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“Reflection” takes you on a journey of hypnotic psychedelic beats that cascades you into an explosion of driving up-tempo energy, harmonic breakdowns and carefully created track selection, that reflects DJ Sarana’s stage presence, energy and is her latest promotional DJ mix – available for download in WAV format. DJ Sarana [Psylicious] FI Finnish Psytrance DJ Sarana has always had a passion for music since her childhood years. Her musical spectrum of taste has ranged from classical to metal before her journey into psychedelic trance. Influenced by the sounds of Mad Tribe, Spirit Architects, Transient Disorder and Mono Sapiens to name just a few have significance in DJ Sarana’s soundscape exploration, taking her deeper down the rabbit hole of psychedelic trance. With sets aired on Psylicious Radio and, Finnish online radio, Kaaos Radio, DJ Sarana is already turning heads within her native Finland and beyond. DJ Saranas' ear for music and rhythm as a trained former dancer are two elements that are clearly evident, combined with her octane driven energy she transmits onto the trance-floor fully engaging with crowd! Tracklisting: 01. MoRsei – Spice 02. Vibe Tribe & Spade – Supernatural (X-Side Remix) 03. Sierra – Highway 04. Ephemeris & Sierra – Reach 05. Artifex – Shrooms 06. Delysid – Virtual Simulation 07. Zarma – Xibalba 08. Wubba Lubba – Blips & Chitz 09. Auraform – Overcoming Weakness 10. Virtual Light & Magik & Yestermorrow – Inception 11. Celozon – The Fall 12. Sartor – Dejavu 13. Alter Vu – Malfunktion 14. Gigi & GrooveDrop – Agarikon 15. Alter Vu vs Bandicoot – The Bicycle 16. Gigi – Funker N Smarter 17. Spell – Crazy Crush 18. Alter Vu – Mandala 19. Alter Vu – What Is In That Tea 20. FowlOwl & CiriZen – Wise Old Owl 21. Gozonji – Droid Malfunktion 22. Alter Vu - Tetris DJ SARANA - Links & Social Media Linktree: DJ Sarana

