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Yes - and this is precisely what I might be using it for, at least to experiment ... if anytime we or I happen to come up with a cool thing like this one from you, I'll get back on it (ps: if you want to know how our best shot on a remix, check my sig - without stem separation, we used an official Remix Kit)

Glad to have helped! It's a good solution for unofficial remixes where you don't have access to the stems. There are also AI tools for stem separation, but I haven't used any, so I don't know which are good.

Sincere thanks - Cubase 15 will be our solution as we are native on Cubase. I say "we" because your info was so good, I actually opened this thread in the studio to show my friend ... It's a true gamechanger.

Greetings and salutations fellow Psynews dwellers! Rasmus Nertlinge Presents as Zero Frequency Drama a 1½ hour journey over 14 tracks Spotify Link Youtube Link Track list with each theme: 01. a Little Like “Doctor you know who” (intro track) No spoilers, You got this 02. Vibration translation The notion of good and evil is becoming outdated, Something else is emerging Something more, sophisticated. Something in resonance with The zero frequency, Vibration. Can you feel it? The spontaneous Translation 03. Bound to Freedom “Signal triangulated” “Transmission confirmed” “Upgrade sequence initiated” “Upgrade complete” “Subject is recognized as Bound to Freedom” 04. Dancefloor evolution “Trance gate DNA, helix momentum is building, Every beat changes what we leave behind. More than move, we shed our skin, Feel the dancefloor evolution Happening from within.” 05. Sequence acquired “Sequence acquired Now we begin The next phase.” 06. Liquefied Conclusions “Liquefied conclusions Mentally free" "Beyond my understanding Still, I’m part of reality” “isn’t it wonderful? Liquid understanding” “Be part of it” 07. Baseline elevation What used to be the ceiling is the new floor, the previous high is the new low, A baseline elevation, This is how we grow" 08. Safe word: All is one “I’m about to come undone I whisper the safe word All is one.” 09. Born incomplete “We had to devolve to continue our evolution, We had to be born incomplete.” 10. individuality implies Sleep “The question is not if we are dreaming it’s what, There are more types of dreams than there are stars in the sky, Individuality implies some level of sleep, Time to open the eye.” 11. Eat. Dance. Love. When you realize That you come from Above All that’s left to do is: Eat. Dance. Love 12. Some kind of phenomena “What am I? That’s self-explanatory, I’m sure, No more stagnation through identity fables, I’m simply some kind of phenomena, that seems to endure” 13. Same experience, Different phase “Regardless what takes place, Same experience, Different phase” 14. Transmission in transition (outro track) "The signal starts to flicker, the origin begins to bend, This is not a failure, this is not the end. This is the next becoming, the dawn of a sequence yet to be, Transmission in transition, Switching to local unity”

