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V/A - The 50th Parallel (Suntrip Records)

Jon Cocco

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1.1 KhetzaL - Garden of Nyagrodha Trees
1.2 Cosmic Dimension - Deviant Behaviour
1.3 Triquetra - Electronomic
1.4 Sykespico - Visit Earth
1.5 Hada - Emaginary
1.6 Crossing Mind - Over Time Frame
1.7 Clementz - Trilafon
1.8 Median Project - Life Line

2.1 Battle Of the Future Buddhas - Faster Than Light
2.2 Cosmic Serpent - Fractal Colors
2.3 Everything Turns - Darkness Falls
2.4 Proxeeus - ...But the Joke's On Mankind
2.5 Triquetra - Torturing The Machine
2.6 Morphic Resonance - Wonderland
2.7 Ka-Sol - Hysterical Mass
2.8 Hada - Magic Of Nature

NOTE: Each track review is being updated as I hear this more over winter break.  

The 50th Parallel is a 2 CD compilation that celebrates Suntrip's 15th year as a Goa-Trance label. The first CD is dedicated to the sun, and is more melodic. The second CD is dedicated to the moon, and features darker Goa-Trance.

CD 1

1.1 KhetzaL - Garden of Nyagrodha Trees has such a clean, organic sound. The song includes almost everything you'd expect from one of Suntrip's most beloved artists, e.g., crisp melodies, sounds, and harmonies in healthy, warm atmosphere. The song is very homogenous, developing gradually. A part of me feels that the first half could have been punchier and more memorable despite the elegant Eastern-Indian influence and attention to detail. There is a beautiful interlude in the forth minute. The energy increases at 5:48 and is accented at 6:18, and this is where I felt most immersed, thanks to the exciting, psychedelic development. At 6:44, the artist alters the arrangement, adds fresh sounds, and key notes. It's beautiful. Before the journey's end, the listener is rewarded with a beautiful, climactic finale that's almost too good for words. All in all, the first two acts were solid; they could have stood out more. Thankfully, the world grew into something more enchanting and enjoyable as we progressed. Great track. B+ /  A-

1.2 Cosmic Dimension - Deviant Behaviour begins with a beautiful, ambient-influenced opening. It sounds like it should be in a Castlevania film and deserves its own [non Goa] song. Act 1 is more psytrance oriented (to some degree) until an attractive synth enters at 2:47. It's very nice! After a beat-free transition, Act 2 begins. It starts out similar to Act 1. Actually, 3:42 to 4:35 could have developed more; it got fairly repetitive, but the second part of Act 2 (forth minute) is curious, more exploratory. Here the acidic synths fade for a more traveling, unexpected, and atmospheric offering, and although my girlfriend felt that the middle act was less memorable, I liked the non-acidic shift in sound. Variety is good, and this middle act, though lacking in a star sound or element to punch it up more, made the song more interesting to me. The last act is solid too. I enjoyed the climactic, dance-friendly synth at 7:17 that elevates the energy in its final minutes. Good track!  B+

1.3 Triquetra - Electronomic -- I just reviewed Triquetra's Ecstatic Planet (2018) album that included some of my favourite songs of the year. The first two minutes alone are great. An intense synth arrives at 2:31. It's too in-my-face loud, but ignites the music. The supporting synths is creative. The music is varied, and the 2:31 lead thankfully disappears at 3:38. A brief transition takes us to Act 2, a trippy segment with an edgy synth at 3:57. It's smart and punchy. The brief accents and nuances are delectable, strengthening the second act. After a brief drumroll via 5:25, I feel like the artists' missed an opportunity to elevate the final act. It's catchy, but the last few minutes (I feel) did little to improve the whole, as if the artists' ran out of ideas or ingredients early. Musically I like the complex, punchy sound/melody work and mixing. This is a tight track that ends with a tight continuation in development rather than a bang. That said, the song takes risks, sounds distinct. It's engaging and stands out. Strong track!  B+