E-Mantra - Nemesis Suntrip Records, 2014 Goatrance 1. The Entity 2. Wrath of the Nomads (Rmx) 3. Fall of Icarus 4. Gebeleizis 5. Xibalba 6. Ayahuasca 7. Mission Aborted 8. Orphic Hymn 9. Shae Nab E-Mantra is Emmanuel Carpus. His Goa debut, Arcana (2009) was praised for immersing listeners with strong atmosphere, soundscape textures, and dynamic (tweaked tempo) transitions, one of which is the coolest enhancement that I have heard in electronica music to this day. Although I found that Arcana lacked memorable melody leads, I can't deny its innovation. The exploratory element was great and Dansul lelelor proved that the artist could create memorable leads in addition to the atmosphere and everything else. Pathfinder (2011) incorporated some catchy synth leads, but lacked the absorbing soundscape textures to the degree of Arcana. Pathfinder had some great tracks, elements, and moments nonetheless. It was more melodic, and yet less immersive soundscape wise and atmospherically. Some liked it more than Arcana and vice-versa. Anyway , three years went by and Emmanuel's tracks continued to impress on Psy/Goa and Psyambient/Chill albums until the next massive Goa creature arrived. This brings us to Nemesis (2014). Every E-Mantra album to date has had a bit of a learning curve for me. Emmanuel's style is very distinct and complex, and at times overwhelmingly creative. Good news is that Nemesis is more ambitious, imaginative, and atmospheric than Pathfinder. It also has more of what many liked about Arcana, the soundscape textures (exploratory element). I'd love to hear an all ambient/chill album by this artist in the future too. But moving on to Nemesis... 1. The Entity is the best opening [goa trance] track by E-Mantra to date. It has a fantasy edge that I miss (since the old-school days of Chi-A.D.) coupled with immersive atmosphere, strong synth work, a driving beat and bass line, tasty soundscapes textures, and some great synths. This song is like moving through a galaxy of space candy. I love the female voice sample, even if I miss what she's saying half the time. Her "sound" alone enhances the track. Oh, and when I bitch about there not being enough memorable melodies in E-Mantra's first two albums, just wait until you hear the one at 6:44. It's very catchy! I really like the return of the strong bass line at 4:05, the atmosphere and melody/sound (synth) work. The echoed, female effects are nice too! My ONLY gripe is that after the beat drops out (which switches up the sound a bit), I am less gripped. From around 5:30 to 6:39 the song begins to feel repetitive. Fortunately, the melody at 6:39 leads to ear candy at 6:44 that elevates the song. Very little here could have been perfected (to me) for a nearly perfect score, as the artist did a great job overall. The Entity is excellent, one of E-Mantra's most solid tracks to date. A- 2. Wrath of the Nomads (Rmx) I find less dynamic and varied than the opening. The song moves in one general direction, but it has a strong beat and base line. The synth lead stands out among the heavy backdrop, and is accompanied by soundscapes/textures, as is E-Mantra's more typical style and approach. To be honest, I was a little disappointed here, primarily in the first half. The song starts strong with a solid synth but grows repetitive and predictable by the third and fourth minute. Fortunately, there's an interlude/ around halfway through. The beat and music return at 5:10 where the song grows noticeably catchier. The beat is accompanied with more engaging sound work. Better late than never I suppose. Simply put, the song could have trimmed a minute or two earlier on, or involved more enjoyable work in the first half which would have made it more enjoyable. This is a solid track that starts slow and rewards listeners in the second half. B 3. Fall of Icarus I find more interesting than the previous song which showcased a more typical E-Mantra sound. Earlier on I'm grabbed by the atmosphere here. The bass line that enters at 0:55 captures the driving, dark tone; it's good. Gradually details are added. There are many layers here; I just wish that the melodies hooked me more, as with E-Mantra's work there is sometimes more higher pitched synth streams rather than stand out Goa tunes. Having said that, the song innovates. It's like a fluid storm of debris shrouded in lightning and space snapping rattle snakes that sneak up and surprise. The more times I listened to this track, the more I found regarding the complexity and cohesiveness of it all. It gets catchier as it progresses naturally, and showcases some really good sound work in the second half that compliments the first. Having said that, more memorable melody work would have been nice. Good if not great song. B+ 4. Gebeleizis begins like a computer spazzing out, printing up algorithms left and right without rhythm or reason, but in a psychedelic space sense; this is no computer or printer. The curious introduction slams the senses with an impact effect, or echoed beat and synth at 0:26. This moment is brief, but powerful and gripping. It also introduces the first wave of energy/synth work to power the starship. There is an interlude midway that reminds me of stars blinking out in the night sky. It's immersive and intriguing. Then a new crescendo of sound arrives, comprised of atmosphere, soundscape textures, and a delectable combination of synth melodies. The song evolves into combining the powerful effects with actual melodies that have harmony and feeling. I simply find that the last 1-2 minutes, while very nice, could have incorporated more development to increase the songs greatness in the end. An artist that applies this concept well is Cybernetika relative to his general tracks (1, 3, 6, 7) in the atmospheric and also dark album, The Scythe of Orion. Gebeleizis is a super song that has a soft ending that makes me go between a solid A and minus. The song is possibly deserving of a higher score. It's fantastic. A- 5. Xibalba begins less chaotically than the previous track, with good atmosphere and an effective, lower-pitched bass line. The bass line adds to the darker tone and is very effective, primarily when combined with other sounds that go into effect at 1:58. The more versatile "synths" are deliciously braided. There is a drum roll that leads into a highly effective third minute, coupled with a strong lead and otherworldly textures. At around 4:00, an echoed synth enters; this is the sound that I like from War of the Hierophant's track interlude from Arcana, as well as the Metamorphic Resonance track (last third) from Pathfinder. Here it's used more as a pitch bending accent rather than a visceral synth melody lead. Nevertheless, it's catchy and compliments the track; it's just not as infectious as how it was utilized before. No worries. It works well with the core rhythm. The beat briefly disappears at 5:12, and returns with the driving feel and even tastier melody/sound work at 5:25. It's also enhanced by the accent effects that appear like space insects flying by the voyager. All of this takes place with great synth work. An ambient segment enters around 7:15, and adds to the song's mood; it could be perceived as a sense of urgency or consequence. This part of the song sounds serious, evocative. It's interesting and adds character and feel to this intergalactic album. The song isn't as eventful as some of the others, but I like it this way. Xibalba is imaginative and captures my attention from start to finish. Well done! A- 6. Ayahuasca is the next track that I warmed up to the most, along with The Entity and Gabeleizis. ​This is because of the melody approach. The synth work emotes with the overall exciting feel. Instead of one synth, the artist somehow incorporated three or four, maybe five. The work sounds so layered and complex. It grows stronger, catchier as it progresses. The part around 4:20 forward has an amazing, climactic feel. It showcases what is quite possibly the artist's best melody synth (leading) work to date. I am very impressed with this part and how it fits into the context of the whole. I love it. The last third (or rather act) includes a very nice melody lead that blossoms around 6:16. It's unpredictable and uplifting! I love how the artist realizes that complexity alone does not necessarily make a song good. Ayahuasca showcases fantastic sound/melody work by the artist, who raises the bar on how uplifting and catchy his Goa songs can be! Part of me feels that the song could have gone even further or higher into heavenly bliss (ascension) in its final moments, but I really like the last few minutes. The song closes strong and knows when to end. Ayahuasca is one of the finest tracks in electronica! It's beautiful, unique, and innovative. The song has feeling too. It's excellent. A 7. Mission Aborted begins dark, as if abandoned or alone, though the samples off-set this thought. What stands out to me the most here are the astronaut's voice. They're catchy as they echo across the music. The first third keeps the tone and driving (under-current) dark. The synths sound mechanical and grows catchier in the second act. I like how the artist supports these darker elements, and the ambient/atmospheric layer later on. These examples show how well the artist puts sounds together, however I wasn't that arrested with the overall song. The astronaut voice samples add character and I like that. However the synth work, while catchy, never stayed in my head. There's no tune that grabbed me, no climactic elements either and that's okay. The second half is quite nice I admit. I simply never felt completely immersed or addicted, and the ending isn't really exciting. Having said that, the overall song is very well structured; it builds nicely and has some interesting elements, solid synth work. It's also dark and moody (though I found Xibalba catchier in that regard). The astronaut samples compliment Mission Aborted in that they're catchy. I just wanted to feel more involved and hooked with the overall song after finding the previous three so exceptional in comparison. That said, this is a very good track that seems to separate two more ambitious and delectable ones. B+ 8. Orphic Hymn is another one of my favorites along with tracks 1, 4, (now 5) and 6. The introduction is solid, and the beat/effect at 2:15 is wonderful. I love the humming ambient, and the synth work that enters at 2:33 is so ridiculously catchy. OMG I love it. Then there's the third minute where this infectious sound combines with others that sound as delicious with it. The third minute involves one of the catchiest segments in goa trance. After this phenomenal part, the beat leaves at 3:46 for an interlude (transition). This provides the opportunity to change up a few things and refresh the song. The returning music at 4:14 is nice. The atmosphere's enhances it. The melodies become brighter at 4:35 and I think it's good add light to the darkness. The second half of this song is attractive, don't get me wrong. I simply wish it was as infectious in the uplifting, positive and harmonious sense, as I love the idea. The melody/sound work is catchy. I just find them less captivating than the edgier work beforehand, which I found stunning. The song could have benefited from having a tastier final uplifting act in that regard, as it goes from darkly superb to beautiful good, in my opinion. Take Astral Projection's Liquid Sun, Radical Distortion's Star Dance, Goasia's Sunrise - ok those were morning Goa sunrise songs throughout and this isn't I realize (but for uplifting tracks that really impressed). Orphic Hymn does darker, edgier best and should have stayed that way with more development in the last third I feel. Or the brighter evolution could have used more work to make it more spectacular, just my two cents. I was so enamored by this song's first half and wanted to give it a solid A. Maybe a remix will get away with this. Orphic Hymn is another great track that showcases some amazing work. A- 9. Shae Nab, unlike the last two tracks previous E-Mantra albums is far from slow. Is slow uptempo an oxymoron? Regardless, the tempo is good. This final track has a smooth and fluid feel, with seamless melody/sound formations that develop in some subtle ways. The synth work is very good. I especially like the skipping synth that comes and goes. Shae Nab isn't very eventful (that's not the point), but rather one continuous movement; the song flows like water. This flow of energy concept ? track reminds of a little of Khetzal's opening on Corolle; this is completely different in sound and approach of course. A really nice melody enters around 5:00, and a more gripping (to me) one at 5:50. After the third or so interlude, the rhythm returns with even greater sound, deepening the hypnotic vibe. The ambient notes in the last minute are beautiful. It would have been nice if such feelings of euphoria were more present earlier on. The ambient notes add so much feeling and harmony; by the time they arrive, the song has almost finished. Nonetheless, the artist's blending of sounds here produce an old-school, goa sound that some will love. Shae Nab is a beautiful work of art. Its gentle approach may not stand out initially, as much as some of the other songs. This is a solid closing track that could have had more personality. It flows beautifully nonetheless. A- In conclusion, Nemesis is a strong album. If you're an E-Mantra fan, I think you'll be impressed, as I can be critical and pin point or over analyze even the smallest things at times. Every E-Mantra album I've heard to date has been impressive including his chill ones via Hermit Sanctuary (2013). The artist continues to improve and "perfect" his style on Nemesis and it shows. The album is dark and visceral, often immersive and at times magical. This album impressed me when I least expected, but it also took time to grow as Arcana did. I really like the power, rhythm and synth work of The Entity in combination with its fantasy elements. I was also impressed with Gebeleizis, Xibalba, and Ayahuasca for their strong synth work, arrangement, and sound formations. Orphic Hymn has an incredibly catchy first half (until 4:39 for me); the rest is pretty good, just not as addictive. Shae Nab is a pleasant closing track with an old-school feel. With the overall album, I enjoy the atmosphere, soundscape textures, and (being a huge melody fan) improvement in the synth department, though greater emphasis on tunes that get stuck in your head would be nice. There's a lot to explore thanks to the artist's attention to detail and interest in creating depth. The lower-pitched bass lines work well too, adding to the dark feel of the album. Constructive Criticism / Feedback 1.) Some of the melodies could have more development of arrangement. For this reason, I find Filteria's albums (DoOL and LitW) easier to get into. Emmanuel tends to scaffold his melodies more with trills on notes, whereas many Goa artists compose more arrangement. 2.) Sometimes this artist has something so perfect going, only to incorporate a last third that isn't as infectious (track 4, 8). I love songs that get catchier as they progress! 3.) I would love to hear more sleek interludes like the one in Arcana's War of The Hierophants track, from 3:58 to 4:50. Such work was wickedly catchy and sleek. The ones here are solid nonetheless. End of Feedback There are things about the other albums that make them special I realize. I have warmed up to Nemesis slower than Pathfinder, but faster than Arcana. This is probably due to Nemesis having more depth and exploratory elements/details over Pathfinder. Sure Arcana had some fantastic elements (atmosphere, textures). Pathfinder had the melodies (synth leads) that stood out where the debut was lacking. Nemesis is more refined, involved and deep; the synth work and melodies are catchier too. Thanks to numerous improvements, I think many listeners will consider Nemesis to be the artist's best [goa trance] album yet, but it took time to time for me to assimilate to this album for some reason. Not since moments in Arcana have I been so impressed with an E-Mantra album in the psy/goa genre (I also recommend E-Mantra's Hermit Sanctuary album for psyambient/downbeat). Nemesis puts the listener back in a voyage through intergalacitic space travel, atmospheric elements and exploratory psychedelia. It's a lot to process. A lot takes place, and while I personally favor certain styles of Goa over E-Mantra's (normal considering we all have our preferences), Nemesis was well worth the wait. Favourite tracks: 1, 4, 5, 6, 8, 9 A- Samples / Order Suntrip http://www.suntriprecords.com/release/cat/SUNCD31/ Suntrip Bandcamp http://suntriprecords.bandcamp.com Psyshop http://www.psyshop.com/shop/CDs/sut/sut1cd031.html Beatspace http://www.beatspace.com/7916/Suntrip+Records/E-MANTRA/Nemesis/detail.aspx Goastore http://www.goastore.ch/e-mantra-nemesis.html Amazon http://www.amazon.com/Nemesis-E-Mantra/dp/B00HW1FEQA/ref=sr_1_1?ie=UTF8&qid=1391013235&sr=8-1&keywords=E-Mantra+Nemesis

