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하이. 접니다. AZ NHJO HYENNRO(아즈 노흐즈오 현느로)입니다. ARTIST: The Superman ALBUM TITLE: Tanzen Musik A1 GENRE: PSY/GOA NIGHT CLUB TRANCE MUSIC PRODUCER/COMPOSER: The Superman WORLDWIDE RELEASE DATE: 20240422 ALBUM DESCRIBE: The Superman Project start at 2023/12/26 at Seoul, South Korea. The Superman's New 2024 April Albums released. Total 15 Tracks very danceable Russian, German, USA, UK, France style Goa/Psy Night Club Trance tracks. For Home, Club, Party, Driving etc. The Superman project can make All kind of musikc etc ROCK/HEAVY METAL/PROGRESSIVE ROCK, METAL/ELECTRONICA GOA/PSY FULL ON TRANCE and CLASSIC, POP, K-POP, J-POP , GERMAN POP, RUSSIAN POP, ELETRONICA, ETC Big Thanks. 1. The Superman - 1. Tanzen Musik 1 <- Russian German style dance trance tracks. Composed and Arranged by The Superman 2. The Superman - 2. Tanzen Musik 2 <-Some Yahel like style trance trakcs. Composed and Arranged by The Superman 3. The Superman - 3. Tanzen Musik 3 Composed and Arranged by The Superman 4. The Superman - 4. Tanzen Musik 4 Composed and Arranged by The Superman 5. The Superman - 5. Tanzen Musik 5 Composed and Arranged by The Superman 6. The Superman - 6. Tanzen Musik 6 <- Some SST: Shiva Space Technology like style dance tracks. Composed and Arranged by The Superman 7. The Superman - 7. Tanzen Musik 7 Composed and Arranged by The Superman 8. The Superman - 8. Tanzen Musik 8 Composed and Arranged by The Superman 9. The Superman - 9. Tanzen Musik 9 Composed and Arranged by The Superman 10. The Superman - 10. Tanzen Musik 10 Composed and Arranged by The Superman 11. The Superman - 11. Tanzen Musik 11 Composed and Arranged by The Superman 12. The Superman - 12. Tanzen Musik 12 Composed and Arranged by The Superman 13. The Superman - 13. Tanzen Musik 13 Composed and Arranged by The Superman 14. The Superman - 14. Tanzen Musik 14 Composed and Arranged by The Superman 15. The Superman - 15. Tanzen Musik 1 (145 Edit) Composed and Arranged by The Superman Hallo. My recently works 15 tracks. BPM: 130.4 STYLE: MELODICAL NIGHT GOA/PSY TRANCE. - Apple Music: https://music.apple.com/album/tanzen-musik-a1/1743143686 - Youtube Music: https://music.youtube.com/playlist?list=OLAK5uy_m8l8VXrd2DmyR72ORyVYTjHgObhi3ArlI&si=gzAmGbHPPGjPmlR2 - Spotify: https://open.spotify.com/album/6Z8zmnJIAOo2M1OebTrSmv?si=ukr72CygT06Rc0Y3ns6HOg - Amazon Music: https://music.amazon.com/albums/B0D2NSJ2XS?ref=dm_sh_rJQyuR88fdGGutAkiBHynaX60 - KKBOX: https://www.kkbox.com/my/en/album/-nc5MNAINWEdbYYzaL - Tidal: https://tidal.com/browse/album/359634245 https://www.youtube.com/channel/UCgSXimcrjviB5L6gL5IZWsw https://www.amazon.com/music/player/artists/B0CY5353G8/더-슈퍼맨-the-superman www.soundclick.com/thesuperman <will be more tracks https://www.facebook.com/profile.php?id=61557930361224 < My The Superman facebook page. new release and informations. cafe.naver.com/thesupermanr <My The Superman cafe in naver.com WORLDWIDE DJ/PERFORMANCE BOOKING WELCOME. mail to nhjohyennro@naver.com thesupermannr@gmail.com AND WE WANT RELEASE CD, If you interest my this works email to me. And We seek team. We can Quality trakcs and vocal and compose and arrange technology. Big Thanks www.aznhjohyennro.com <at 2024 December www.thesupermanr.com <at 2024 December nhjohyennro@naver.com thesupermannr@gmail.com This pic is my recently my pic at my studio, room. and the other one is my this new release album pic. thanks