1.4 Sykespico - Visit Earth has one of the best dramatic opening tunes (like a symphony) I've ever heard in a Goa song. It's so simple and captivating. It adds FEELS (!!!). As the beat kicks in, so does the empowering tune that grounds the music emotionally. The first act is excellent, simply in that it merges the dramatic (epic/backdrop) tune with strong sound/melody work and atmosphere. After the 3:11 transition, I would have loved if the middle act maintained the feels, taking us to new, dramatic highs. The artist(s) remove the emotive theme however, opting for a punchier, higher octane approach and it works! The Hallucinogen-esque synths at 3:37 are excellent, maintaining an infectious sound across the forth minute that knows when to end via 4:30. The second part of Act 2 (4:51) involves new synths and sounds. It's catchy, though it feels like it could have been in a different song. The Eastern-Indian melody from 5:58 to 6:25 I could have done without. Some of these elements are underwhelming to the wonderful, dramatic opening that seemed so storytelling perfect. Fortunately, the signature tune returns for Act 3 at 6:25, anchoring us with the hook and feels before the terrific synth at 7:19. The song took longer to fade out than necessary, but that's a nitpick. Although the middle act (at times) could have been a little more congruent and complimentary to the opening/closing acts, this is one of my favorite tracks on the compilation. Well done.  A-

1.5 Hada - Emaginary reminds me of Ka-Sol. No intro. Hard beat and accompanied sound. The first 2-3 times I heard this song, I didn't like it. I can't deny that the core sound though is pretty hypnotic, psychedelic. Around it, creepy FX echo across the soundscapes. There are some catchy synths in the first act, but the music gets repetitive and less interesting by (somewhere in) the third minute. A much needed and improved change takes place at 4:32 where the music feels more confident, congruent, and satisfying. We soon return to less memorable sound/melody work (by comparison), but the creepy atmosphere is very nice! The seventh minute on grew increasingly more interesting and warped. Weirder doesn't always mean better, and by the eighth minute, the song becomes a little too dependent and repetitive on the distorted effect, before switching gears to something more solid that avoids repetition from being shorter. I'm back and forth with how good I think this song is. It has some very good/great elements, but it's one of the less interesting and engaging songs on the album for me. That said, this is a pumping dark number for the less conventional crowd.  B-

1.6 Crossing Mind - Over Time Frame begins with an enchanting opening. It's like something out of a romantic sci-fi film or fantasy fable. Is it possible for the artist to develop a track with the more enchanting sound developing throughout (I wonder)? I'm thinking Chi.A-D. for inspiration but taking it further. Occasionally I hear an intro by Crossing Mind, and it's so sublime that I wish the song was mid or down-tempo to increase its chances of retaining the warm sound throughout. I've been following CM ever since the release of their album, The Inner Shift in 2012 hoping that one day they'd return to the futuristic and super funky candy land of sounds that made their Inner Shift album so memorable and endearing. The first act was decent. It could have been more interesting and varied with ideas, as it became fairly monotonous until a tune arrives at 3:00. The transition at 3:25 led to more gripping development at 3:40, and the song hooked me from there. I enjoyed the synths at 4:38, the trippy transition, and how the psychedelic infected the last act. That said, the last act seemed so short-lived. It could have done more and in that sense, felt underwhelming to me. The final cloud-walking segment was nice.  B+

1.7 Clementz - Trilafon begins with a wave of dark and atmospheric ambient. It's interesting. The first act builds a psychedelic rhythm with distinct sounds. It's pretty good, but grows repetitive. The artist(s) disengage a floating hymn, but we need something to vary up the sound, to keep us hooked. At 4:26 we get our answer. This next part is radically different, lower in tone, deeper in sound, and incorporates some experimental (?), almost funky electronic work to the mix. I like that the music broke free and opted to do something different and catchy. The last act via 6:11 incorporates fresh energy, development, and synths. The music here felt more flexible and realized. The artist even reprises a synth and accent from Act 2 that enhances the music, bringing the best elements together. The song is less memorable, elaborate, and felt a little minor compared to some of the other tracks IMO, but I liked it.  B