Moon Tripper - Hypnotic Frequencies Altar Records - ARCDA130 I hadn't heard of Moon Tripper before, the Dubai-based artist Brad Ashtar. I came across this album because I enjoy psychill and want to start posting reviews of new music here so I was looking over Altar Records' recent catalog. 1. Moon Tripper – Inside Your Head 13:03 2. Astral Waves – Black Panther Medicine (Moon Tripper Remix) 10:15 3. Moon Tripper – Mystical Realm 6:57 4. Moon Tripper – Transcendental 7:15 5. Moon Tripper – Arise 6:00 6. Moon Tripper – Hypnotic Frequencies 6:59 7. Moon Tripper – Dopamine 7:55 8. Moon Tripper – Spiritual Smiles 8:53 9. Moon Tripper – Elevated State 8:00 10. Moon Tripper – Earth's Consciousness 6:46 1. Inside Your Head: This has a lovely long build up with mysterious pads, slow flute, growly synth sounds, what I think is a sitar sound, tribal drums and later a nice kick and bass come in. A little reminiscent of Elysium to me but with the psy turned down and ambience cranked up I suppose. 6/10 2. Black Panther Medicine (Moon Tripper Remix): We start with some tribal voices and cool drippy sounds. The kick and bass makes it sound a little bit dark and we have some nice somewhat tribal percussion coming in then some really trippy melodic synths. Nice. 9/10 3. Mystical Realm: This track is harder and a lot more psychedelic than the earlier ones but still has a lot of ambience. A nice, slightly more irregular beat. 7/10 4. Transcendental: We continue the harder psychedelic theme with this one which is really nice with layers of squelchy synths and still little bits of ambience sprinkled in here and there. 8/10 5. Arise: A mystical sparkley opening with a female voice and some flutey ambiences. Then the driving kick and bass come in quite near the start and groovy synth stabs. It feels more ambient than the previous track whilst maintaining the pace and energy. 7/10 6. Hypnotic Frequencies: For the title track we're back to harder psy again with some really tasty acid lines. The production quality is nice and the pads envelope you with a real sense of depth and immersion. If you only have time for one track, listen to this one. 9/10 7. Dopamine: This sounds closer to pure psytrance to me. The light sort of synth-almost-a-flute melody is nice from about 1:40. Past the halfway mark I must admit I was losing interest a bit but the closing parts of the track were a bit better. As mainly a Goa fan I may not be the target audience. 5/10 8. Spiritual Smiles: It opens with chanting, then the standard kick and bass, and a fairly laid back mood with lots of weird ambient sounds and one meandering synth. Then from around 4 minutes we get nice acid coming in. A trippy breakdown where the chanting comes back. 8/10 9. Elevated State: This one is some crazy mind jumbling psytrance. Sounds to me a bit like darkpsy with the tempo turned down slightly. 6/10 10. Earth's Consciousness: We end with another serviceable psytrance track that's well put together but not really my cup of tea. 5/10 As primarily a Goa fan who also enjoys psychill and ambient but is less keen on modern psy, I find this album a bit of a mixed bag, but the good bits are great and the rest of it I certaintly wouldn't mind having on in the background. I deliberately listened to this before trying any of Moon Tripper's older music. It will be interesting to see if that is more to my tastes. 6/10 https://moon-tripper.bandcamp.com/album/hypnotic-frequencies?label=3714585001&tab=music

