AlieNed

reminds me another thread .. titled some ' am i an asshole ? ' or some like this

no fuckin fighting guys , no need to insult each oother

need to ask guys from Trancexplorer that is a distributer company for psy trance only m, no any crap like tiesto or van fucking buuren lol ok becoz printing and producin the physical compac disk carriers ( wich is only 10 cents cost ) is much cheaper in 3rd world countries then in Europe

wanna make it motherfucking clear i didn say that selling the music is a terreble thing that artists or label may do , i just was wondering bout the fact that MPR decided to make it go this way me as a big fan of hi quality music , really hi quality , not that mp3 crap or u didn see me fighting with some fuckers who say that music must be free so they horrably regrets to buy any cds being stuck with free mp3 downloading off the net and i do understand perfectly , life is damn hard , anyone needs money to make it go the way u want , and i wish to see Nox and Nolax and Loast Budda cds on in a music shop shells question for Filipe - can we get Ataraxia in wave ? for me , its brillian goa trance

Acid Rockers - Wierd World promo teaser is here http://www.yousendit.com/transfer.php?acti...11E3C010AD8CF95

i wonder where they gone , all these Skazi fan club members seem they got pissed off but his new stuff so they turn away from him ( left fan club ) last few mins of hus 1st track r really kool anyway "

kinda hm amazed and confused .. now u gonna sell it ? free music just for three bucks ?

agree , mp3 is only good for mp3 flash players there quantity prefered then quality , nothing can beat up original cd-da format , wave is much better then any compressed shit but much more then the cd btw i wonder who stends behind that Metapsychic_Records nick ...

Acid Rockers is British electronic music producer Matthew Buggins, with frequent contributions by Steve Walker. There is something quintessentially British about the group’s upbringing in the trance world, as they made their first tentative releases on the obscure label AAA Recordings alongside ManMadeMan and The Light. These early efforts were traditional UK trance, mixing up acid and epic influences to create euphoric hits for the thriving warehouse scene. In 1997, Acid Rockers made a small impact in the psychedelic trance world with two remixes for TIP Records and a vinyl single release on the infamous Blue Room Released. Very little was heard from Acid Rockers in the next few years; a remix for Total Eclipse in 1999 and a compilation appearance in 2000 was the extent of his activities. Mind Set, an album rumored to be in the works for some time, emerged in the final year of Blue Room’s operation, in a time when the label began to engage in wild experimentations, releasing all kinds of electronic music only tentatively connected to trance. Albums from Spectral, Deviant Electronics, Juno Reactor, and Boris Blenn’s downtempo project Galaxy best express the diverse approach the label was taking in the final days. As one of Blue Room’s late experimental albums, Mind Set features trance, breaks, and drum ‘n bass all blended up into a mutable pastiche of electronic music. The album opens with Weird World, which is sourced from the original Acid Rockers vinyl released on Blue Room in 1997. If you have heard the excellent Acid Rockers remix of The Infinity Project’s Hyperactive, then you should have an idea of what this sounds like. The groove has a tremendous amount of bounce to it, reflecting the producer’s UK origins. Analog sound particles spiral around in the early moments. After slightly more than two minutes have passed, the first hint of the breakbeat leaps into action. A subtle twist in the percussive strata soon unfolds into an intricate rhythmic fusion, uniting the 4×4 beats with the breakbeat loop. Deep into the heart of the track it breaks down into the massive bridge: a dirty set of bassy grooves that adeptly realizes the crossover potential of the song. The rest is a muddy assortment of dirty sounds and atmospheric textures, with no further surprises. Weird World is a song with some nostalgic value, but it isn’t as cleanly produced as it needs to be in order to qualify as an enduring classic. Traveller is a cheeky piece of electro-breaks merged with funky guitar riffs, bubbling 303, and fat bass strike. It sounds very retro, predating trance entirely. With the short length and irreverent sample usage, I suspect this isn’t to be taken so seriously. Inside, the surprise gem of the album, was originally released on Blue Room’s Freekstyle compilation. Distinctive sampling lifts a few phrases from the Hollywoord movie Event Horizon, including “the dark inside me, from the other place… I won’t go back there, I won’t!” After this the listener is treated to the deepest rhythms of the album. The bass is fantastic, slipping around in the low frequency range with grim determination. Broken beat structures begin to form as time passes, slowly accumulating added complexity as the story builds. Once the acid lines begin to take form in the third minute, the track is really rolling. Gorgeous psychedelic atmospheres take form, swooping in to provide timely embellishments. The mood takes form, expressing sadness, mystery, and a sense of wonder. The comedown is lovely, taking sweet time to return to Earth. This is, quite simply, the most intelligent track Acid Rockers ever released. Messages From Jupiter is the flipside from the Weird World vinyl. This was a staple of all breakbeat-laden Goa sets for many years. Despite the distinct 4×4 rhythm, there is no shortage of wildly oscillating drum ‘n bass riffs in the mix. After a heady drive full of smashing percussion, the song drops into an extensive bridge in the very middle. From near-total silence the funky drum rhythm games begin again, accelerating towards the return of the throbbing bass line after the sixth minute. Back in the day, this sounded excellent, and a great deal of use was made of this record by many people I knew. Today, this sounds very dated, but may be of interest to fans of the breakbeat-Goa fusion nonetheless. There’s no denying this song has a place in trance history. The next piece is the Flashback Mix of Orion, originally released on the Robot Pop EP in 1997. I’m one of the few that own this record, and I can attest to the fact that this sounds nothing like the original. No, this is a heavenly piece of soothing drum ‘n bass wrapped up in thick layers of entrancing atmospheres. It is not designed for the dance floor, so the arrangement tends to drift. This is a very nice piece for background listening but it doesn’t hold a candle to the power of the original. The title track begins with the best sample work of the album, capturing a conversation between Bruce Lee and his teacher in Enter the Dragon. Beneath a shimmering atmosphere the speech peaks with the famous words: “When the opponent expands, I contract. When he contracts, I expand. And when there is an opportunity, I do not hit. It hits all by itself.” The rest of the track is very much like the last one, dropping muddy clattering beats beneath ethereal pads that swirl around, providing the psychedelic aspect of this drum ‘n bass tune. It’s another decent piece for sublime moments. Schitzoid is a continuation of this style, with added crunch. There are hints of some of the other tracks in this rather direct sequence of chunky rhythms. Ultimately it gets rather boring, as the track shakes onward without any focus. Futures End is the chilly finale, mumbling along with a stodgy off-kilter bass beat and a steadily increasing set of smooth pads and atmospheric effects. There is something inelegant about the rhythm in this one, but the trance sounds are nice enough. Nothing special. Mind Set is a decent release, but it’s probably the weakest of the final Blue Room releases. Anyone with a special interest in the fusion of drum ‘n bass with trance is going to want to hear it, but I wouldn’t recommend it for most other listeners. If you want to hear breaks and trance mesh admirably, direct your attention to Deviant Electronics or Metal Spark. Aside from Inside, which is a wicked tune, the crossover tunes on this album don’t seem that serious. They dabble and drift, and frequently succeed at sounding pleasant, but fail to really energize, excite, or inspire awe. With a pair of re-releases from three years prior to the album release and only 64 minutes of sound, it actually seems as if Blue Room had a difficult time putting a full-length album together. Perhaps Acid Rockers were not yet artistically experienced enough to take on the task of a full-album. At any rate, the group can be appreciated and remembered for a few old songs, even if Mind Set is not an essential album. It could have been much better… C und P - Basilisk http://www.ektoplazm.com/reviews/acid-rockers-mind-set/

