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BraneFreeze

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Posts posted by BraneFreeze

  1. This is a very solid album, albeit not as twisted or trippy as his Glowing Flame material. Excluding Sea Foam (which I wasn't wild about), the other nine songs are good, but might benefit from a little more complexity and variety.

     

    8.5/10

  2. First of all, let me say that I enjoyed the promotional video and the samples. It sounds like a great album.

     

    However, having said that, I still don’t understand why an album like this is only available in a CD format. I’m not trying to single out PA. This is a common approach for many producers, and PA’s album is only one of many possible examples. I just don’t understand the refusal to make a new album simultaneously available as a digital download via Bandcamp or whatever, especially when CD sales are most likely a breakeven proposition at best.

     

    Personally, I have no interest in plastic (or shipping delays), and if I can’t easily obtain a legal download for a new release (when my interest level is high) I’m willing to consider other alternatives. Wouldn’t PA or other producers be better served by capturing some of this potential revenue?

     

    I just don’t get it.

     

    However, I do extend best wishes to PA on the success of his new album.

  3. I'm not a producer, but if you want some listening suggestions start with Mauxuam (Wiggly Bytes, Anti-Singles, Viceversa) or maybe Bird Of Prey (Atrium EP, Dreamcatcher EP). If you're interested, I could also send you a PDF file with my iTunes playlist for Psy Dub (broadly defined).

  4. Pretty good album. Best tracks for me were Desert Nomad, Night Sorceress, Synchromystic, and Higher Circuit Experience. Night Sorceress and HCE (second half) do sound like Shpongle, but so what? They're still good tracks.

     

    I wanted to like Dub Gardens, since I'm always on the lookout for psy dub and enjoyed Dub Crickets and Dub Crystals from prior releases. However, the singing is really annoying and goes on forever. Maybe I'll just cut off the first 5 minutes and save the rest.

     

    7/10 mostly based on the best 4 tracks

     

  5. It seems to me that there are somewhat contradictory goals here. On the one hand, we expect song composition to conform to certain criteria to be considered goa trance. On the other hand, we complain that the songs sound the same. "Goa" has become a straitjacket. It's time to move on. We need to kill the genre to save it.

     

  6. Seems like we have four main hypotheses here:

     

    1) Money: artists change their style because it is profitable.

    2) Drugs: artists change their style because of doing more drugs, less drugs, the wrong drugs, or some combination thereof.

    3) Boredom: artists change their style because they get bored.

    4) Age: artists change their style because they get old. (Plus having children might cause some lifestyle changes.)

     

    Sound about right? I might propose two more:

     

    5) Fame: artists change their style because psytrance is the black sheep of electronic music and you can't really get far with it.

    6) Disgust: artists change their style because they are tired of being ripped off in the psytrance scene.

     

    I tend to think some combination of all these might be likely... but you would have to look at specific cases to know for sure. The money hypothesis is the weakest of all IMO. Not many artists make a great deal of money making other styles of music either. Even if they do you can't know that it wasn't a change in musical interest that motivated the change in the first place.

     

    Maybe this discussion would move forward if we consider some test cases. Perhaps someone can speculate what factors are likely involved in the creative trajectories of these ten artists:

     

    12 Moons

    Etnica

    GMS

    Infected Mushroom

    James Monro

    MFG

    Synchro

    Ticon

    Wizzy Noise

    Yumade

     

    I think anyone knowledgeable will realize that generalizations will not work here. Each case is different.

     

     

     

    Another factor to consider. How many psy / goa producers have formal musical training or actual performance experience (other than DJ)? I would think this has a major influence on career paths as well.

  7. Two other possibilities:

     

    (1) There has been tremendous evolution in musical production and recording technology over the last 20 years. Maybe some of the psy/goa pioneers just got bored with these toys after the initial period of experimentation.

     

    (2) A lot of psy/goa music is burdened by the incredible monotony of the standard rhythmic structure. Maybe some producers just get tired of this straitjacket.

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