Hi everyone. This site has been a huge part of my life over the years and helped me discover massive amounts of great music. I've enjoyed crafting reviews (a lot of them silly) and interacting with other people. I don't visit like I used to as we all get older and distracted with this thing called life. I just wanted to float a topic and see what members still visit and how many new fans of psytrance are here. I'll start: Mdk from USA! Mdk

Hei trippers and trancers, this is a label announcement with news + updates on whats going on within KER. discogs: https://www.discogs.com/label/1393052-Kali-Earth-Records bandcamp: https://kaliearth.bandcamp.com/ Kali Earth was established as a new label on the 28th of December 2017. The first release was on the same night. The release is a single track by Material Music (a talented artist) given to the psytrance event organizer Love&Magic, in 2015. It was only now let loose, just the way it is. A proper Record label, i think we most agree on is a label that publish and release physical formats (CD, Vinyl) as well as the new digital formats like i.e FLAC and Wav. We've chosen a tad unconventional way of starting up the label in these new times. Therefor we use mainly Bandcamp but we will when things are more ready and steady move onto other distributor pages as well to be more accessible to the general wider public. Right now, we only offer a CDr/Files of our debut release (KER001) . And the single is a grower, so expect it to get more tracks added soon.... Our aim is in general great psytrance and chillout music, and we're not afraid of pushing the envelope or to creating a new style on the way. The label name Kali Earth Records is in direct inspiration to the legendary label, Shiva Space Technology (SST). In retrospect, you could say that the world is also too full of bad kali, and hence, Kali Earth Records. We come with much love, and true peace of mind. Boom shanti *

Artist: Hexaliohm Title: Divine Being Format: Digital Release Release: 2024.03.22 Catalog: CAT992652 Tracklist 1 - Hexaliohm - Divine Being Writer: Hexaliohm Producer: Hexaliohm Mastering: Hexaliohm Artwork: Hexaliohm Listen and download https://fanlink.tv/divine-being Follow us https://bit.ly/HexaliOHM https://soundcloud.com/hexaliohm https://instagram.com/hexaliohm https://facebook.com/hexaliohm https://hexaliohm.bandcamp.com https://vk.com/hexaliohm

ॐ P.L.U.R’ is a tantalizing glimpse into the forthcoming EP by my psytrance project G.O.A Monks – ‘Universal Science.’ Set to release early this summer on Mushlight Records. LINK: MixCloud 🎬Youtube Video Peace, Love, Unity, and Respect (P.L.U.R) – the heartbeat of the psytrance community. This track is more than music; it’s a cosmic manifestation of these sacred principles, woven into every note and rhythm. In an era where global peace remains elusive, where divisions threaten our unity, ‘P.L.U.R’ stands to remind us that empathy and mutual understanding can override dissonance. Stay tuned, PsyTrance cosmic travelers. ℗mixed and mastered at Mushlight Studios © powered by Dj Django Music. ®original artwork by: Gemini Art Lab™

