djfreddie

It was a very good track... from a friend´s gone case... the name of the project was NOT SETHERIAN BUT WAS VERY SIMILAR TO IT... but I really do not remember. anyone know this?

I have to agree with Pedro here... I´m definately playing this on the beach here in Rio... this is the type of sound which is just fine for listening with beaufitul girl by your side, grabbing her boobs... it´s an 80s thing combined with very very 2030 (that means futuristic) winter olympics stuff. It could be perfect for playing in snowy open air too. But definately not an easy sound. Some tracks are a certain hit on a chemically-altered audience...especially E.... this is very good music, I just think some tracks could be a little less fast on the bpm... 9,5/10 .

I really don´t think you get the idea the first time you listen to the album... only after a detailed appreciation of this album I could get the idea behind it. The idea is: the world is ending, the guy *(vladimir)* hates his ex-girlfriend and has become a black magician... now he´s authoritarian like hitler yet he shows that there is still some love in his heart in some tracks. He just went nuts and made a great album, like Picasso... it´s hard to fully get his ambiance but once you get it you won´t want to leave it. He combines deep pain and ecstasy in an authoritative, powerful, imposing sound. Great for dancefloor especially morning.

This album is a must....you have to listen to it with real attention and especially enjoy morning trance... there´s a lot of nice tracks that can be great for both morning and midnight dancefloors. Somewhere I wrote this album sounds typically German! And it does, although Vladimir is from Russia. Anyway, it sounds nordic, cold yet somehow magically (or black-magically) hypnotizing and lovely... it´s the type of thing that trance purists will not like but people who enjoy Scando sound will probably like a lot.

The album is very good as it is really original , outlandish among current psytrance releases and also has a whole dark, cold German atmosphere that really makes you understand why are all these tracks put together. Unlike many other artists, Fuzzion has given to all the tracks the same coldly melodic (sometimes even coldly nostalgic, emotional) background, so this alone puts this album as really an album and not a simple collection of tracks with very different ambiances. The album starts up very nicely (if you like cold basslines and a bit sad of a background) as tracks one two and three unfold. Then it gets heavier but does not loose its original dark "every man for himself space-age" atmosphere. I really think this is truly brilliant work that stands as very German.