MFG - Project Genesis Phonokol – 2118-2 I have been listening to this a lot lately and it is rapidly turning into my favorite MFG album. I loved Pure Energy but a lot of that album is remixes of older tracks and I think Project Genesis is darker, which I like. For those who say it has a muddy sound, I really think it is supposed to sound like that as it makes it gloomier, bassier and creates a harder, tougher sound. I am sure you know MFG's music and indeed their name itself feature a lot of religious references. The title of this album in particular is interesting in itself because it references not only the first book of the Bible concerning the creation of the world and life, but also as we will hear in track 3, the Genesis Device of Star Trek III: The Search for Spock (first introduced in Star Trek II). The latter device was designed to terraform planets which ultimately proved to be dangerously unstable due to the way the device was made. As this album also has killer robots, the message seems to be that using human technology to play God and create life and intelligence can have catastrophic consequences. Such a theme is hinted at in the book of Genesis itself where the knowledge Adam gains leads to humans being expelled from the Garden of Eden. 1 Intro 0:41 2 Intelligent Machine 7:30 3 Project Genesis 7:34 4 Open Mind 8:08 5 Why? 8:12 6 Voices 8:27 7 Sunshine 7:41 8 On Mars 8:02 9 The Creation 7:42 10 Metamorphosis 9:29 1. Intro: Really nothing much to say about this very short intro. It does the job just fine. 2. Intelligent Machine: Definitely at least 99% as evil as Psychaos - Chaos to Order, actually maybe even more evil, this track introduces us to killer androids with scary voices, thus establishing the mood of most of the rest of the album to come. The sounds in this track are just incredible. The effects at the start at the sides of the stereo field are modulated just right to actually tickle my ears. It is groovy, everything about the track is dark, the choices of sound, the little bits of melody including a nice gated synth flute sound and one of the most awesome basses ever with key changes as well. 9.5/10 3. Project Genesis: Another nice bassline, but pretty much every track has one because MFG are the masters of amazing basslines. Nice acid. Nice effects again. A nice build up of layers as the track progresses. Some people may feel this borders on the chaotic but I would say it is part of the point and what chaos there is is expertly selected and delivered. The Star Trek samples are cool and the crazy tweaking bassy synths after those are lovely. 7.5/10 4. Open Mind: This has some cool weird melodies, loads of twisted sounds. The mood I would say is slightly closer to neutral compared to the darkness of the previous two tracks (yeah I know, "life from lifelessness", but like I said, watch the movie). This is a perfectly serviceable track but some of the others are even better. 7/10 5. Why?: has cool distorted drums and a wild wailing melody that is gated so much it feels like it has been torn up into little bits. Then of course there are the evocative voice samples. Nice key changes again on this one. It's catchy. 8/10 6. Voices: Others have considered this a weaker track. For me, it is a favorite. The best bit is that loud twitchy, twangy acid lead which is pretty memorable and unique. It has a fast, energetic pace, and I just really like the particular way all the crazy effects fit together in this one, and how unsure of herself the woman sounds when she says "I don't hear any voices". 8/10 7. Sunshine: This is a bit smoother than the previous track, a little bit upbeat, and the title and voice sample suggest a happy mood yet it is still filled with plenty of darkness and layers of wild sounds. 7.5/10 8. On Mars: The dark bassy synth at the start of this sounds like an evil alien slurping up all life from a planet. The bassline itself is heavy and great yet again of course. My head was bopping at the relentless drive of this one. 8/10 9. The Creation: A slightly more laid back feeling with some fascinatingly gloopy vibes bring you into the start of this track, then the heavier kick and bass and snares come in and as the track goes on the tension builds and the darker mood returns along with nice layers of melodies. 7.5/10 10. Metamorphosis: This is such an excellent way to close out the album, with a relentless deep, dark resonant synth pattern playing almost continuously in a groovy, hypnotic pattern and later wailing melodies come in as well and the track builds and gradually metamorphoses, like the name suggests. At the end we get key changes. 9/10 My favorite tracks are 2, 3, 6, 8 and 10. They were not all my highest scored tracks, because I try to score on technical and artistic merit as best I can rather than just my own subjective preference which seems to vary quite a bit over time anyway. Overall score: 8.5/10 https://mfgmemo604.bandcamp.com/album/project-genesis

Connect.Ohmn - 9980 I think it's 100% human I love it, it's great, but would it be less great if it turned out to be AI generated?

Dakini released some music made by Suno AI https://makyo.bandcamp.com/track/mixtape-2-dreampop-makyo I think it was made by AI then Makyo edited it to be less shit, but still the result is pretty good. The AI version of Siren is the ONLY version I have ever heard that seems to understand the intonation needed in the line "did I dream you dreamed about me?" I know there is a lot of discussion about whether AI should be allowed in the arts at the moment, personally I feel like if they can make stuff I like, then it'd great. I didn't care if the art I like is by Joe Human man, a monkey, or an AI bot, if I like it, I like it. But then I have never been a pop fan, I have never understood why people get so obsessed with the artist over their art/music etc.

Indeed, it's a great loss to the community and the psytrance world. Shiva was very welcoming to new artists and helped many with their musical and soul journey. RIP

My intention when I started digging for this mix was to find some newer psybreaks and see what the scene is like these days. But as I was building the tracklist, I kept digging deeper and deeper back in time. Over half of these tracks were released 10 years ago or more. That RMS & Peak track was released in 2009! It's a good thing that awesome music never get old. Parallax Breakz - Hope [Morphosis] Retroid - Innerscape [Morphosis] Shifter - RIML (Retroid Remix) [Toast & Jam] Acidova - Air [Morphosis] Acidova - Faster Than Light [Morphosis] Acidova - H2O [Morphosis] Acidova - Lozt [Morphosis] Acidova - The Key [Rune] Acidova - The Legacy [Morphosis] Roboteknic - Utopian Sunrise (One Arc Degree Remix) [Morphosis] Feri - The Reconnaissance (Monojoke Remix) [Electronic Tree] J Hazen - 700ft (Beta Remix) [Sound Of Habib] Weizz, Octave - Tokyo Sunset (Monojoke Remix) [Spring Tube] Prato - Step By Step (Bear Moss Remix) [Old Skool] Colombo - Bluish [iBreaks] Colombo - Summit [iBreaks] Kelle & Sergei Orange - Scavenger [Rune] Fletric - Into Sunrise (KWAH Remix) [VIM] Blazer - Renegade (Charlie Kane Remix) [Neom] Genuss - Blazing Beats (KWAH Remix) [VIM] Hedflux - Rhythm Prism (MartOpetEr Remix) [Luminus] MartOpetEr - No Come Down [Broken Robot] Neurodriver - Sidewinder (MartOpetEr Remix) [Broken Robot] RMS & Peak - Ten Dimensions [Broken Robot] Genuss - Nyctalopia [VIM] Z4thoichi - Overmaster [In Bloom] Deenk - Open Your Mind (Too Dusty Remix) [Neom] Chris Voro - Alter Ego (Too Dusty Remix) [Tek] Motna - Time (Optobot Remix) [Sub Element] Decoder INC - Black Hole [Elektroshok] Beatman, Ludmilla, Blazer - Aqaba [Neom] left-click to download: Ziptnf - Voltaic Lotus (2:31:16) 334MB ~320 kbps Art by waterhollow Enjoy!