🎧 Cosmic Selection Vol.1: A Psytrance Journey by DJ Django 🌌 This DJ set is dedicated to Progressive Psytrance. I’ve carefully selected tracks from my personal BandCamp collection, which I love incorporating into my top-psycret DJ sets around the psytrance neighbourhood out there, among my live performances. -Tracklist: 1. Sonic Species - Flow Rider 2. Animato, Solarix - Expecting You 3. Altruism / DJ Thatha & Burn in Noise - We Found Peace 4. Bellatrix - Meditanationism 5. Silent Sphere - Radical Love 6. Dolby Caramel - Life Explorers 7. Dj Doppler - Codes Of Life 8. Bitkit & XoXo & T.I.T - Dragonfly LINK: MixCloud In the realm of psytrance, we’re all stardust dancers, moving to the universal symphony. Press play and feel your senses become one with the cosmic energy of creation. -Peace and Bass- Dj Django *artwork by: Gemini Art Lab

Jan Tracer - NEED FOR HYPERSPEED released on Goa Records My next LP Album with 6 tracks including 5psytrance tracks and 6th last ambient/electronica track. Tracklist: 1. Dancing With Lightnings 08:22 2. Flight on Clouds 08:50 3. Joyful Tales 07:06 4. Need For Hyperspeed 06:06 5. Tears Over The Negev Desert 08:00 6. Flow Acceleration 06:36 credits releases: March 29, 2024 All tracks written and produced by Wiesław Małolepszy (Jan Tracer) Final Mastering : Goa Records Artwork : Goa Records Bandcamp: https://goarecords.bandcamp.com/album/jan-tracer-need-for-hyperspeed-goalp113-goa-records Various platforms: https://hypeddit.com/jantracer/needforhyperspeed Youtube channel with visualizations:

Artist: Various Title: New Blood II Label: Timecode Records Date: October, 2008 1. Principles of Flight - Oblivion 2. Artifakt Vs. Lost & Found - Checkmate 3. Rubix Qube - Enter the Dojo 4. Phyx - Freejack 5. Cybernetix - Root Complex 6. Tryambaka - Evil Mistress 7. EMP - Attack of the Moose 8. Tickets - Harpsicheek 9. Pitch Hikers - 40 Days Oh Timecode...why have you forsaken us? What is this new land we find ourselves in? It is in truth perplexing. Either we have been submerged into a cesspool of commercialism where the next buildup and drum fill is more epic than the last. Or we have descended into madness where once again melody is treated like the clap and atmosphere has all but evaporated. In truth I don't blame you Timecode, the once mighty label that forced imitators to their knees and rumbled the very Earth upon which they trod. I miss the post apocalyptic atmospheres, the rumbling bass, and the sinister melodies of what seems long ago. The label has now morphed into Sangoma Records and doesn't hold the same appeal. Shame. Rest assured that the window panes of my ample dwelling reverberate with furious anger from your releases. This is one such compilation. Oblivion- The mood is dark and eerie with a great POF track to open. Not a lot of melody, but power and fear can go a long way. Checkmate- Can a track be both funky and foreboding? *Alex Trebek enters* "A horse, sounds of torture, and a chess match play by play." What is the break room of my former employer on a Friday? This is a delectable groove and demands movement. Crazy dynamic collaboration between these two great artists. Enter the Dojo- more big beats and acid. This was more of a straight ahead beating rather than a track that attempts to tell a story. Use it accordingly. Freejack- This is another great, groovy track that will raise the blood pressure. Easy to get caught up in the swirl of acid. The only thing keeping it from legendary status was the buildup at the end. Root Complex- Machine humming sci-fi psychedelia that could've been more. Good, but left me wanting. Evil Mistress- Pounding soundtrack to a bad trip. Lovely. Attack of the Moose- is more high tempo, minor key madness. Quite the mover. Harpsicheek- This is Tickets taking psytrance to a place that it was won't to go. More involved full-on, but still heavy with the acid. Good stuff. 40 Days- I was getting ready to hit you with the meh shoulders, but then the 2nd half of the track happened. Man I miss the good old days of Timecode. Back when they and Nexus Media were at the forefront of dark melodic music. This is super stuff with power, acid, and moody atmospheres. Unfortunately they don't make 'em like this no more. Can't go wrong with this trip down memory lane. Timecode Bandcamp Beatspace Digital

Artist: Hydraglyph Title: Euphonics Label: Nexus Media Date: June, 2007 1. Red Tide 2. Nowhere Near (Shady Mix) 3. Somebody Else 4. Piece By Piece 5. Nightmare 6. Evenflow 7. Astraction 8. Venus 9. Tetris Bender 10. Ultrasound (Rmx) It's raining/sleeting/snowing right now and for some reason I decided to say a few words about this release. We are all familiar with the quality of Nexus Media at the time who were on the forefront of powerful, sinister South African psytrance. This was the second release from Andrew Morgan & Mark Ackermann. Aside from the Condition Black remix I found their debut Kinetic to be a steaming bowl of meh. So....low bar everyone. Now normally Ormion and I are simpatico when it comes to the blessing that is this type of psytrance. He didn't care for it, but I liked its punishing, dark vibe, It was bruising, mechanical, and came at you with a sense of foreboding that still sounds pretty good today. Parts sound dirty...like discarded, corroded metal and I like that apocalyptic atmosphere. Now let's be clear it is not without its flaws. Some empty stretches and questionable sound choices and samples can make the eyes roll a bit. South African Full-on is still full-on. And certainly some projects have done it waaay better. But 12 years old...things tend to get a little stale after that amount of time and I felt this still had some freshness. Far from a classic, but I also don't think it is remotely close to a flop. Psyshop

Brand new release in time for the equinox. I worked hard on this one, I hope you like it https://www.beatport.com/release/playground-of-the-mind/4493634

Gamma Goblins (Hallucinogen in Classical) | Mo(Mus) Enjoy!