did not heard this but i wonder y noone didnt reviewd Acid Rockers - Mind Set , another release from Blue Room

i wonder wot all these skzi fans wud say now about Skazis recent releases and tunes the 1st track is pure psychedelic anthem ,,, dont fuck with us ,,, pissed off

i hope that Bill rerelase this track one day , as he did with Akashic album for me , this is the best track he eva created

marmion remixed by mwnn ? i guess its on distance to goa early release , maybe vol 3 or 4 i do listen the wind and street noise , nothing else exept the sounds that coming thru my barely opened window , starring at this pic

try Basic , they r the most interesting artists in israeli full on scene

um its not that terreble for psy music lovers that Daves tracks was released on a comp the thing that even psy scene is full of asholes , viliants and mean ppl , this is totally fucked up nothing is ideal in this shitty world for sure

poor quality mp3 56 kb streams r good for listning while working on the comp , not for enjoyng in headphones with mp3 player

Prodigy gonna make thier new album out very soon , need to check some info on the bands site thou wot do u mean with sound update ? u made it sound better ?

thats kool but u have to drop some artists names or post tracklists

one of my fav albums from 1200 mics , 10 times better then the second one it sounds pretty poppy but anyway its positive , groovy music with kool melodies and this idea of travling in past is amazing

abit dissaponting , fav tracks Artcore and Sex Style , very good production but its not his best one album for sure

he seem forgot to post anything else or he just lost it for some reason i guess

massive darky mix thou

i wud like to hear yaown mix OOOPIE WOOPIE , did u make any ?

u shud call it Confuse Mix coz its the puzzle to manage how to grab it from there hehe btw i look for the tracklist too

Indian Edition: http://sonictantra.pc-sanity.com.au/ordercd.html Rs. 500 if ordered before July 12 (Pre-Order) Rs. 600 after July 12. Payment - VPP (Indiapost)