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"Derelict Space Beacon" LSD-25 *visible sound recordings* http://soundcloud.com/jasonkillstar/derelict-space-beacon-lsd25

Transitional mixing in goa is a dying art Listen to visible sound recordings by Project 2501 LSD-25 rec. on #SoundCloud https://soundcloud.com/jasonkillstar/visible-sound-recordings

Hello everyone, as i couldn't find someone posting same opened this post. my question is : can you mix fullon track with progressive track if they fit together and have same flow? thanks

finally, after a long wait, my brand new cdjs arrived and i spent the whole day mixing and having fun and some questions arised. i've been listening and downloading goa and psy and have my little and evergrowing collection. the only problem is that all the files i own are .mp3, whichh is not a problem in itself, but i know that mp3 have a much lower quality than .wav. so my question is, which is the most used method to carry music, because, even with a 32gb pen drive, you dont have much space if you use .wavs (and carrying two 1tb hard drive seems unpractical and expensive) another question: can the regular raver really differenciate quality sound btw mp3 and wav? does it really matter? another question: which is in your opinion the best way to complement a 2 cdjs + mixer eg: launchpad, effect machine (not english speaker and dk how it is called), etc. any mixingwise recommendation for someone whose first real encounter with mixing was yesterday? people here seems to be really experienced both in mixing and in psyknowledge so im all ears:D

Happy Dynamic Range Day 2014 everyone! As some of you may know, since the 90's there's a so called 'Loudness War' going on; an urge to make music as loud as possibly can. In commercial music the reason for doing this is, of course, a commercial issue: a track that sounds louder stands out more, resulting in more sales – that's the wrongfully assumed idea behind it. But there is a technical limit in mastering a track louder through compressing (and thus decreasing the natural dynamic range a track has), and this limit has been reached and broken by tons of albums, reducing the sound quality and (as important!) the enjoyment of listening to music as a result. This is the same in the Goa Trance scene. I believe that this is more out of lack of knowledge than a commercial reason; we do make, release and listen to this music out of love (and also because none of the artists or labels can make a living out of it, true ). Not only the mastering engineers are to blame; there are a lot of artists who mix and compress their music nowadays in such a bad way that there is nothing to do about in the mastering stage. But if that mastering engineer is also unaware of respecting a decent dynamic range, and the label owner too, then... You're going to have a bad time. Also, a lot of releases are free today, and thus less 'professional' regarding artwork, mastering, production – but this is not necessary bad, I really think that a DIY approach is a thing that can create a lot of positive projects. But this doesn't mean that there are some aspects that really need to change, in order to make most goa trance listenable again. This has nothing to do with money, but with mentality and knowledge. Those things are for free! The reason of this post? To raise awareness, for the listeners, the label owners, the mastering engineers and the artists. Because in 10 years of newschool goa trance and re-releases of old classic, the vast majority of the releases suffer of high compression and/or even distortion! About time to change this fatiguing stuff! Want to learn more about dynamic range, music and loudness? Visit http://dynamicrangeday.co.uk/about/, https://www.facebook.com/DynamicRangeDay, or visit mastering engineer Ian Shepherd's youtube channel https://www.youtube.com/user/masteringmedia for easy, understandable videoclips of this subject. I know, these are the same guys but I think that's the best way to keep yourself informed. Here is a very good short video that shows why 'brickwall limiting' removes all the impact of a track - and impact is a thing that in a genre like goa trance with all its climaxes is so so necessary! Let the music breathe and live again!

Hey there, wanted to share how I mix psytrance. My approach is different than the traditional way of mixing one track into another linearly. It's more like a mashup, where I try to layer two or more tracks at the same time and also I get to decide when to create a build-up, when to throw a break, etc. Hope you like it and I'd like to see more psy djs going crazy in the mix, instead of the same old boring intro/outro transition. Thank you, Namaste!

Psychrobatic is Emiliano, an obsessive of psytrance mixing. Trying to move forward and create nonstop sets that won't interrupt people's trance during the mixing. He's all about seamless and musical transitions. Looking for new and creative ways of mixing tracks, adding loops and samples live. He wants to reivindicate the figure of the psytrance DJ. His desire is to listen to new and nice sounding sets from DJs all over the world. Psytrance DJing is so backward in comparison to other genres and that's it not because the style make it impossible. Hoping he would find friends with the same interest along the way. ► Listen to him: https://soundcloud.com/psychrobatic ► Contact him and be in touch: http://facebook.com/psychrobatic ► Watch him and learn with his tutorials: http://youtube.com/user/Psychrobatic Thanks! Peace.