I think Simon’s B-sides and unreleased songs are the best. Maybe because I haven’t heard them as much… Angelic Particles Space Pussy Magik Also, album tracks: Demention Jiggle of the Sphinx Solstice

ॐ P.L.U.R’ is a tantalizing glimpse into the forthcoming EP by my psytrance project G.O.A Monks – ‘Universal Science.’ Set to release early this summer on Mushlight Records. LINK: MixCloud 🎬Youtube Video Peace, Love, Unity, and Respect (P.L.U.R) – the heartbeat of the psytrance community. This track is more than music; it’s a cosmic manifestation of these sacred principles, woven into every note and rhythm. In an era where global peace remains elusive, where divisions threaten our unity, ‘P.L.U.R’ stands to remind us that empathy and mutual understanding can override dissonance. Stay tuned, PsyTrance cosmic travelers. ℗mixed and mastered at Mushlight Studios © powered by Dj Django Music. ®original artwork by: Gemini Art Lab™

12,000 suns, for me. Just in the first 3 minutes you already had 5 different melodies.

I hope you realize Filteria didn't invent shit. At least Xenomorph has his own style, the story telling (not this album specifically but in general).

🎧 Cosmic Selection Vol.1: A Psytrance Journey by DJ Django 🌌 This DJ set is dedicated to Progressive Psytrance. I’ve carefully selected tracks from my personal BandCamp collection, which I love incorporating into my top-psycret DJ sets around the psytrance neighbourhood out there, among my live performances. -Tracklist: 1. Sonic Species - Flow Rider 2. Animato, Solarix - Expecting You 3. Altruism / DJ Thatha & Burn in Noise - We Found Peace 4. Bellatrix - Meditanationism 5. Silent Sphere - Radical Love 6. Dolby Caramel - Life Explorers 7. Dj Doppler - Codes Of Life 8. Bitkit & XoXo & T.I.T - Dragonfly LINK: MixCloud In the realm of psytrance, we’re all stardust dancers, moving to the universal symphony. Press play and feel your senses become one with the cosmic energy of creation. -Peace and Bass- Dj Django *artwork by: Gemini Art Lab

Hmm, you're asking difficult questions here. That friend of mine who introduced me to both goa trance and Impulse Tracker gave me his entire sample library (most of which was quite useless tbh) and I couldn't in any way tell where all those samples were from. I do remember we found some websites with useful sample packs, so there's the source of most of the sounds in my tracks. Of course I couldn't tell which synths and drum machines the sounds are from; I did rename all of my samples for the sake of organisation, so the original file names are lost to time. There are some hints in some of the file names, but of course you have to remember that back in 98/99, I had absolutely no idea what words and numbers like "acid", "juno", "303", "909", and so on even meant. They were all just useful sounds to me

We're getting close to the end now, this is track 10 and it was finished in mid-February 1999. Here is where I started experimenting with adding in a bit more complexity, at least from a technical point of view. I can't really pinpoint any specific artist influence here, but that synth solo that comes in at around 5:45 is definitely a nod to the Hallucinogen track "Demention". Of course I took it quite a bit further, and I clearly remember I managed to crash Impulse Tracker when writing the solo, so something about it got lost in the crash.

Funnily enough I didn't find this topic while searching.. 1) fluoro neuro sponge 2) gamma goblins 2 3) lsd / angelic particles / magik 4) demention 5) horrorgram / snakey shaker

nope, xeno is not a better artist than filteria. you can tell pretty easily by the sounds crafted. Xeno seems to not care much about sound design, while filteria would spend a year on a kickdrum.. And as far as vision go, i mean, comon. Filteria basically invented neo goa. abode of the damned was pretty nice. well mixed. but sound design leaves alot lacking. negative time didnt remind me much of mfg.. but the 2nd half of the track was allright!

One hell of an album indeed.

