS of so many great / excellent albums thanks to this website! So inspirational and life-changing. Many sites don't last this long. Shout out to the community, Mars, Joske, and all of you / us - the WE that keep it alive. Thanks for sharing this positive milestone!

OOOD - SOURCE CONFIRMED - PHANTASM RECORDS, 2024 TRACKLIST Source Confirmed – 140 - Gmaj Starcaster – 138 – Fmin Aurora Lux – 144 - Gmaj Seven Minutes to Sunrise – 135 - Cmin To The Stars – 142 - Gmin Outer Space Type Music – 145 - G#min Have You Ever – 145 - Fmin The Search - 125 – Amin Beatport: https://www.beatport.com/release/source-confirmed/4840527 Bandcamp: https://oood.bandcamp.com/album/source-confirmed All links: https://phantasm.ampsuite.com/releases/links?id=230 Hello Psynews, it's been a while I'm extremely proud to present our 7th album "Source Confirmed", released on Phantasm Records on December 20th 2024. Here's what the label wrote as promo text: As you can see from the track bpms, this is a very different album from the one we released in 2021 on Iboga Records, and we're super happy with where we are right now in terms of writing and production. The release includes a continuous DJ mix of the album which you can download in WAV. Please check it out!

YouTube link in case you want to listen before you buy. It sounds very nice and has some really cool music, it's better than the ultravibe album by filteria and Cosmosis 😃 musically? Sound quality? A single kick drum? Well something sounds better

I liked those two tracks you released! Gonna add this to my wishlist.

Filteria/Cosmosis' Ultravibe album is on repeat at the moment, god damn that is incredible. Surely we need a review thread for it soon!

I just want to repeat the praise for the mastering of the vinyl edition, which is presumably pretty similar to that of the cd edition. The Dat Records mastering of Etnica's Live in Athens and, especially, the Crop Circles compilation was brickwall compressed, bass boosted, and lacking in spaciousness and tonality. Happily, it seems that a lesson has been learned because that is not the case with this excellent release. I don't know what the DR number is, but this is not a heavily compressed mastering job and sounds great as a result. A very happy outcome that serves this stunning music well and augurs well for the future. All strength to Draeke and his excellent projects. ~*~

You may have noticed that Psynews recently was down for an extended period of time We had a shattered hard drive and needed some time to recover the data. Huge thanks to our admin Mars that the data was saved. I hope everybody is fine and well. The forums are up again. cheers RTP

For the fifth release of Organic Signs, we pay tribute once again, in an even more special way, to our beloved Digitalis, aka Seb Taylor. Two years ago, we launched the first EP of our label, Digitalis - Soma Junkies, recovering a gem from the British artist. This time, we wanted to go further by presenting a new album concept with impeccable sound, thanks to the mastering by Damian Schwartz. Comprising both released tracks and some unreleased material, The Fourth State serves as a tribute and evolution of Digitalis's only album released in 1998, highlighting the need of scaping social control. Spacehop, the starting point. In 1994, after hearing a demo tape, Andy Guthrie (aka 100th Monkey / Funkopath) connected Digitalis with the team of the Spacehopper party at the Que Club in Birmingham. There, Digitalis quickly became a resident, dazzling audiences with his live sets. A premature first track from the early days of his career was never officially released, but many had the chance to enjoy it live on numerous memorable nights. In Loup Garou, the exquisite taste and mastery of breakbeat rhythms manifest. It's an explosion of rhythm interwoven with trance patterns, and you can also listen to an unreleased digital version, exclusive to Bandcamp. Closing the first side of the record is Repeater, the first track ever released by Digitalis, which laid the foundations for his distinctive sound.One of the most surprising parts of the album unfolds on the B side. Just as we had finalized the selection of tracks, Seb surprised us with a message revealing that he had found old tapes. This led to a collaboration with Hugh Newman, rich with influences from his alias Shakta, featuring vocal and acid synths that open the portal to a new dimension of auditory frequencies. Osho Drums combines live percussion from Osho, half of the Japanese group UNI, with psychedelic trance riffs and breakbeat rhythms that intertwine without relying on typical formulas. Figments Of Reality (Trance Mix) would bring the vinyl album to a close, featuring nearly 146 BPM of trance and synth sounds that resonate like thrown objects falling from the sky, landing on the rhythmic grill. As a final addition to the release, we also present Genetics, a digital exclusive track, another unreleased gem from his early days that deserved to come out of the vault of memories. > Preorder > https://organicsigns.bandcamp.com/album/os05-digitalis-the-fourth-state > Here you can find some premieres:

Be in for a shock when the hallucinogen box comes up then

sounds cool, we will check

OUT NOW 💥 https://globalsect.bandcamp.com/album/va-hallucinations-of-the-buddha-6cd

Thank you so much for the review! I love the tribal, classic, old-school and hypnotic trance of Elysium and I did not know, that he has this other project. So after a short listen on bandcamp, i decided very soon to get the hard copy in form of the double CD, as it seems perfect to listen in the car. I also realized, that Elysium recently made Remasters of his old albums, so it became a bigger purchase. https://thehypnoticlforoom.bandcamp.com/album/regenerated-2022-remastered https://thehypnoticlforoom.bandcamp.com/album/celestial-sounds-tribal-beats-2022-remastered https://thehypnoticlforoom.bandcamp.com/album/dance-for-the-celestial-beings-2022-remastered Greetings and keep it psychedelic! 💥

I just picked up Greg Hunter – Discography Part I and wow, amazing. 😀 9 cd's in the box.

hello everyone, also not super active, but still here reading sometimes the news.

