astralprojection

they are all probably very close colleagues like astral mentioned, but its strange they didnt mention indoor in the credits. you dont like Nasha either? thats a wonderful album imo. at least 4 tracks on there are very nice. jajo+tokyo underground

yeah i just thought it was wierd, and not truly honest. Didnt mean to sound like an asshole btw

but its california sunshines official youtube page, in the link in OP, and i dont see how that logic works (bad youtube titling). they didnt mention indoor in neither title nor description. it said "Written & produced by DJ Miko vs Patrick (PTX) vs Amir Dvir (Illumination)" when Indoor is Avi Algranati, Marko Goren, Ofer Dikovsky i thought that was curious, and presumably so did celarpio

Okay

That's creepy dude Or maybe not, I don't know anymore

The first acid line just stuck out like a sore thumb, that one "off" note doesn't fit the groove to me. But the 7min acid was great and more fitting. And also close to the original. Great track tbh. So you process not different parts of the bassline, but different notes? That's probably why then, your basslines sound so freaking thick. I'm gonna try that next time. @recursion loop You also process each individual note? Damn, I guess that's the way to do it then

haha ive always wondered this. "wait a minute why does this sound exactly like rain" and that youtube video is truly strange; why would they do that? only thing i can guess is they was given the track by indoor. and wasnt there one track that sounded very close to that yahel track or did i dream that. summer 89 remix? maybe not. either way, yes i have thought about this too.

damn, that was nice!! he is really good at truly remixing an artists style I must say. He did very well with Hallucinogen too, even if that wasnt really a remix, it kinda was. edit: except i didnt think the 303 fit at all. but other than that it is really good.

back on topic i also really miss the progressive stuff from 2003 and forward; like Vibrasphere. Like already mentioned, that style of progressive cannot really be beaten or at least- let me rephrase, i have not yet heard anything that has. Spirallianz was extremely popular here back then, and that was one example we used to toss around when dissing the current state of psytrance while crying about pleadians and astral Yes we were very childish about the matter. The first album that did start to turn me around, was i think Vibrasphere - Lime Structure; although i didnt listen to it until 05-06. Then I was sold. but i suppose it took a few years to accept that old school goa was dead, and learn to appreciate what was avaliable.

And let's not forget the golden rule. If it sounds good you're doing it right

Yes that's very true. Didn't think of that. It's probably still best to render down the eq on each different part.

That's genius.. Automating the eq to follow the key changes. I guess the only other way would be have a different channel for each key change and eq separately. Wishful sinful is a great example to me, regarding having bassline jump around instead of full key changes. But maybe that one is slightly too jumpy.

yes youre right. i think both me and padi spoke kinda generally. ofc theres tons of exceptions

Well maybe I spoke to soon, I didn't really diss the fullon, but generally I dissed most psy around that time cause I was starved for goa. Everything was just progressive. The fullon I actually did like even back then. Ah yes the electric universe style. I too find that to be a little over the top. Just have the bassline on the fundamental and jump around a bit.. Why shift the entire bassline each time (silicon sound for example did this masterfully) But sometimes it works out great, so I won't say it's bad or anything. Peak for example. Albeit that's also one of my favorite cheese examples.. :p

That's awesome I keep going back to gamma goblins 2 also, whenever I'm in need of a good journey. That track is truly timeless I think noone could refute that! I did really like cptn hooks sort of rendition of the gamma goblins style in that one track of his. As far as modern sound goes, it sounds really good! And yes hearing from someone else, preferably a newcomer, regarding the tracks us old heads say are timeless would be very interesting.

The fullon sound in the early 2000s. Which is ironic cause that's what I used to diss back in the day. But stuff like From 2002. I don't know where I can find something modern that is similar to this.

1997 was a good year, Demention is probably the best one that year, but that spot is so busy it changes every time i think about it.. the quality in mixing and mastering is by todays standard still superb. Which is why id say this is timeless stuff here, and should transcend year/time/generation whatever.

Correct, they are timeless

if you listen to Etnica - Mystical Appearance In Goa as a newcomer, im pretty certain you will think it sounds bland, empty, and kinda simple. Definitely outdated. But at the same token, if you listen to Mahadeva like oopie mentioned or say Fluoro Neuro Sponge - both from the same year, I think noone can say it sounds outdated. edit: or i mean ofc they can, but i wouldnt agree with them

Thank YOU, I love to listen to music from users on here it's so much more fun than anything commercial. And it does sound really great. Seems to me like you're a fully fledged pro

I checked out a little bit from surrounded by surreality. Sounds really good! A little chi-ad vibes in there, will have to listen to the full thing now

@Oopie where can we listen to your other albums? is your artist name also Oopie?

he's back at it again :p

Noosphere is excellent, Carpe Noctem is one of my very favorite tracks ever

No it was actually future prophecy