I would like to continue this thread, as I’ve been trying to find artists new and old from Israel. I’m specifically interested in the more melodic, Goa trance side of things. Artist albums + compilations are both on my list. I’ll get the thread moving with my favorites: Astral Projection Afgin Sykespico MFG Who knows of other artists from Israel? Trying to make an Apple Music playlist mostly of albums, although good individual songs are appreciated as well.

Xenomorph - Netherverse (2024) Suntrip Records 1. Sinister Contours 2. Dying Sun (Sol Aeternus Mix) 3. War In Heaven 4. Negative Time (-L Di/-Dt Mix) 5. No Beginning No End 6. Nebula Of Souls 7. Subdimensional Anomaly 8. Abode Of The Damned 9. Netherverse It's so interesting to read the comments here. I found the the Negative Time EP (2023) fairly monotonous, lacking the visceral, dynamic energy of Mark Petrick's previous albums. A brief recap, Cassandra's Nightmare (1998) was like Goa chapters in a horror film. It took risks and showcased a new approach to Goa. Qlippoth (2003) was more mature and provocative. Demagoguery of the Obscurants (2007) was a concept album reflecting the uncompromising, tragic [old world] vision of the elites (the dark ones via cabal) phases ending with Nuclear Winter. Years later, Xenomorph singles began appearing on Suntrip comps. Petrick's style was more contemporary, less hard edged, technical, more melodic and smooth. It was with Suntrip that I felt something powerful, raw, daring, and organic just did not cross-over that made this artist so brazen, unrestrained, and impressive. Fast forward to Netherworld (2024), the first main album by Xenomorph in 17 years. 1. Sinister Contours starts with a strong kick drum, dark atmosphere, sound bits and synths that remind me of Demagoguery of the Obscurants (2007) to some degree. I like the dark Goa (sound/melody) work, though structurally the beat and bass line feel a bit repetitive. The synth via transition in the third minute open the door for more creativity, grit, and development, the latter fairly simple programming-wise. The tone is good, and I like the contemporary, modern approach to dark Goa here. I like how the middle act breathes before introducing oriental sounds and samples, adding intrigue. This segments felt a bit repetitive to me when crossing the seventh minute, and could have benefitted from more complexity via mixing and variety in arrangement. The last act gets more interesting via end of the seventh minute, but I felt the repetition in ideas before and after. Even the last minute is less than stellar. I feel like the artist could have incorporated more, surprised us, and evolved the second into third act, as well as the second half of Act 3 more tightly. This is a solid song that lacks the power of the opening track, Prognosis on Demagoguery of the Obscurants (2007), and I like it. B 2. Dying Sun (Sol Aeternus Mix) is MUCH BETTER than Sinister Contours IMO, and my top, if not one of my top favourites here. I LOVE the ominous opening, the raspy samples (that somehow work with the), atmosphere and synths. I LOVE the space astronaut sound accent effects (end of first minute), and the sound/melody work is excellent. The song gets richer, more tasty and delectable as it progresses. This is a great example of duality, rather than pure dark-evil-- combining darkness with light. Then a key change at 3:30, and the song does possibly the most beautiful, transformational thing I've ever heard from this artist to date, completely elevating the journey into cosmic, transcendental realms of growth and development before sliding back into the dangerous void. Sure the beat and baseline are pretty standard, and I'm okay with that. It's everything on top of it that's riveting and so unexpectedly strong, evocative, and enjoyable! This (more balanced in duality) song is so innovative, catchy, and welcome from what I'm used to hearing from this artist. It's less hard hitting (beat-wise, synths, grit) than his other songs, and I'm okay with that. Even a transition in the fifth minute gifts us more jewels via sound/melody work. Maybe the second half of the last act could have emphasized more edgier synths, but I'm nitpicking. This is such a well done song. It's imaginative and beautifully helmed from start to finish. Excellent track! A- 3. War In Heaven is a return to harder hitting, darker content a la Sinister Contours. I notice some cross-over sounding synths early on that remind me of Demagoguery Of the Obscurants (2007). The sound/melody work is crisp and energetic, complimented by a voice sample, though somewhat simple in arrangement. The music improves. I love the blinking little synth effect at 4:03 (wish that reprised later) and how a voice sample transitions us to catchier elements. This has a jumpy (danceable) synths, and I love little dynamic progressions via 5:12. I'm a sucker for catchy transitions to new surprises, sound/melody work, good mixing, and like the nostalgic albeit contemporary synths approach. The last act brings everything together, like a dark albeit less dark (than previous albums) nod to his third album coupled with melodies had A Nightmare on Elm Street had a Goa song. That said, I feel as if the music is just a bit restrained in power, rawness, and delivery-- as if the artist is fairly reserved from unleashing more fiery power. I thought this delivered stronger than the opening, and I