1.8 Median Project - Life Line a refreshingly sleek and dualistic journey track. The song has feels (!), determination, and optimism. Act 1 is interesting and engaging, thanks to strong sound/melody work and atmosphere. The melodies are tight, psychedelic, and tastefully layered without sounding too acidy. My only complaint with the first act is that it could have used a little more variety, nuance, and development as it progressed. Act 2 lets its bouncy (very nice) tunes breathe, introducing harmony to the storytelling development. The end of the 5th minute involving a band of melodies moving together is elegant, gripping, and beautiful. Act 3 adds fresh ingredients and ingenuity, maintaining the inspirational sound I often miss in Goa. The track is traveling and easy to digest. It develops and evolves, and is easily one of my favorite songs on both CD's. Great work!!!!  A-

NOTE:  I googled Median Project to learn that his main album released in 2018. It's in the Psynews review thread, In the Depth of Space (and it's good).

CD 2

2.1 Battle Of the Future Buddhas - Faster Than Light begins with an interesting sample and synth. The synth at 1:14 is good, though the minor tune (segment) at 1:44 was less engaging. A brief transition takes us into the more psychedelic second act thanks to stronger synths from 2:45 to 3:29. The synths exit without something catchier from 3:30 to 4:16, and I feel that something more interesting could have replaced it. Another solid part is at 5:13 where the song rebounds. But I really liked when the 1:14 synth returned at 6:14 mixing in with the remaining music. This synth is so simple and catchy. Why not build on that catchy sound rather than have it infrequently come and go? Why not build stronger segments around it? I suppose I'm nit picking since the song does have a pretty catchy sound to it. The last two minutes were good. I just expected more as a whole coming from the legendary BotFB.  B

2.2 Cosmic Serpent - Fractal Colors is very psychedelic and atmospheric. We get an icy synth at 1:38 and at 2:11, it sounds like a pianist playing an ice cube piano (catchy)! Once that leaves, the music felt less focused. The psychedelic backdrop remained, and the icy (ascending/descending) effect at 2:32 was good. Unfortunately, without more emphasis on sound/melody work, the song becomes almost too abstract for its own good. An attractive synth enters at 4:14, though minimal in development, short-lived. Could this part not have led to something more exciting and fun? The last act builds on the artistry. But I feel that the sound/melody work is triumphed by the imaginative world of textures and atmosphere. Missing for me are tunes, melodies, leads, buildup, climax, feels! Have fun with it, but being mindful of your crowd. Hallucinogen's Twisted and The Lone Deranger albums for instance were both fun while being wildly inventive. I admire the ambition. This is trippy track with some great elements, plenty of experimentation, and some clever sound usage, mixing, and editing. Just make it more fun the next time around!  B

2.3 Everything Turns - Darkness Falls has a solid introduction that develops nicely. The atmosphere is good. The synths are lively, characteristic, and fun. The song continuously sculptures (improves on) itself. It flows well. There's no big event or climax, but that's not necessarily a bad thing. I'd like to hear a main album by this artist showcasing the variety of greatness (in dark Goa) that he can do. Each act is focused, punchy, and beautifully mixed, with soundscapes, accents-- enough to keep me hooked. A nitpick is the sound at 4:02. It's not bad, but it stands out so much that the song feels a little less creative, and more repetitive from 4:01 to 5:22. The sound continues, altered like a supporting synth, and I don't feel like it enhanced the song in any way, although it's not bad (there's plenty of great sound mixing around it). That said, Act 2 met rather than exceeded my expectations. Darkness Falls is a strong track, and the first one I'm calling a favourite on CD 2.  A-

