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Mad old ones
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About Filteria

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  1. Hello I have been working a lot with this one and I hope you will like the album. Of all the stuff i've made this was by far the most challenging for me. I believe there is something in there for everyone Take care / Jannis
  2. Daze of Our Lives (extended) is just rereleased with 2 additional tracks. Check out here: https://filteria.ban...-lives-extended thank you for the support and all the reviews Best regards / Jannis
  3. My third album from 2009 Daze of Our Lives (extended) is just rereleased with 2 additional tracks. And yes, there will be more coming including the debut album of K.O.B. on Suntrip Records. Check out the rerelease of Daze of Our Lives here: https://filteria.bandcamp.com/album/daze-of-our-lives-extended thank you for the support Best regards / Jannis
  4. I never (and I seriously mean never) managed to finish a tune that I started as a loop. Working with a loop that you start fiddling around with limits the creativity because you can't really let the track take YOU to places..Also hearing the same loop over and over kills the mood for me. I suggest you go back to the old way of working.. creativity first, mixing etc comes second. Leave the small details for last.
  5. No I didn't Etnica/Pleiadians finished with Lunar Civilization to make a smooth transition for my sound. I finished my initial set with Navigate (from my first album). People wanted me to continue to play and Max asked me to play Lunar Civilization (Filteria Remix). Now the reason why you think I played it twice is that the version I play on livesets have the ending of my own track Navigate. So in fact you heard the ending melody of Navigate twice. Nice videos you uploaded btw
  6. Thank you for the love and criticism.. Some insight regarding Sky Input: I was just a kid back then (19-20 years old) who made music for myself in my parents place. There was no one who would affect me and tell me how it should sound. I just did what I wanted too. Once that album came out, I started reading reviews and talk with the audience at parties after my gigs. Like it or not, they will affect you. But you also change as a person. I can't possibly be the same guy today as I was back then. Things have changed a lot since the Sky Input days. There are periods of time nowdays where I
  7. For me, Boom was amazing! I played there both in 2010 and in 2012 and I have to say that 2014 was better than 2010 and 2012 combined Everything was really super. S.U.N. was also great. The crowd at S.U.N. went more nuts on the dancefloor, but then again there is more space to dance and not as hot. These 2 festivals are the best ones for me. Hah! I told Dick while I was playing, look at that shirt! And then you were pointing at each other. I also saw you at S.U.N. while walking towards the bar with that T-shirt My pleasure mate Good to hear that you guys enjoy
  8. Hi I just came back from this years Boom Festival which was simply amazing. Probably the best festival i've been to. I thought I would share this video while I am playing Dog Days Bliss Hope you like it
  9. I would answer that Food Demons and night @ 12pm is totalt different and still on the same album. Life never sleeps is also very different from those.. And i dont know what the snuggling snail has incommon with those 3 tracks. Or compare filtertraces with lost in the wild. But ofcourse our perception differs and that is what makes life wonderful
  10. This is timeless music. It's almost 20 years and still sounds so fresh. The Live CD might be the best piece of music human kind has ever witnessed. I will never forget the first time I heard Plastic around 5.50. Goosebumps, smiles and breathtaking. And the way the tracks switches between them is simply amazing. Just listen between Vimana and Lunar Civilization. That's what a liveset should be like (taking notes for myself). There is a not a single boring second here. I have to add that since i've been making music myself for some years that the mysticism and magic is somehow gone when you
  11. I think there is some confusion here. I get a feeling that some of you are talking more about the mixing rather than the mastering. The only way you really can tell if the mastering engineer fucked up is if you listen to both the raw final mix and the final product. It's seldom a professional engineer ruins the tracks. He has his own vision of what it should sound like, but I think it's up to the artist to tell the engineer what he wants. What makes a track fat/clear is the mixing from the artist in the first stage. A mastering engineer only have a wavefile to work it. Remeber that every
  12. I feel very inspired to make music in general. I have bought lots of fun equipment (modular-systems etc). I feel like working with something "new" where I have total artistic freedom. I have that with K.O.B., because no one really knows what to expect from this project Will be fun
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