enjoyed the smooth, fluid production and delivery. B+ 4. Negative Time (-L Di/-Dt Mix) starts strong. We get a synth lead that breaks through like a tidal wave (beautiful effect) at 0:57 followed by more complexity. The first act is catchy, though repetition starts to sink in just before things shift at 2:40. We reach an interlude at 3:30 via voice sample that sounds like Lance Henriksen in one of his many intriguing character roles. I like how the tone grow darker in the fifth minute. The song's synths remind me of the third album to some degree. The third act merges fresh ideas and some really good melodies. The end of the sixth into seventh minute feature nice key changes, though the music here grew conventional. Nonetheless, I admire the dualistic rather than being dark-evil approach. I think there could have been more of a finale (climax) towards the end, as the final moments aren't as memorable. I like this song and found it better than Negative Time on the EP. B+ 5. No Beginning No End starts promising-- for about a minute. The dark tone is decent along with the sound at 1:03, though the synth at 1:30 wears thin along with the second and third minute. The synths around 3:33 is catchy via grittier (something this album lacks), but it's quickly discarded for a more conventional approach going forward, and this is where I start to lose interest. The predictable, redundant sound design builds up before climaxing into a conventional, repetitive, and uneventful final act. This song began with so much potential. Even its title sounds dark and intriguing, but the direction is generic (formulaic), redundant, and forgettable. More fire, grit, variety, complexity, kickass stomping energy and complexity, atmosphere, and just a better more contextualized song to the album would have been wonderful. And is it me or does this feel and sound rushed? The more I listen to it, the less I like it, and the more turned off I am. This artist is way too talented to release stuff bordering on selling out. C 6. Nebula Of Souls starts great like a dark fantasy. I like the atmosphere, enchanting sounds and synths. The first act builds nicely. Little squiggly sounds mingle with soundscapes in ice-cold moving atmosphere. There's a recurrent synth that works. It grows delectably grittier, rougher, more aggressive, and less restrained as the song progresses. That said, the song follows one set path, direction, and conceptually, is pretty one-dimensional. But it packs some of that rough edged rawness I miss. Again though, the structure and sound design grows repetitive, albeit more powerful and emphasized, and I feel like we needed this... something with more visceral and aggressive. Why not add this intensity to a more dynamic, varied, and elaborate storytelling chapter? Doing so could have produced an album selling super song. In Act 3 the synths fall to the back as slow ambient notes carry this across the finish line, and while I appreciate the change, I feel like this was an opportunity to incorporate something more exciting and revelatory to spruce up the finale which otherwise feels somewhat melancholy and anti-climactic, especially after the welcome, harder edged albeit predictable structure/drection. B 7. Subdimensional Anomaly opens with soft ambient, inviting us into the ominous fold. The bass line here actually stands out for once. I like the evocative feel, synths, key changes, especially the synth lead in the second minute. It's excellent and accentuated by soundscapes following a voice sample that initiates stronger energy. Now we're gliding across the dark terrain. The music is good, though a little more involvement via arrangement would have spiced up the forth minute. The second half maintains the catchy synths, coupled with another voice sample. This opens the door to those punchy synths that remind of of Mark's third album (works well here). The song's less intense approach is well placed. Another complimentary synth joins ambient notes in the last act, reflecting sadness and contemplation. I think the second half of Act 3 could have developed a little more, creating more intrigue like the song's first two acts, and I admire the artist's more pensive, thoughtful direction. B 8. Abode Of The Damned as with Dying Sun (Sol Aeternus Mix) showcases stronger storytelling throughout. The first act builds intrigue, acknowledging the underworld (the Great Below) conveniently excluded from modern academia, as it does not fit in with established associations, hence fiction-fantasy / folklore / conspiracy / advanced ancient civilizations, technology, Shiva, Krishna, etc. The first act is dynamic, offering a variety of tighter sound engineering. The second act has more grit and energy, a thumping beat. I love like the tone, evocative feels, gritty synths, distinguishing acts, and voice samples. But the second half of Act 3 could have gone deeper to more magnetic degrees sound/melody-wise. All in all, this is easily one of the best songs on the album, and my favorite after Track 2. B+ / A- 9. Netherverse is an ambient-influenced downtempo number. The first half... we're floating in space, atmosphere. No beat. Not much happens. A synth arrives in the second minute as I start to grow impatient, hoping things are going to get going. A slow kick drum enters the third minute. It's okay albeit plodding. Again, I wait for this to turn into a powerful, downtempo gem, but the