2.4 Proxeeus - ...But the Joke's On Mankind begins dark and mysterious. The main melody enters at 1:21-- a bouncy, ebullient synth. It's good and the supporting sounds add to the dance friendly number. Around unique accents, e.g., 2:25, the artist continuously switches out ingredients, no matter how subtle, to support the main melody. The latter could have grown repetitive, bland, but it doesn't, and I think I'd enjoy this song most on the dance floor. We get our first break from the main melody at 4:48. The segment adds variety and the few drum accents are nice, though a bit brief. The last act seemed more refined, with new variation, note changes, and minor details. I liked the atmospheric interlude because of the chilling sound, like the stirring of a Tibetan bowl at 7:50, and that it continued beyond the interlude, into the main music's return. Little things like that are unexpected, creative, and catchy, a duding to the fun. Although the song has a similar sound from the lead, I feel that the approach works, especially for dancing. This is a trancey fun song!  B+

2.5 Triquetra - Torturing The Machine continues the unconventional approach. The first several minutes are a fairly experimental and feature little more than buildup to the best parts. I wasn't hooked until 2:27 thanks to the synths. But the song's first half has issues. It seems indecisive in development. The interlude from 3:20 to 4:26 was too long considering its purpose (basically) was to get us to 4:24 where things take off. Everything past 4:24 was so much more enjoyable thanks to the beautiful sound/melody development. Also, the mechanized atmospheric effect  (whatever sounds excellent. It's frustrating that the first or second act by these artists is often so underwhelming compared to the rest of the song. Compared to Electronomic, I'll take a superior second half over a less memorable third act almost any day of the week. I hope this positively influences the artists because they're very talented and have endless potential. I love that this song kept improving throughout the second half. In short, the music started at 4:24 for me. Everything else was forgettable. Once the song grew confident, decisive, and a set of balls halfway through, it was [still is] a pleasure to listen to.  B+

2.6 Morphic Resonance - Wonderland is like JAWS on a bad trip. The song has a few short-lived murky spots before rebounding to stronger waters. The core sound (baseline and synth) is solid, stands out. The first few minutes are electric, fully charged and captivating. The synths grow to be magnetic at 1:38, again at 1:50, and crossing into the third minute. I love the supporting synths and atmosphere around the leads. The first act is exciting, punchy, and intense. The arrangement (being so short) in the third minute grew slightly repetitive, but i'm nitpicking. The middle (4th minute) act started out great, but from 4:22 to 4:49 the music sounded too muddled (over-stuffed with layers), producing an unpleasant (less punchy, focused) on the ears. This took away from an otherwise stellar song (thus far). Having something less maximal and refreshing in place of 4:22 to 4:49 would have better better, and I hope this feedback helps to improve things. The music rebounded soon after, but something about the sixth minute was less punchy (dynamic?) and did little to hook me. The energy of the music is strong, sure, but it's missing something that made the song's first half so tight. Fortunately, the seventh minute onward grew increasingly magnetic, and the finale is fantastic! That's what I'm talking about! My issue here is the same recurrent one I had on the artist's 2018 album, Perplexity. Around its few less captivating moments, this is a great track that showcases some amazing work by one of Suntrip's best artists since Filteria!  A-  

2.7 Ka-Sol - Hysterical Mass remind's me of Hada's Emaginary to some degree. No intro (well okay, a brief one), and a hard beat and sound at 0:24. The distorted effect to the music is unique, hypnotic. It's also repetitive and went on for too long. Act 2's soundscapes were nice, adding something different. But the synths sound more like effects then actual sound/melody development. I imagine that was the intention. I find this song so hard (literally, the beat), repetitive, and chaotic though, due in part to the relentless core 0:24 sound that I lose interest. It's too much. I'm looking for a focus, a lead to hook onto, something to enjoy. Act 2 breaks the beat in place of a trippy segment, followed by a catchy bopping accent. Both are nice, and some synths (initially) seemed catchy. But the music ultimately grew too muddled and repetitive for me, despite the end even having some pleasant (less jarring) work. This song is a relentless dark stomper that's sure to appeal to some. Give the song a listen and decide. Different perspectives is what adds to the whole anyway, but I digress. I'm sure some will connect with the music and enjoy this more than I did. Hysterical Mass is just not my cup of tea.  C+