“Is the world fundamentally a better place because of science and technology?” Artist: Hexaliohm Title: Synthetic Society Format: Digital Release Release: 2024.02.23 Catalog: CAT992593 Tracklist 1 - Hexaliohm - Synthetic Society Writer: Hexaliohm Producer: Hexaliohm Mastering: Hexaliohm Artwork: Hexaliohm Listen and download https://fanlink.tv/synthetic-society Follow us https://bit.ly/HexaliOHM https://soundcloud.com/hexaliohm https://instagram.com/hexaliohm https://facebook.com/hexaliohm https://hexaliohm.bandcamp.com https://vk.com/hexaliohm

"Initial Landing" by Lunar Dawn is a mesmerizing fusion of Goa and Psy Trance that takes listeners on a mind-bending journey through pulsating beats, intricate soundscapes, and hypnotic melodies. Drawing inspiration from their previous release, "Sonar Storm," Lunar Dawn expertly blends the elements of trance and psytrance to create a transcendent sonic experience. This captivating track is just a glimpse of what awaits on their upcoming EP, "Abyss," promising an unparalleled musical voyage that will leave you yearning for more. Released on 19.02.2024. at our official Lunar Dawn Bandcamp Sasha and Chris, embarked on a daring mission to the Abyss for the second time. Their goal was to make an initial landing on a recently discovered lost temple, which was teeming with enigmatic symbols and relics that held a secret the world had forgotten for millennia. The lost temple had lain dormant for centuries, shrouded in mystery and guarded by the depths of the ocean. It was said to hold a power capable of shaping the very fabric of the ocean itself, and awakening the forces that slumbered beneath the waves. It was this power that had disrupted their sonar and piqued their curiosity, driving them to uncover the truth behind the disturbances. As Sasha and Chris descended into the depths, they encountered a world unlike any other—mysterious creatures, ancient ruins, and a sense of awe that surrounded them. The more they delved into the temple's secrets, the more they unearthed an understanding of the ancient civilization that had once thrived in this underwater realm. The enigmatic symbols and relics they discovered revealed a connection to the underwater mystic interference, hinting at a deeper, more profound purpose. As they made their way through the temple, the plot became increasingly tangled, as they encountered challenges, puzzles, and obstacles that seemed to be guarding the long-forgotten secret of the ancient civilization. With each discovery, the lines between fantasy, mystery, and science fiction blurred, as they uncovered the existence of advanced technology and mythical powers that had been thought to exist only in legends. The journey became a race against time and rival factions seeking to harness the temple's power for their own purposes. Amidst the adventure and peril, Sasha and Chris found themselves navigating through a web of intrigue, deceit, and ancient prophecies. They encountered allies and foes, each with their own motivations and agendas, as they struggled to piece together the true nature of the temple and its significance to the world above. Ultimately, as they unraveled the secrets of the lost temple and the ancient civilization, they realized that the power they sought was not just a force of nature, but a catalyst for change that could alter the very balance of the ocean and its inhabitants. In a thrilling climax, they made a choice that would determine the fate of the temple and its power, and ultimately, the fate of the world itself. It was a testament to the boundless wonders that lay hidden beneath the waves, waiting to be unearthed by those brave enough to seek them out. The story is about to be continued... You can find single sample at our official Soundcloud page, links are below: ______________________________ Track 02: Sonar Storm ______________________________ Track written and produced by Lunar Dawn. Mastering done in Erotiks Studio, 44253 by Lunar Dawn. Visual art done by Lunar Dawn Cover Artwork done by Lunar Dawn Happy listening, Earthlings! Love´n´Light from Lunar Dawn Duo!

