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About Psychrobatic

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  • Birthday 09/30/1987

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    Buenos Aires, Argentina
  • Interests
    Psytrance mixing
  1. You may have a point there mate, but I've heard lots of "live sets" in which there are no smooth transitions, just basic intro/outro fading. Anyway I'd like djs to put much effort into their mixing. I truly believe a solid and well mixed dj set can be really amazing. I'll keep doing my thing, maybe someday this will change.
  2. Yeah, it's a lot harder with goa, a lot of synths layers. But it's possible with full on and psytrance if you do it properly!
  3. Yes, I'm not saying all psytrance DJs are like taht. There are some really good DJ acts with really good mixing techniques and that you can tell they are into it. Anyway, I believe is a matter of time and new generations. Goa Gil doesn't mix, I've seen him live and he plays with 2 DATs and just press play in the other when the playing track ends. But it's ok, I'm not asking him to evolve and get used to new technology. --- What about the "Live acts"? I guess you already know why I'm using quotes. I've seen many "live acts" that has less live that a DJ set. Most of them have a pre-recorded mixed set (and not very well mixed, just plain fade in/out or filter in/out) of their tracks and they just play with the EQs and/or filters. Those who doesn't play a pre-recorded set just do what I like to call "Producer Set" (just like a plain DJ Set where the DJ happens to be a producer and he's mixing his own tracks). It's pretty hard to find really good live acts, with producers using Ableton Live for example to remix and re-edit his tracks while adding synth loops live and stuff. Nowadays the definition of "Live Act" to me is just a producer showing his tracks, with bare mixing (if none at all) and nothing really Live. I don't know about average crowd, maybe they don't know or they don't care but I do. I don't like to be lied in my face when I'm paying for a Live Act and I'm getting a pre-recorded set... What's your thoughts on this?
  4. So I'm not the only one that have thought about that then. Again, I'm not saying I have the truth and my mixing is perfect, I'm just experimenting. Why do you think psytrance DJs haven't evolved the same way DJs from other genres have? Psytrance scene is so producer-driven, the only thing that matters are the producers. Nobody seem to care how a DJ set is built and mixed, most of them just do basic fade in/out at the end, or mix in the breaks. Why's that? Am I crazy for thinking that psytrance should be mixed very smoothly, without making too obvious when the transition is happening? I mean, when I'm the crowd and I'm dancing, connected to the music... I always get distracted when I hear the awful/obvious change of track. It should be a continuos sound, a long trip, not lot of mini-trips of 6 minutes right? Again, is this crazy thinking? I'd like to keep discussing about this if you're interested. Haven't found any other forum/community that's interested in this subject.
  5. Thanks for the feedback, much appreciated. - Yes, it's only useful if you have tracks that are compatible. - Yes, I can perform this live and have done it. Regarding the track selection, I've pre-selected the tracks to record that video but I have a tagging system (plus my memory =P) that allows me to know which tracks work well together. So if I'm playing Track X I have several options to mashup with. - For that particular video yeah, I don't have time to do anything else but to use the controller and help my memory by looking at the waveforms. - Yes, there are some parts I didn't like how it sounded, and it has a few details like I said in the video description but honestly I prefer a DJ that tries to be creative and makes some mistakes than the boring "cut and drop" that doesn't do anything. - But it has some advantages: you can create build-ups on the fly and you can decide where you want to throw a break. If you're mixing one track after the another, then you're having a break every 3 minutes (most progressive and full-on tracks have 2 breaks and lasts aprox 7 min). I don't think that's good for the crowd. The DJ needs to decide when to build-up and explode, when to break and lower the energy, etc. This video is over-exaggerated, I mean, I don't play a 1 hour live dj set like that, but I just can't do the "play and wait for 5 minutes to mix the next track", It just too boring to me. My objective with that video was to show that psytrance can be MIXED in creative and interesting ways. As you may know, most psytrance DJs haven't evolved with technology, haven't really taking advantage of it, they are stuck on mixing like if they were still doing it on vinyl. While on the other hand, you can see lots of DJs from other genres that do lots of crazy mashups, mixing techniques, looping, cue-juggling and anything they can think of. But the psytrance DJ only mix 2 tracks for a couple of seconds, swaps the bass and it's done (and that's the best case scenario, others don't even touch the EQs, they just slam the crossfader to the other side and that's it...) I'm not saying my mixing is perfect, not even close. I'm just giving my contribution and hoping djs would try to evolve in some way. By the way, I have some traditional mixes in my Soundcloud/Mixcloud/Youtube, check them out if you want. Again, thanks for the feedback!
  6. Hey there, wanted to share how I mix psytrance. My approach is different than the traditional way of mixing one track into another linearly. It's more like a mashup, where I try to layer two or more tracks at the same time and also I get to decide when to create a build-up, when to throw a break, etc. Hope you like it and I'd like to see more psy djs going crazy in the mix, instead of the same old boring intro/outro transition. Thank you, Namaste!
  7. Psychrobatic is Emiliano, an obsessive of psytrance mixing. Trying to move forward and create nonstop sets that won't interrupt people's trance during the mixing. He's all about seamless and musical transitions. Looking for new and creative ways of mixing tracks, adding loops and samples live. He wants to reivindicate the figure of the psytrance DJ. His desire is to listen to new and nice sounding sets from DJs all over the world. Psytrance DJing is so backward in comparison to other genres and that's it not because the style make it impossible. Hoping he would find friends with the same interest along the way. ► Listen to him: https://soundcloud.com/psychrobatic ► Contact him and be in touch: http://facebook.com/psychrobatic ► Watch him and learn with his tutorials: http://youtube.com/user/Psychrobatic Thanks! Peace.
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