interlude in the forth minute leads to more of the same. There is a nice key change to the tune in the fifth and sixth minute (IMO the best part of the song), but to my surprise and disappointment, the song ends soon after. Just... huh.. I would have loved if the artist developed this into a more powerful, memorable downtempo/Goa gem. The best beats (ideas, moments, elements) of this song could have been concisely told in the first act, before really improving in Act 2, and diving even deeper into memorable greatness in Act 3. In the end, the last song feels underwritten, underdeveloped with ideas and execution, and underwhelming. I was left wanting more, and should never feel indifferent or disappointed at the end of a Xenomorph album, especially after 17 years since his last main album whose ending left me in tears, pieces, unforgettable, blown away. C CONCLUSION So few dark Goa albums release now days that I want to savor what I like here until something better comes along. Its been 17 years since the last Xenomorph album. Mark's work has grown more contemporary via Suntrip comps. If you like this style coupled with some cross-over elements from his third album, you'll probably like this. I like it more than his work on Suntrip comps and find numerous tracks ( 2, 3, 4, 5, 8 ) enjoyable, good and occasionally great. Constructive criticism and feedback: Let's get this out of the way since I like this album enough to want to end on a positive note. Tracks 5 and 9 feel like write offs. They're fairly underwhelming. There are a few repetitive segments in numerous songs that could have been tightened up (mentioned above). The overall album is less ambitious, less technical, less dynamic via mixing and overall composition, (like his second and especially third album that melted my mind excluding vocal parts), less hard-hitting, less punctuated, less involved, provocative and unpredictable, less gritty, explosive, powerful, brazen (daring), and risk-taking. His previous albums felt more organic, unconventional, determined, raw, rough, chaotic, and unrestrained-- and I miss that, the magnetic, psychedelic soundscapes and synths/tunes synergy, the technical wizardry, moments of dark surrealism, build up, climax, awe, innovation, evolutionary developments (at times), and inspiration. I was listening to his third album this week, noticing how even the second half of the Third Acts improve, growing edgier, more electric and powerful in the last two minutes. His sound engineering, and how far he took things in the third album (minus the singing parts) was amazing. Here, the second half of the Third Acts feel similar (a bit repetitive) to the first half of the Third Acts. The more mainstream friendly approach arguably feels more Xeno-lite, not to be misinterpreted with light. I would have loved more complex, catchy developmental arrangements, sound designs, atmosphere, variety in baselines, beats, textures, details, accents (well accents are generally simple), and a great closing song that doesn't wait for the second half (really last act via key changes) to start appearing to open up and go somewhere interesting, only to end soon after. Due to these things, the 4th album did not exceed my expectations as his last two albums did. The good news is that Netherworld (2024) features a healthy amount of good and great songs. It's smooth, very melodic (at times), danceable, and easy to digest. It combines light and dark well via dualistic sound/melody designs. There is some atmosphere (great when present). Dying Sun (Sol Aeternus Mix) impressed me the most (my wife's favourite song), followed by Abode Of The Damned, Negative Time, and War In Heaven. These songs feature some really catchy synth work, mixing, dynamics via developments, and direction, and that's no knock against tracks 6 and 7 that are entertaining more or less. Even the first song is reasonably solid, though less memorable which leaves only two songs I didn't care for. I like that Mark Petrick's style isn't saturated in bleak, nihilistic dark/evil like his previous albums. Times have changed. We evolve. Well some of us anyway. The praise: "work smarter, not harder" probably makes more sense after 17 years, but how can one not compare the 4th album to the last two considering how top tier-- Qlippoth (2003) and Demagoguery of the Obscurants (2007) represent some of the best dark Psy/Goatrance albums ever released. This artist set the bar so high that not even he can top it. My suggestion is to give this a couple listens and decide for yourself. I like to listen to an album enough to identify the songs by titles, for them to form an identity in my mind like characters in a story, each it's own creative world, but that's me. One way of seeing it... we could have NOT gotten a forth album at all, and now we have something to talk about, which at least brings more energy to the forums! Also, thank you Mark Petrick and Suntrip Records for making a new Xenomorph album happen after all these years. While far from what I consider superb, there IS some superb work here, and plenty solid work in general for me to enjoy. Cheers! Favourite tracks - 1, 2, 3, 4, 6, 7, 8 Least favourites - 5, 9 ... the latter could have been so much more satisfying and engaging with more time in development. And the album is more deserving than having formulaic fillers like track 5 on it. B Stream the full album on Suntrip's YouTube