"Sonar Storm" by Lunar Dawn is an electrifying new track that delves into the depths of both Goa and Psy Trance. With pulsating beats, hypnotic melodies, and intricate soundscapes, this song takes listeners on a cosmic journey through swirling synths and trippy rhythms. Lunar Dawn duo blends elements of trance and psytrance, creating an immersive and captivating sonic experience that will leave you craving for more. Release is scheduled on 11.02.2024. at our official Lunar Dawn Bandcamp Sonar Storm single release is beginning of wider story to be unveiled with next single which will follow soon after this one. This track is first part of double single release and following EP named "Abyss" which will round up with one extra track added to it. As the parts will be released, the story behind the tracks will be revealed. The story unfolds as it follows: As the sun dipped below the horizon, the waters off the coast of Bermuda turned dark and foreboding. The two seasoned divers, Sasha and Kris, had planned a routine sonar mapping mission to explore a mysterious trench in the ocean floor. Little did they know that their expedition would soon turn into a heart-pounding mystery and adventure. Equipped with state-of-the-art sonar instruments, Sasha and Kris descended into the depths. Their mission was going smoothly until they encountered a sudden disturbance in the sonar instrument. The display overloaded with an influx of data, causing a sonar storm that sent powerful waves of feedback reverberating through the water. The divers struggled to maintain their composure as the sonar's malfunction caused disorientation and confusion. As they attempted to recalibrate the sonar, they began to notice strange occurrences around them. Eerie sounds echoed through the water, and mysterious shapes seemed to move just beyond their field of vision. It was as if the ocean itself was alive with some mystic interference, guiding and obstructing their path at the same time. Determined to get to the bottom of the strange events, Sasha and Kris pressed on, even as the sonar storm intensified. They uncovered fragments of an ancient artifact that hinted at an unknown civilization lurking in the depths. In their pursuit of the truth, the divers found themselves entangled in a web of intrigue and danger, as forces beyond their understanding sought to draw them deeper into the abyss. As they delved deeper into the trench, the sea seemed to rebel against their presence, unleashing a tempest of otherworldly turbulence. The ocean itself seemed to rise against them, urging them to turn back. But the two divers were not easily deterred. They pressed forward, driven by the tantalizing allure of the mysteries hidden within the depths. Finally, at the heart of the trench, they discovered the source of the disturbances: a long-forgotten temple, built by a civilization lost to time. It emanated an aura of ancient power, and as they ventured inside, they were confronted by the truth behind the sonar storm and the mystic interference. The temple, teeming with enigmatic symbols and relics, held a secret that had lain dormant for millennia—a power capable of shaping the very fabric of the ocean itself, and awakening the forces that slumbered beneath the waves. It was this power that had disrupted their sonar, and now threatened to consume them in its wake. In a pulse-pounding climax, Sasha and Kris navigated the treacherous depths of the temple, narrowly avoiding the perils that lurked within. As they unearthed the truth behind the disturbances, they also unearthed an understanding of the ancient civilization and its connection to the underwater mystic interference. Emerging from the temple, the divers managed to restore harmony to the ocean, allowing the natural order to reign once more. Their expedition not only uncovered a lost chapter of history but also solidified their place as explorers of the unknown, forever changed by their encounter with the abyssal anomaly. With the mysteries of the deep unveiled, Sasha and Kris returned to the surface, eager to share their extraordinary sonic tale of adventure and discovery with the world. There is more to come. You can find single samples at our official Soundcloud page, links are below: ______________________________ Track 01: Sonar Storm ______________________________ Track written and produced by Lunar Dawn. Mastering done in Erotiks Studio, 44253 by Lunar Dawn. Visual art done by Lunar Dawn Cover Artwork done by Lunar Dawn Happy listening, Earthlings! Love´n´Light from Lunar Dawn Duo!

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Release Date: 2024-02-29 Label: SpaceWarp Records Catalog: SPARMU009 Digital Downloads Available From: Bandcamp - Beatport - Junodownload SpaceWarp greetings to you all and welcome to our freshest release, “SPACEWARPERS VOL.2”, compiled by our label DJ and Manager, EarthAlien, a compilation of, soaring psychedelic, space warping beats and freshest release, out now, from SpaceWarp Records... “Timelord”, will obliterate your peace, as UK Psytrance legends ManMadeMan lead you into SpaceWarpers Vol.2. Their deep and grooved out pulsating beats, shuffle you into a crescendo of FX and rhythm that hooks you further into their psychedelic experience, and into the creative world of Moaiact. “Toy Bosque”, pulls you into the creative world of Chilean producer Moaiact, who’s punch driven sound rips open your imagination with it’s defined kick n’ bass , array of catchy hooks and FX that glide you into the collaboration of Rigel & Lennielazerbeam. “Goblin Sabotage”, will sabotage your day, as Greek producer RIGEL collaboratives a dynamic force with UK psytrance duo Lennielazerbeam. It’s naughty, it’s quirky, it’s also very tempting, and loaded with psychedelic wizardry, that's filled with drive, with an uptempo rhythm of catchy hooks, and clever use of vox that prepares you for Coral’s mysterious journey ahead. “Mystic Mountain”, once shrouded in secrecy, is a secret no more, as USA psytrance producer Coral raises the bar once again, pulling back the veil to reveal a melodic, driving sound-scape, that cascade’s around you with a rhythmic resonance before pulling you into the hypnotic tones of Shacom Delia. “Musgravite”, is the extraction of Greek producer Shacom Delia who hypnotises with an Infusion of mind tingling, catchy riffs, pulsating beats, and hooks, that pull you into it’s trance quake of depth, drive and full-on mayhem, before you’re elevated into the psychedelic thrust of Space Sneakers. “Mission To Mars”, unleashes the warp speed of Russian psytrance producer, Space Sneakers, who punches through the sound barrier once more with his driving psychedelic sound, with action packed rhythmic layers and FX and clever use of vox, that warps your space into the trance-floor pumping sound of Barby! “Sabretooth” , pushes the trade mark sound of Chilean producer, Barby, with catchy hooks and layers of stabs that flash brightly throughout, be prepared to be drawn into its depth-charged bass line and cutting rhythm that continue to push the boundaries that introduces you to Sodom. “Real Life”, is the debut release from Austrian producer, Sodom, it’s a full-on night time experience that kicks you into it’s catchy hooks, layers of stabs, clever use of vox and FX. Upbeat with a melodic groovy drive, “Real Life”, is full of psychedelic twists that catches the imagination, before you are dropped into the mesmerizing sound Tomocomo. “Aureole”, is a Goa trance infusion from rising Japanese producer Tomocomo. Its mesmerising journey of an intricate sound-scape that is enriched with melodic depth and warmth throughout, that blankets the mind with a shimmering of catchy hooks and FX bringing “SpaceWarpers Vol.2” to a perfect close. “SpaceWarpers Vol.2”, is encapsulated with driving psychedelia throughout, compiled by EarthAlien, mastered by Rigel, with an artistic backdrop by Mick Usher. Until next time… EarthAlien Links & Social Media: Linktree: EarthAlien SpaceWarp Records Links & Social Media: Linktree: SpaceWarp Records

