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supergroover

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Posts posted by supergroover

  1. It is more the mixing that needs work, not the mastering. Mastering is a whole different job, that comes after the mix is finished. Did you master the track yourself before you put it on soundcloud? If so it might be better in the future not to master it because you want feedback on the mix. Not on the mix and master. Mastering should be done by people that know how to master, not by the artist himself.

  2. Sounds pretty good. But you still need some work on the levels imho. I can hardly hear the percussion. Don't really hear the hats and the snare. It might also be good to work a bit more on the structure of the track. Often little sounds like reversed crashes or risers can introduce new parts. Those little additions make it clear to the listener where in the track/structure you are.

  3. Supergroover - 42 (BooM! Records: boomdr030)

     

    Artist: Supergroover

    Title: 42

    Label: BooM! Records

    Format: EP digital

    Release date: 30-06-2014

    Catalog: boomdr030

     

    Tracklist:

    01 Bad Robot 137 bpm

    02 Marshmallows 137 bpm

    03 The Infaders 138 bpm

    04 Triplets Are Hip Now 137 bpm

     

    Supergroover started in 2002 with some local underground parties but soon expanded to other sides of the world. His dj sets are dynamic, not preplanned and with a funky progressive touch.

    For a few years he has been producing progressive psytrance as well. Making up a nice mixture of atmospheric sounds with an active underlayer of kick & bass, topped with acid influenced sounds and melodies.

     

    With this EP BooM! Records bring you four tracks by Supergroover. These tracks are not the answer to the ultimate question of life, the universe and everything. Indeed, they are the key to rock the dancefloors and kick up some dust!

     

    Atmospheric tracks with full basslines, trippy effects and a little pinch of salt. Psychedelic sounds, infaded by dubby delays and lush soundeffects. All this and more to speed up your dancing moves and make all 8 bit boys and girls smile!

     

    http://www.beatport.com/release/42/1328590

    https://soundcloud.com/boom-records/sets/supergroover-42

  4. Wow this thread is old ;) But I am reviving it to gain some insights from your huge pool of knowledge.

     

    I am specifically looking for some idm that is on the friendly side. A lot I find sounds rather cold, experimental and inaccesible. Any recommendations for some more funky friendly sounding IDM?

  5. haha Radi, am I a racist because I don't like your mountains?
    You might think they are brilliant. But I don't. I can't be wrong about my own opinion..

     

    There are loads and loads of mountains that are nice. Also in Bulgaria I am sure.

     

    https://skydrive.live.com/#cid=950C76653A127509&id=950C76653A127509!194

    Here are some more, supergroover, spare your ignorant posts you rasist, did I insult your country, no, so shut up man. The landscape is great, especially the first three pics and if you think there is much better mountain landscape, you are wrong, you wil find it only at a few choosen points in the world in Nepal in Chille and maybe in Alaska, otherwise that is steep mountain landscape and rocky.

    @Imba, I met much nicer Serbian people than you.

  6. Free download:

    http://www.ektoplazm...nce-upon-a-time

     

    Artist: Supergroover

    Title: Once Upon A Time

    Label: Bleep Bizarre Records

    Format: EP

    Release: 17 May 2012

     

    Tracklist:

    01 Mad & Bonkers (138 bpm)

    02 Mooch (138)

    03 The Odd & The Idle (137)

    04 Case 26728 (137)

     

    Bleep Bizarre Records brings you Once Upon A Time, a four track release by Supergroover (AKA Nozem), a funky villain from the Netherlands ready to rock the summer with these exotic progressive psytrance fairy tales. Built on a foundation of chunky bass lines and tight rhythmic programming, this release ranges in style from stomping acidic floor-burners to morning melodic madness. Take a trip with these mad tunes, travel a thousand miles, and end with the sunny side up!

     

    Mastered by Alistair Johnston @ Pure Tone with artwork by Floris de Langen @ uncinc

  7. Out Soon in all Digital Shops:16/02/12

    Subsistence-Fear and Loathing - EP

    _

    Posted Image

    Subsistence is the progressive project of the dj, producer and audio engineer Bruno Marques from Brazil. He has been producing electronic music since 2008 and has a consistent sound characteristic with the aspect of multi-timbral synths plus improvisations of harmony and melody, complementing his tunes with high definition basslines and grooves.

    After obtaining a lot of succes with releases on other labels, Subsistence is now releasing his first EP by Freakuency Records with 3 powerful tracks filled with the best kind of psychedelic elements, perfect for blowing up the dancefloor.

    http://www.beatport....loathing/867457

    Freakuency records Contact:

    www.facebook.com/freakuencyrecords

    www.soundcloud.com/freakuencyrec

    Thank you for you attention

    Freakuency Records

  8. Without reading the whole thread (only the first page) I want to say, that the reason we do not like new releases as much is, cause they sound very modern and clean, they have usually louder and more dynamic mastering, which I do not like as much as the old less dynamic mastering and they just sound new. I have produced a few tracks back in 2005 using computer software and they sounded exactly as the old stuff, they were not too complex, but I know from my own ears and from responces of forumers then, that these tracsk were closest to the original stuff from halucinogen for example and that is what people want. Modern mixing and mastering, which however sounds like the old less dynamic mastering and synthlines, that sound exactly as the old stuff, which was just what I produced and it had the same atmosphere then the old stuff, you must be skilled and have a good ear to do that.

     

    When I listen to newschool stuff produced by Khetzal or Ypsilon 5, it sounds very modern and overloaded with effetcs, that is not how people want it to be. I can tell you, that whether the old stuff remains as classic in our brains, some really good music today would be appreciated by us even nowadays, if it is done how people want it to be done. My Goal is, to produce music fans want to hear and to give them the same moments they had in the past, I hope the next time I will be producing some tunes, that will be appreciated as high as the old tunes.

     

     

    Tracks now are probably less dynamic than they were before.. But Colin could maybe shed some more light on this topic.

     

    Can you post the tracks you did back in 2005? Would not mind hearing them if you compare them with God Simon...

    And don't you think there is many people that want different things in music? Because it sounds like you really know what people want. But where do you get that info?

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