I can kind of see where you're coming from a bit more now. Some tracks do have pretty generic kicks and basslines. Doesn't bother me though since there's still so much personality everywhere else, and I like the modern production. Abode of the Damned is fantastic. Negative Time gives me MFG vibes with the relentless energy, big spacey sounds and euphoric climax.

Central Rishon Kaledioscope Retox just the best trance there is. sadly alot has disappeared from youtube over the years.

i can kinda see where you get MFG from here i guess? But unfortunately the kick+bass ruins it for me after a few more listens now, i think its not my cup of tea at least. the sounds are way too simple (the music is decent, but sounds not so much). and i absolutely hate the kickdrum and especially the bassline. damn near sounds like 'init patch' of any virtual analog VST, with unison and lots of stereo imaging whats the 2nd best track from the album in your opinion?

i think it sounds very good, probably the best so far tbh! the key changes around 5:50 mark and onwards are very nice, again reminds me of something that i cant put my finger on right now.. oh yes now i remember. similar key and key changes are in this track aswell, by solarforce. ( -https://www.youtube.com/watch?v=04jXxZhzxfA- ) can you give a bit more information about the samples you used? and from what synths they were sourced? for such things as kick, bassline, hihats, leads etc. would be interesting to learn where you found all the samples at that time (98).

87bpm Recorded this one on 4/20. Took a while to put this one together, a few months tweaking sounds and effects, it's a live hardware jam recorded straight from the mixer, I didn't even do any post processing on this one even though I guess it could use a little boost but anyways I liked it enough as is, might master it later. It's pretty long again meant to be more of a journey, if you don't like long intros skip to about 4 mins in I guess. Hope you enjoy ☮️🕉️

Indeed. A solid release 9/10

Well that was fun Check out A1ON's DJ-set here: https://www.twitch.tv/videos/2125187677

Well that was fun Check out A1ON's DJ-set here: https://www.twitch.tv/videos/2125187677

Vinyl is SOLD. CD is still available.

Yes, I tried this many years ago, I searched from 2000 to 2003 for all the songs with this name, Serenity, but I couldn't find this id! There are two options, either it has not yet been uploaded to the discogs database by a contributor, or it exists, but under a different name than Serenity! We'll see, there are songs that I found after 15 years, and that makes me feel like it's something obscure, I hope it's not an unreleased song.

A10N is Live in 2h. https://www.twitch.tv/space_toilet_radio Party on ❤️

It's on live now https://www.twitch.tv/space_toilet_radio/