Artist: Lunar Dawn Title: The Purge Label: Neogoa Records Date: July 31, 2022 Tracklist:- 1. Being Into The Trance 2. Divisive 3. Loose Me 4. Self Aligned 5. Liquefactive Neurosis 6. My Faith 7. Volatile 8. Being In A Trance 9. Out Of This Place Well Well Well. That didn't take long and I'm not surprised. Of course Neogoa came back, they had Lunar Dawn to release. It's essential and necessary and sometimes that means that you put your life aside for a moment for a higher purpose. . . Filthy Goa Trance The musical styling of this release was a surprise. The cover gives it away but still, when I think Lunar Dawn I think tribal Eastern European melodies n rhythms'. Well not no more, this sounds like the creation of hanging Lunar Dawn in a cage with UX over the volcanic pit of our past and our future for 3 years. That changes a man. As always, if you want people to keep making this music for our sweet little minds then giving them money for their work is a pretty good incentive. https://neogoarecords.bandcamp.com/album/the-purge

Jan Tracer - The Depth Of The Universe released on Goa Records My first Album EP with 4 tracks including 3 psytrance tracks and 4th last psybient track. Tracklist: 01 - Jan Tracer - The Milky Way [144 bpm] 08:24 02 - Jan Tracer - Cosmical Reality [144 bpm] 08:00 03 - Jan Tracer - Zero Gravity [144 bpm] 08:00 04 - Jan Tracer - The Depth Of The Universe [120 bpm] 05:36 credits releases: January 12, 2024 All tracks written and produced by Wiesław Małolepszy (Jan Tracer) Final Mastering : Goa Records Artwork : Goa Records Bandcamp: https://goarecords.bandcamp.com/album/jan-tracer-the-depth-ff-the-universe-goaep528-goa-records Various platforms: https://hypeddit.com/jantracer/thedepthoftheuniverse

“The only reality that any of us truly experience is the world of perception, within end our minds” Artist: Hexaliohm Title: World of Perception Format: Digital Release Release: 2024.01.26 Catalog: CAT974212 Tracklist: 1 - Hexaliohm - World of Perception Writer: Hexaliohm Producer: Hexaliohm Mastering: Hexaliohm Artwork: Hexaliohm Listen and free download: https://fanlink.tv/world-of-perception Follow us https://bit.ly/HexaliOHM https://soundcloud.com/hexaliohm https://instagram.com/hexaliohm https://facebook.com/hexaliohm https://hexaliohm.bandcamp.com https://vk.com/hexaliohm

Doof - Angelina (Denstrow remix)

Mamomam Records is proud to presents 4th JaraLuca's studio album - Galactic Rave ! The album contains 9 songs, including 8 previously unreleased ones, and one of the songs is a remix from JaraLuca's previous album - The Prologue. Most of those tracks have been written even 4 years ago, and finally they will be available for everyone after release. The album also contains one song also written and produced by Łukasz Zając as his next musical alias - Spiritual Squish and it is a blend of Hi-tech, goa trance and melodic psytrance style at a tempo of 175 bpm!! 8 of this tracks has been tested on many dancefloors many times ,and it works perfectly ! Tracklist: 1. JaraLuca - Talisman (145 bpm) 07:42 2. JaraLuca - Time For Limit (145 bpm) 06:50 3. JaraLuca - Galactic Rave (145 bpm) 08:32 4. JaraLuca - Revival (145 bpm) 07:25 5. JaraLuca - Frantic Tales (148 bpm) 08:32 6. JaraLuca - Space And Time (145 bpm) 06:20 7. JaraLuca - Mechanotronic (Remix) (147 bpm) 09:46 8. Spiritual Squish - Full Power (175 bpm) 07:28 9. JaraLuca - Home (100 bpm) 07:20 credits releases December 31, 2023 All tracks written and produced by Łukasz Zając Mix & Mastering : Łukasz Zając Artwork : Patryk Kempa ( Exelgen )

The sound of Barby is a force to be reckoned with, honed and distinctive, blending an infusion of dark industrial soundscapes into a web of psychedelia. Open your ears, expand your mind and enjoy the ride! Barby is the psytrance & chillout project sculptured and launched in 1999 by one of the first Chilean trance musicians, Ignacio Barbagelata. Barby soon began performing and building a reputation as a trance artist, performing at local clubs, outdoor parties, festivals, and then joining collaborative forces with Chilean producer Ovnimoon in a collective called Psychedelic Shiva. With "Infiltrator", his official debut album released in 2012 on Ovnimoon Records, Barby exploded into the top 10 of the psytrance charts! “Logos” became the first release on his own label Barby Records, with distribution by Revolt Digital, a netlabel managed by the legendary British duo ManMadeMan. “Nexus” and “Anaconda” EPs and Barby’s first downtempo album titled “Imagine” were distributed by the largest psytrance and chillout netlabel, Ektoplazm. 2021 welcomed the release of Barby’s third album “Spectre”, with a plethora of tracks and releases out on Ovnimoon Records, Metabolizm Records and SpaceWarp Records, Barby paved the way forward closing 2022 with his heart stopping fourth album release “Mythologies”. Barby's honed and distinctive style combines an infusion of dark and industrial elements into trance while staying true to the roots of Goa and its ancient transcendental essence. Barby Links | Social Media | Booking Info: Click Here

https://autom0rph.bandcamp.com/track/stargate automØrph is a duet of Electronic & Psytrance musicians: Cole & Fellini. The project started in 2018 in a tiny home-studio, that keeps growing since then. Today, the music equipment is composed of Analog/VA synthesizers as well as Digital rack units. Cole & Fellini both started making music at an early age, and are now looking forward performing Live or appear on Trance Music compilations. THANK YOU 😉