2.8 Hada - Magic Of Nature is a bit of a mixed bag. Parts are rich and engaging, while other parts are repetitive and bland. The first act starts okay before devolving into monotony from 1:32 to 2:35. Repeating the same short arrangement, primarily when it's not very good, over and over again is one way to lose your audience. After a quick fade out, the music returns at 3:31 with more creativity and development. Act 2 is a huge improvement that's topped with a strong lead at 3:54 that adds variety. Why couldn't the first act have been better considering this is the same artist who did the second act? Unfortunately, the synths (general sound) from 4:23 to 5:41 grew repetitive. The music soon rebounded, thanks to an infectious, bouncy synth at 5:47. This is a terrific part, but after a short while it became less satisfying as the music crossed the sixth minute, offering little to further develop, enhance, or reboot the climax after the lead's disappearance. This resulted in a less memorable last 1-2 minutes. The last act could have been great, but it's good intermittently. Magic Of Nature is boring one minute, and exciting the next, and that's the issue. You have to ride your winning horses, stick to (and develop) your best work. I feel like this song along with Ka-Sol's would have been better on a different compilation. It makes sense that Suntrip wanted to offer different styles of dark Goa-Trance. They succeeded. I'm simply less a fan of these last two songs.  B-


For a double CD, The 50th Parallel showcases music that is sometimes marvelous, often times great, and few times disappointing. Both albums are very good, but far from perfect. I heard impressive work by many artists including: Median ProjectSykespico, Everything Turns, Triquetra, Morphic Resonance, Proxeeus, Khetzal, and Crossing Mind, and was surprised by the unconventional approaches that some of the artists took. It's fun to see artist's taking risks (at times), and Goa music continue to expand, to some degree. I feel like Suntrip was mindful to avoid generic Goa. But a few of the songs I didn't like. Maybe the inclusion of BotFB, two Hada songs along, and KaSol's was to attract fans who may be less inclined to buy Suntrip albums unless they see a familiar artist. I don't know and am merely speculating. I wish the few weaker songs were replaced with stronger ones obviously, but at least most of the songs were good. A nitpick is that there are a couple songs on CD 1 that sounded dark to me, and I thought CD 1 was supposed to showcase the light?

I'm not sure where I'd rank The 50th Parallel compared to Suntrip's previous compilations. Time will tell. It's very good overall and worth checking out, especially for those who are fans of quality light (more melodic) and dark styles of Goa-Trance.

Very nice artwork and cover btw!

Favorite Tracks:

CD 1 ... 1, 2, 3, 4, 6, 8

CD 2 ... 3, 4, 5, 6


Sample / Order :)




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 I got the CD release in my mailbox here the other day,  

SUNTRIP 50th Celebration  REVIEW

First of all the coverart pack has a nice gloss, or call it shine. 

1. Ketzhal - Garden Of Nyagrodha Trees – beautiful intro and an immediate recognition of the Ketzhal coda. Tingling trigger the kick which kinda feels like home, and we're off on our journey through Suntrip's 50th celebration release. The track escalets to a roll of fun and the soft caressing of fluits and other atmospheric elements fill the air with open air magic. And when the melody arrives its all smiles and happy sunshine vibes. A true sympathetic and pleasant Goatrance track. No wonder this persons music is so much liked. It truly represent a wonderful en joyous experience of eastern melodies and western electronics. I heard this producer is afraid of travelling by flight. Well, that's kinda weird because he makes music that fly safely very well. 

