MIRO

hello Nemo, i were reading your topic and i think i could do stuff like this for you, but you should get more to the point... what's your project where you need this for? booM! Miro

Entheogenic and Vibrasphere Downbeat Album. Except your release ………… sad, sad, sad thing. Have a nice time …………………………………………………

Two of your wishes will happen for sure (except your release )! Guess which ones?

Me personally likes this industrial and pumpy layers a lot. I'd like to hear just one or two boneshaking breaks or turns. Something that moves you back and forward. Greetings M.

That's exactly my opinion to this subject. All this lamentation about who should be in the first places is dispensable since we have voted all (o.k. maybe there were some forgotten). I have voted entheogenic and sphongle between the first and many others did the same. So what's not o.k. with this result? Is it not representative for the community, at least for the people on psynews?

I just was saying that i don't likle housy elements. All the artist you were naming are fine choices for compilations, no doubt. But what disturbed me more was the fact, that on the cover is a little sticker which says "goa & psytrance style"... And that's true for the first cd of this comp. The second is everything else then the style which was claimed on the cover-sticker. have a nice time

Sorry for this mail, but the second CD is horrible electronic and housy!!! First one is o.k. and is all about psytrance or goa – that's what is writing on the Cover. So next time don't get too much involved with such commercial lables like MoreMusic for making a psytrance selection. The CD Design is very nice btw. The Sound on second CD just sucks!

I'm wondering how does it come that some of you people are that antagonistic towards entheogenic. Traveller, NightmareTrancer and whatever your names are --- it looks like you're doing here some kind of lobby-work against those guys. No other artists are dissed that much on this forum like entheogenic. The same stuff, that was the point of your critic here could be adapted to so may others. Why don't you put your hate-parade towards somebody else? It would be enough when you post your top 5 list --- and at the end the score will show what people like more. I'm sorry if your favourite artist didn't get into the top 5, but what you want to reach with dissing others? Miro

1. ENTHEOGENIC - DIALOGUE OF THE SPEAKERS 2. PHONY ORPHANTS - ET CETRA 3. BEAT BIZARRE - SOMMERSAULT INDUSTRIES 4. HUMAN BLUE - DISCOVERY CHANNEL 5. SHPONGLE - NOTHING LASTS BUT NOTHING IS LOST > That's my TOP-FIVE for 2005 <

Thanx for the compliment Le Lotus Bleu! GreeeeetZ Miro

To: LeLotusBleu and Snowfly, thank you for the nice comments about the artwork. That was necessary to me after some idiots put the cover into the topic about bad cd covers. So i wasn't really sure anymore if i'm still on the edge of time or if the people criticising the artwork are living in a world, which has already passed long time ago. Some words about the process, when doing a coverdesign. Every lable or artist coming to me for a design got more then ten ideas for their cover. Mostly it's even more, for the new entheogenic we had at least 20 ideas before we started to work it out. When they had decided for their favourites, they got scribbles from the best ideas – stuff like composition or colours. Afterwards the artist and the lable-people have made up their mind about the concept i start to visualize the whole thing. You can see, when developing a new cover-design i'm working sometimes plenty of hours to get it done. Also there are different people which are deciding, what's finally gonna be on the cover. And they can't all be wrong with their decission. What i really wanna say is: i'm giving much energy to the content of the cd's. Every cd i made till now looks different, depending to the artist and the lable i'm working for. I have no generic readymade-designs in my library like some other designers, which are doing mostly the same stuff either if it fits or not. It's really disappointing to me when people don't take the time to view the stuff properly but do some sort of not qualified statements about it. I know that it's not possible to do a design which everybody is gonna like, nevertheless i've spend a lot of time in the past to put some substance in every cover. Only because it's no typical "psytrance-i expect the usual shit-cover" the most people don't get it. Maybe it's just a lack of intelligence or this viewers are simply blind to any development into a new direction. Hopefully they don't do the same to the music. So i have to say it one more time. Thank you guys for the nice words Miro

I'm not saying it's bad, I make a lot of drawings like this, where I have no goal and I end up with very strange imagery, … Strange, wouldn't say that the train guy doesn't know which goal his art/paintings have. Your picture with the doubled woman is not bad, but you can't really compare this single image to the guys work with the neverending train, i don't believe you make a lot drawings like this… And if you really do, then show us more than this one image… The other stuff shown here (ernst, dali,...) is real art, but they time has passed and it's nothing fresh. This topic here is more about applied-art in a commercial context. The examples by the graffiti guy here are a pretty good piece of artwork IMO. M

oh gee, then give me your bank-account … i'll transfer the money right now, 30% also o.k. for you? M

Yes Towlie, we used your hand and your face for the girl! How did you know this, you must be a god in recognizing anatomical details, when i need your help can i ask you next time??? M

Entheogenic's Dialogue of the Speakers is my favourite in the selection… Sphongle is also o.k. (but it's not a "musthave")