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"Derelict Space Beacon" LSD-25 *visible sound recordings* http://soundcloud.com/jasonkillstar/derelict-space-beacon-lsd25
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Transitional mixing in goa is a dying art Listen to visible sound recordings by Project 2501 LSD-25 rec. on #SoundCloud https://soundcloud.com/jasonkillstar/visible-sound-recordings
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finally, after a long wait, my brand new cdjs arrived and i spent the whole day mixing and having fun and some questions arised. i've been listening and downloading goa and psy and have my little and evergrowing collection. the only problem is that all the files i own are .mp3, whichh is not a problem in itself, but i know that mp3 have a much lower quality than .wav. so my question is, which is the most used method to carry music, because, even with a 32gb pen drive, you dont have much space if you use .wavs (and carrying two 1tb hard drive seems unpractical and expensive) another questio
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Happy Dynamic Range Day 2014 everyone! As some of you may know, since the 90's there's a so called 'Loudness War' going on; an urge to make music as loud as possibly can. In commercial music the reason for doing this is, of course, a commercial issue: a track that sounds louder stands out more, resulting in more sales – that's the wrongfully assumed idea behind it. But there is a technical limit in mastering a track louder through compressing (and thus decreasing the natural dynamic range a track has), and this limit has been reached and broken by tons of albums, reducing the sound qual
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Hey there, wanted to share how I mix psytrance. My approach is different than the traditional way of mixing one track into another linearly. It's more like a mashup, where I try to layer two or more tracks at the same time and also I get to decide when to create a build-up, when to throw a break, etc. Hope you like it and I'd like to see more psy djs going crazy in the mix, instead of the same old boring intro/outro transition. Thank you, Namaste!
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Psychrobatic is Emiliano, an obsessive of psytrance mixing. Trying to move forward and create nonstop sets that won't interrupt people's trance during the mixing. He's all about seamless and musical transitions. Looking for new and creative ways of mixing tracks, adding loops and samples live. He wants to reivindicate the figure of the psytrance DJ. His desire is to listen to new and nice sounding sets from DJs all over the world. Psytrance DJing is so backward in comparison to other genres and that's it not because the style make it impossible. Hoping he would find friends with the same in