2. Cosmic Dimension - Deviant Behaviour – Has a mystic intro and a notion of true Goatrance vibes. The kick kicks in and its a bit plat but works wonders for what rawness this genre is much about. The touch and progressive power is felt and the journey leads on to marvels in the atmosphere. So far with only 2 tracks barely passed, I'm happy to receive a massive notion of being in a festival surrounded by lovely spirits dancing smiling waving their spiral arms and kicking up some dust from the ground. This is astral Goatrance for me, very trippy and a trance inducing gratitude and appreciation of the possibility to display deviant behaviour. The track does for sure create some reminisce reminding that we are all inspired

3. Triquetra - Electronomic – is a acid track that takes us on some sharper turns and harsher travel while injecting the listener with psychedelicness. I can imagine the sunbursts plasma fabric spread out into the galaxy and beyond in some of this tracks layered atmospheric background. Its a harder diffiucult, more serious track. A track that very much gives us the acid drenched 90's but with that little more finesse to it which our present and past days offer. It's a wonderful star reaching track that lifts both arms and spirit up to higher levels. 

4. Sykespico - Visit Earth – From what comes above in strange tingling fields of visitation. A rise of emotions and a unidentified field of objects visiting earths citizens. We're in for a levitating soft travel with hard enough Goatrancekicks. Angelic and soaring, acid prowess which keeps the track in a -keeping it real type of- charm. I like these flying saucerswaggling about in the transparentness of the Goa heavens.. Warm, old, true, new, gold, and a touch of innocence that in it all has a well felt PLUR stigma to it. And dance, to let your self go.

5. Hada - Imaginarity -- Well this jumped at me as being something of the darker realm, pretty much a solid Ka-Sol kick and you know, those Buddha Battled and cool acid synths working with you. It's a very cool track indeed. Progressing, and adding nice elements that just keeps the flight stellar and comfortable. - twilighted and star searching awesomeness. Its impress throughout it's progressive journey which also includes a fluit and an amazing lifting synthline before the whole track stops.

6. Crossing Mind - Over Time Frame – After a pretty stellar cool ride with the previous track, things are melowed down and sprayed with sweet liquid spray until a sturdy rugged beat and Goa kick comes on flowed by flickering voices singing through the meta.The melody flow and lines leading to the end of the track, is really really nice and encouraging to feel free 

7. Clementz - Trilafon -- A deep and eerie entity leads to bubbling Goatrance synth and a pushing kick that feel rugged with its added elements. The synth work comes in -not unexpected- like a storm of sun and grains of sand. The tempo and all is legit Goatrance into the spine. I'm not sure if you can get more basically real to the genre then this raw hardware material. Doesn't become much more embarked then this stuff in my humble opinion. Totally generic on the surface, but super authentic with so much personality and felt passion for the Goatrance. Maybe a bit crude for some folks. But overall an ace example of what the fuck Goatrance actually is. Goatrance being a much more narrow genre then it's say offspring, Psytrance. I think this Clementz track and the Sykespico track contain the same kind of pure Goatrance stamp. Totally old school analogue delight.

8. Median Project - Life Line -- After the hands-on Clementz ride we are greeted by Russian language that delivers us a more modern sounding piece with patience and a sense of being on top of it, not having so much worries, almost over the edge of being  well formulating. Sure the track sounds not so modern compared to much else out there, but after a ride through varies era sounding Goatrance tracks on this first CD on the Suntrip 50th celebration release, this track comes off as being much more in present time without even smelling a bit like full-on, and ready to deliver a stable ride. It's an OK track i think and has this open space grandnes alla Dimension5 about it - I think even though im no expert.. It has good melodies which play nicely and provides that open-space trance-drive with a very delicious deep synthline carrying the track nicely. It's a bit more Goatrance for the grownups maybe who cant take so much hassle and fuss, which makes it a pleasant well-crafted not overly shocking travel - a journey track for sure and a nice way to finish off CD 1. Because after this, the moon seems ready to shine it's sunlight to us.


1. Battle Of the Future Buddhas - Faster Than Light -- Cool beans, travel light.


.. To be continued one night

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  • 2 years later...

Or on a cloudy sun-day almost 3 years later .. 