All i want is fewer smileys i miss the old few n selected Psynews emojis. Now -at least on my phone- it's hell opening up the smiley selections... So much lag n crash .. :posford: 😛h34r: ..... Love your dedication to the forum, RTP. Keeping it alive.

This is my first time back in a while. I used to be very very active here, but real life came and thwacked me on the behind. I made several reappearences and vowed to stay active and never did. The temptation to spend all my money on new expensive releases was/is always too strong and with a family to support it was hard to see all the amazing new music and parties in can't have or go to. I've spent a lot of the last few years streaming music I'm not really into, but recently bought a new dedicated music player (not my phone) and better gear to better reconnect with my roots and listen to more psy and psychill uninterrupted. I have a huge back catalogue of almost everything from the early years through to about ten years ago. I might not be able to buy new stuff but I'm really enjoying my renaissance of classic goa.

reger baba! <3

I signed up to psynews back in 2001 and this dude was making noises about psytrance back then how it wasn't coool etc etc, mainly because he wasn't being booked for gigs etc. Still trying hard to sound relevant but as we say in English sometimes He wants to be shit hot but is a coldfart warmed up. See ya.

Indeed, that is his title and it stays even while he leaves the scene

To me that just seems to be his style ... I read enough of the threads back then and almost everywhere there was beef ... honestly, this is one of the fewer threads about or with him that have not yet turned into a flame / warn / ban fest (and I credit everybody for that) ... but whether my memory is right or not doesn't change the fact that I never understood him - which is why I rarely argued in those threads, because the only thing that could become of it is beef, actually. I have to give Kristian credit though for two things: his amazing music - and the sheer power to completely derail the peace on this forum every once and a while "Drama, baby"

I know israel has a huge psy scene and a lot of artist, but you can choose to not support those who work with them, no? It's just kind of ridiculous to see him discard his music people enjoy for any of the reasons he keeps talking about.

And we love to do some more (hopefully) Thanks, it makes us and the artist happy that even after so many years it is still standing: means a lot (quality wise). ...and that is what we still keep aiming for @ cronomi : albums that can last the time!

I know I'm very late to this party, but as this is still one of the top hits in Google when you type in Children of the Bong, I thought I should say Hi If you haven't already seen, I've created a website for all things Children of the Bong (www.childrenofthebong.com) and this thread in the artist news section too! Thank you for all your support and love for the music - always nice to hear! BTW for my 2p's worth, check out the band, 'Opiuo' especially their 'Slurp and Giggle' album... kind of what I think we would sound like now if we'd carried on

In fact when I stopped overthinking this I started actually finishing my tracks. Before that it was an endless recursion loop of "this is not good enough, that it not thought-out enough". My first completed psytrance track took me more than a year to finish (If I discount my another poorly mixed half-assed effort which has been finished and self-mastered when I was dead drunk but was surprizingly liked by some people here). I still don't consider myself good enough and sometimes i feel that my next track sounds worse than the one I've made right before that - this used to frustrate the hell of me but I now stopped bothering about this, it is counterproductive.

Eh it's still a highly relevant and an interesting tangent. I think it's totally crazy I didn't even think of people mastering for festivals or parties, but I guess that's because my music consumption is home listening 100% Personally I listen to so much music that I do notice the differences(Unless it's a trashy audio system, but then everything sounds equally shit regardless), it is a massive change whether a track is flat, sharp, bloomy, soft or whatever you want to throw in here. You don't even have to get technical about it, just the way it sounds is enough. And as said, newer equipment get more and more revealing as the years go by. On parties people will pay even less attention to these things because everything is loud regardless and the sound systems already colour the music pretty heavily(There's a saying everything sounds great in a party). At least to me, mastering can make and break a track as I automatically gravitate toward things that sound more enticing and pleasing rather than boring and flat and the production has a huge impact on how the bass sounds, how sharp or dull the highs are, how busy it sounds or how much breathing room the layers have. Homogeneity is also an issue I agree, not everything should sound the same, but for the sake of consistency for an album that's a different thing.. Now obviously people who do mostly notice these things are not the majority, but why does one have to always go for the lowest common denominator? This is why we have the loudness war in the first place. Musical quality is the most important one yes, but again if something sounds like it's been through hell like the tracks in my original post, then it doesn't matter, the tracks will be forgotten. a couple pages back I posted a comparison of D5 iron sun and it's remix, tell me you don't hear a difference with them. Or another album I find unfortunately lacking in audio department was M-Run, he had 2 tracks on Erta Alé mastered by Colin and they sounded much better than anything in the album. I still find the album brilliant in it's own right, musical-wise, but I do not go back to it as much as I'd want! And to note this is not directed at anyone in particular even if it might seem so, just talking general principles what kind of a change you can achieve just with how things sound.