Bechamel Boyz - Beastman Burger =))

Yes - depending on the program used, it usually gives you 4 layers (drums, bass, vocals, other). The stems have some artifacts, you might wanna compare apps (I know Cubase 15, izotope RX and Spectralayers, but there are others - possibly there's some online app too) for the best result. You can work with an mp3 as well but, since the stems aren't perfect and mp3s are already a lossy format, you might wanna try to find the best possible quality original file.

I never heard of stem separation, read about it now ... so this thing really unmixes a complete track and separates it back into individual layers? Does it work with standard mp3s? Sounds extremely interesting...

Miranda- Phenomena

I’ve got a question: has anyone actually heard AI-generated Goa trance yet? How’s the quality? YouTube is flooded with all kinds of AI tracks in every imaginable style — Metallica in synthwave, Depeche Mode in the ’60s, and so on. But has no one generated Goa yet? Here are a couple of tracks, for example. The visuals are clearly AI-generated — but what do you think about the sound? Long live the robots! 🤖 Beckmantra & JoshAliTheShoq - Seekers of the Unknown Beckmantra & JoshAliTheShoq - The Storm Within P.S. I’m not claiming that the music above wasn’t made by a human!

Also, the different singles were released on various labels and comps. Not all were mastered as well as others. Having everything mastered by the same person for the same release will give it a bit more coherence 😃 Thankful they didn't do the loudness wars stuff too! 😃

Yeah it sounds great but again so did the original. However I'm happy they didn't just decide to clean it up and push it for loudness. So kudos on that. I guess marginally better is still better. 👍

🥰🙏

Because I'm feeling nostalgic. I have reach midlife crisis age, but I have no money to do something radical, so I am just awash with memories of when I was younger, fitter, felt better and was surrounded by young beautiful people all the time. Now I am older and fatter and relentlessly tired, somehow still surrounded by young beautiful people all the time, but I am no longer one of them 😔

Dear Family, I’m super happy to present to you my upcoming EP “Soulscape” on Ovnimoon Records, featuring three new Goa trance tracks with a modern vibe. The release date is set for early December. You can listen to the preview here:

I think this is an extremely useful addition to a digital studio. It is fantastic that it is free software which will also hopefully continue to be improved for years to come. I have been using it for a while and it is capable of producing some excellent acid sounds. However, in my opinion compared to some other emulators, it can take a lot more time with this to get the type of sound you want. I think this is mainly because it has so many different controls to alter the sound, including emulation of a number of popular distortion modules and notably the Modifications to the basic 303 sound which are partly inspired by the legendary Devil Fish mods to the TB 303. So because there are so many ways to configure the exact sound, it is easy to get lost in them and it can be very sensitive to slight changes in one setting. You might think that just starting with the default settings with all the modifications off would give a good acid sound, but on my system I needed to fiddle with it a lot more to get that. It is possible there are still some bugs in it to be honest. However, once you take the time to learn it, the possibilities are almost endless. Just make sure you save your favorite presets so you can quickly get it back where you need it. Having used it quite a bit now, I find that this is a great synth to use alongside other acid synths so you can build up layers of different acid sounds. I would not personally use it as my only acid synth at this stage, but it is certainly good enough if you plan to do that.

Weird, and cozy .. didn’t this get mentioned yet? … hm ~ Yamabikaya - Eolithic Monkey https://kaliearth.bandcamp.com/track/eolithic-monkey

The original 12" does sound good, like most Posford releases always have. I've been meaning to compare all these tracks since I bought the new vinyl box, but never got around to do it. But today after work I did a quick listen on Space Pussy. From what I heard or read, I don't remember, they didn't want to change all that much. Not getting into the loudness war, 1.0(radio/tv) or 2.0(youtube/spotify). Kevin Metcalfe knows what he is doing, he has been working with Posford for a long time. Everything sounds a bit clearer, not much but still. The volume on the remastered version is a little lower, which I take as a good sign. All the small details is not lost, rather enhanced. They did a good job with it. =))

Some old ones, Transwave - Phototropic and Koan - When The Silence Is Speaking. Two new ones, Saafi Brothers - A Relaxed Blur and VA - Suomispace Ba Mid Bar.

So there is still hope for a pink Doof tshirt, sweet. =))

28th of Nov. ‘25 FB event …https://www.facebook.com/share/1A3e94VrPC/?mibextid=wwXIfr