2. Cosmic Serpent - Fractal Colors -- Amazing jumping kbb beans, with super awesome shimmers taken out of a Hallucinogenic fairytale. Elements falling and rising, making this a very pleasurable infectious ride worthy of a mushroom. Clearly this track is heavenly inspired, but that's O.K. because it's such a good one at it. Love it.

3. Everything Turns - Darkness Falls -- More of the shimmering, but this time more like Shpongleyed... Kbb turns needlepointed and the aggression is straight forward with effects swirling on top and around. It's nice though more static and linear than the wonderful 2 first tracks. So yeah, a straight forward piece with ticking progression building swirls and some depth. Kinda howling at the moon some times, so yeah, cosmositic attribute. Honestly, I'm kind of happy the track is over.

4. Proxeeus - ...But The Joke's On Mankind -- The kick and bass turns up the thumpness and in comes hard and strong acid synth-lines. The track continues of the vibe from the last track of being kind of static and linear, with acid agression. The groove is present, jumping beans. Intens acidness, and a kind of stail but fun walk to the 4 to the floor. I think the track is a bit quirky but it has constant elements and breaks that highten the level of the low ground it's walking. It's edging on the rim of annoyance, but never really falls off and outside the hoop. Though it doesn't really manage to swoosh it either. I think intens and hardware is the key here. Btw. Am I hearing that Man With No Name track from Earth Moving The Sun?

5. Triquetra - torturing The Machine -- A more machine like track, and again in the vein of linear and staticness. It sounds so old the brothers who made this track wasn't even born yet when this type of Goatrance was invented back in the 20th century. Unfortunately this track makes me long back to the first two tracks on this CD2. Now don't get me wrong, it has elements and play that are well worth your attention, and it does progress and introduce some cool changes. Though the stailness and static linearity, still holds on to the rotting acid teeth. I actually had to turn down the volume on the second half of this track. Intens and annoying with some awesome effects and nice ambient layer. Old School is the key-word here.

6. Morphic Resonance - Wonderland -- Oh yeah. If it's gonna be screaming acid, this is what I'd prefer to inject into my vains. Fat bassline with insane acid lines. This guy is ace. Fuck yeah, bring it on!! Come on!!! Rock and f'ing roll. Can it be harder faster fatter more intenslly awesome than this? Probablly, but fuck me christ this is an evil but good track. Mucho appreciated, holmes. Swirls and energy makes the teeth clinch in braceness. This is full power galore reaching for a true blissful moment in delight. And the end, I think I'm gonna use the phrase; Oh My GOA. And as always with love, shiva shidapuing is present from this stellar and most powerful producer.

7. Ka-Sol - Hysterical Mass -- Wøy! Volume down a notch, bitch yeah, i love those acid sounds. Very cool synth. As usual from this producer, it's on the scare side, and can be a bit too much even though it / he always has something cool and interesting to offer. Here at this track on the V/A, I got to say that I like the compiling work, the arrangement of the tracks that is. Pitch bendings in this Ka-Sol track are wonderful and really tickles my feathers. I'd rather listen to this shit all day long than some polished full-on stuff or some old school goa bore. Love the hard goa kicks. If yah gonna do it, do it right, right? And in the end, it wears on me and becomes really tiresome. But still cool. At the very end the super sexy synths are isloated and truly to be enjoyed as they are solo.

8. Hada - Magic Of Nature -- Last track goes a bit fuller on the kick and is engulfed in yummy bass. The synth melody is OK, and I'm reminded that in the midst of all music I'm almost forgetting what makes something become psychedelic and what makes something just be whatever it is. The acid screams are nice enough and the drive is there + with progression the melodic work evolves and becomes something to be better adored.

The End. 

what makes me wonder,
is how the V.A. would have been if the Material Music track 'A Noble Prize' had have won a spot,
as it was 1 spot away from being included.


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Awesome review. Reignited my interest in this release by reading it, I can feel the energy coming through.


They were going to include A Noble Prize? Dayum that woulda been cool. I think that track would have fit on just fine personally. 

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