Rotwang

Anyone heard Braincell - Universal Language from 2005? I couldn't find a review using the forums admittedly idiosyncratic search function. The samples on saikosounds sound good, but are a but fuk't up.

This is purdy: And the samples sound pretty sweet also.

Edited review to include links to track samples, courtesy of saikosounds.

I'm listening to the samples of their cd on saikosounds and it sounds pretty good; a shame that the lamo gothy artwork puts me off buying it

+1 In fact most of my favourite evargh albums are ones I disliked on the first few listens.

What, both of them I bought my Dad a copy of Tales of the Inexpressible for Christmas last year btw. I think he likes it.

I don't get your using Cosmo and Highko as an example; I don't know their solo work that well but Highcosmos are great, tracks like Madjik L25 have a lot of build up and structure to them. Gaah! I hate punk rock I reckon you should give the new Nommos album a go if you want to get into darkpsy.

Nor do I.

Personally it seems to me that there is more quality control in darkpsy than other subgenres. The average darkpsy release I listen to on saikosounds sounds much better than the average fullon release, for example.

I don't understand what so many people on this forum have against darkpsy. Sure there's a lot of crap being made at the moment, but good stuff like Kindzadza or The Nommos sounds way more psychedelic to my ears than all the prog/fullon and most of the melodic stuff I've ever heard. Just my 2 cents.

Lately I have seen many people say good things about this artist in the general section. A few years ago when I was first getting into psytrance I bought his album "Interstate Highway" after hearing a track from it on digitallyimported radio; personally I think it's the weakest psytrance album I own (except for IM the Supervisor of course...); is there some other stuff of his to which I should listen?

+1 I had some time to kill in London recently so I thought I'd go and check out Camden market to see what it was like. Within about 10 minutes I had been given a flyer for a psytrance party. I wish they were that easy to find where I live

From Kindzadza's website: Also: [shits self]

Sure; I love Horror Place for example. But at least his album cover is kind of nice to look at, whereas the CH one just screams out "kiddy rock band for people who want to get more attention from their parents by acting like they're all messed up and, like, alienated, man, because of the bleakness of their frankly pretty cosy lives".

Wow. Just... wow.

Agreed. Although I haven't heard this particular act it's a shame that people do this shit because I quite like some of the music produced by people with a similar image, especially Devil's Mind Records.

+1 Also I know that some people will hate me for saying this, but... some of the samples on Classical Mushroom are lame as hell. A pity, because the ones on The Gathering are consistently great.

This reminds me of the teacher in the UK last year who suggested that the term "failure" should no longer be used in schools, and should be replaced with "deferred success".

La Bottine Souriante - La Mistrine

The Huckleberries

The Nommos - Primal Meltdown "Primal Meltdown" is the second album from the Nommos, who consist of über-hippie Goa Gil and his wife Ariane MacAvoy aka Nimba. According to the press release, "their aspiration is to redefine the ancient tribal ritual for the 21st century." I have no idea whether they have succeeded, but I do know that they have produced a pretty sweet album. Some general comments before I give a brief track-by-track description: on the whole this is fairly familiar territory for dark psy, albeit with more emphasis on ethnic sounds and tribal percussion than you will find in most places. What sets it above most of the similar stuff coming out at the moment is how well produced it is. Like most of the best dark psytrance this is music that could fool you into thinking that it is a lazy mess of noise the first few times you hear it; it's only with repeated listens that one starts to hear just how much love has gone into this cd. Mind-bending noises morph seemlessly into other mind-bending noises, blink-and-you-miss-it effects shoot past your ears, and intricate drum patterns confuse the hell out of you. There is an awful lot going on, and most impressively it has all been worked into one coherehent whole. Tracks: #1: Shamans Laugh The first track is pretty standard fare, most reminiscent of the track "In the Shadow" from Gil's 2005 mix album "Karmageddon" (it even features a similar grunting sample). There is little overall direction to this one, but it does have some very nice noises and works well as an opener. #2: Dance or Die This track opens with a scary, atonal bassline that wouldn't sound out of place on a Baphomet Engine cd, and proceeds to assault the senses with some extremely abrasive high-pitched crunching sounds; aural sandpaper is the best way I can describe it. It's potentially painful, but an enjoyable pain if you're into that kind of thing, although this track would probably be wasted on a less good sound system. #3: Dark Tunnel (Birthday Blues) "Someday the Sun is gonna die, and the whole fucking solar system is gonna go plop, but there ain't no forever, y'know" babbles the Nommos' mate Eight-Finger Eddie. Musically this track is another scary bassline covered in a load of the kind of noises one might hear if one were force-fed acid before being blindfolded and tied to a chair in an abandonned warehouse. #4: Magma This, to my mind, is where the album starts to get really interesting. This track has a simple enough formula, but is so perfectly executed: a familiar dark psy rhythm is embedded into a very nice swirling sound that builds and builds, then diminishes for a while before coming back, then building up into the most fantastic echoey wall of noise I've heard in a long time. Lovely. #5: The Forest Never Sleeps Another great track, and the best example on this cd of what it is that the Nommos do better than anyone else around. It largely revolves around a crunchy noise that comes in huge tidal waves that bowl the listener over, before evaporating into something that almost resembles a melody. Outstanding. Over the course of the whole track there is little progression or build up, but it sounds so good at any given instant that that really doesn't matter. #6: Iboga We now enter territory that is similar to that of the last couple of songs, but considerably more upbeat. There is even something that could be considered a "catchy hook", in the form of a happy bird-like chanting. Almost certainly an uplifting dance-floor pleaser. #7: Djembe Folie The intention of this piece of music seems to be to simulate taking part in some kind of tribal ritual while coming up on a very strong hallucinogen. It begins with some chanting and drumming that start out sounding normal enough before becoming gradually more messed up, eventually giving way completely to a mass of electronica. It's fast and comlpicated, and I must admit I actually found it rather difficult to follow when I was under the influence of something relatively mild. #8: San Dance Another straightforward concept that's been masterfully executed, this track is built around a metallic sound of which it's impossible to say whether the pitch is going up or down at any one time. Apart from an interuption by a boy shouting anxiously in a language I don't know, it continues in that vein for the whole song. #9: Blood Sacrifice Think you were going to make it through an entire psytrance album without hearing a Matrix sample? Think again. Like the opening number this lacks any overall build up, but is filled with very nice sounds. Less attention grabbing than the rest of the album, I suppose it's as close as the Nommos get to ending a record with a relaxing chillout track. Overall: Thoroughly recommended. If you found yourself getting sick of dark psytrance in 2006 as the market became saturated with similar sounding artists, then hopefully this is an album to remind you why the genre was a good idea in the first place. 9/10 This is my first review. Constructive criticism welcome.

The other day I was listening to this while my housemate was fast forwarding through a Russ Meyer film we had recorded on a HDD recorder, in order to get to the good bits. The change of frame synced up almost perfectly with the beat of the music. It was great.