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Spectra – Beyond Belief


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Artist: Spectra

Title: Beyong Belief

Label: Oxygen Records

Format: CD (Jewelcase with standard 4-page inlay)

Released: November, 2005

Cover: http://clients.comandeer.com/spectra/cover1-4.jpg





With the 2 compilations "Satellite" and "Parsec", Czech-based Oxygen Records have really established themselves as one of the most promising new labels launched in 2005. A returning act on both compilations was the Portuguese duo Spectra, and their debut album "Beyond Relief", released on Oxygen Records, is the focus in this review. With appearances on Hadra, Ketuh and Spectral (as well as Oxygen Records of course), they are one of many new acts on the already flooded full on market - will they stand out in the crowd?



01. Intro

The album starts with a short intro. Kind of a 2½ minute long industrial breaks-track - not really my kind of sound, but interesting as it's a bit different from the usual uninspired album-intros.


02. Audio 59 [145 BPM]

After the intro, "Audio 59" goes straight to the point - 145 BPM banging full on partymusic. It has a very electric sound, energetic and with some nice, bubbly reverbed synth-stabs - pretty good full on tune, even though I perhaps found it too heavy on Eskimo-like breaks and tricks towards the end.


03. Into The Monkey Planet [145 BPM]

"Into The Monkey Planet" is even more intense, starting in the darker territory with a loud, screaming synth (which luckily almost disappears after the first 27 seconds) and slowly getting more and more melodic, peaking with a quite standard Astrix-like breakdown. Very intense and very dancefloor-oriented morning track - pretty nice.


04. Set The Drive [145 BPM]

Up next is "Set The Drive", which continues the intense style, but with a slightly groovier approach on the bassline than in the first 2 dance floor tunes. Very catchy, and at first this was one of my favourite tracks on the CD, but after several listens, it did pale a bit. One of the weaker tracks.


05. Headshot [135 BPM]

"Headshot" is a break from the pumping full on mayhem, being a quite fine laidback progressive tune, running at 135 BPM. The sounds are quite standard full on'ish, but slowing it down to 135 BPM result in a quite interesting but also strange tune, never really taking off. Not strong enough for me to personally use in a progressive set (although maybe as one of the opening tracks), but generally a fine track, that does supply some variation on the album.


06. Ganzales [145 BPM]

After the break, "Ganzales" take us back on to the main floor, and basically the formula is the same as on the previous dance floor movers - fast full on basslines, energetic leads and crowd-pleasing breaks. Apart from the quite appealing melodic breakdown after 6 minutes, this is, to me, the least interesting track on the album though.


07. One Self (with Zero Sequence) [145 BPM]

Next up is "One Self" - a collaboration with Zero Sequence, a relatively unknown Portuguese Duo, who appeared on Spectral records' compilation "The Door Of Wisdom". The result is among the best on the CD - not as aggressive as the tracks on the first half of the CD, but more on the epic side, with mellow melodies and delicious female choir-pads. Very enjoyable.


08. Discoshit [145 BPM]

To me, "Discoshit" seems to have GMS written all over it, from the bassline to the melodies and trendy chord-stabs - hell, even the title could maybe be an ironic statement concerning the current state of the scientists music. Despite a lot of the elements being quite similar to the standard cookie-cutter GMS tune, it does a noticeably better job though, especially due to the lack of vocals, and keeping the cheesy hands-in-the-air melodies to a minimum. Pretty good track.


09. Beyond Belief [145 BPM]

Finishing the show is the title-track "Beyond Belief" which, in my opinion, also is the strongest track on the entire CD. Quite laidback despite the standard 145 BPM, with soothing synths and some very delicate grooves - in attitude it's sometimes even more progressive than full on, and as a final thought, I could only wish they would have explored this even more on the album. Amazing morning track.




Bottom line:


"Beyond Belief" is a very worthy debut. The sound is super positive and energetic, and despite the fact that the formulas, for most part, sounds like something we've heard many times before, it just works. The "Intro" and "Headshot" stand out as the most musically diverse tracks on the album, while most of the remaining tracks shine as top-notch partymusic - uplifting and easily digestible, but still with more depth than most of the naively melodic standard stuff from Israel.


Don't expect anything truly groundbreaking, but if you're looking for some enjoyable partymusic, "Beyond Belief" is certainly among the better full on artist-albums this year.





2, 3, 5, 7, 8, 9 (!!)










Oxygen Records: http://www.oxygenrecords.com

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Thanx for the nice and honest review man.


This one is copy/paste review from Clown from isratrance.forum




Artist : Spectra

Album : Beyond Belief

Label : Oxygen Records

Cover : http://ip23.dyn181.pacific.net.hk/showCover.asp?titleID=5295


Tracklisting :

1. Intro

2. Audio 59

3. Into The Monkey Planet

4. Set The Drive

5. Headshot

6. Ganzales

7. One Self (With Zero Sequence)

8. Discoshit

9. Beyond Belief


Review :

Spectra - Beyond Belief


Oxygen Records is back again, this time with their first album release. Dj TV has placed his trust in two young brothers from Portugal. Paulo and Francisco Oliveira are the brains behind this fresh new Full-on act. They deliver an 8-track album with an extra intro. Lets get into a little more detail of each track..


The intro starts things off with a breakbeat feel, and IMO is a great opener for this album.


Audio 59 jumps right into things with a strong bassline and kick after just half a second into the track. This track is driven by the insane bassline used to create this track. There isn’t too much melody in this track, however, those that are used fit very well with the rest of the track. This track is in constant buildup, and keeps exploding on the way down. It makes me think of Silicon Sound on Steroids. This track is defiantly dancefloor material at its best that I can be sure to hear a lot of in the near future.


Into the Monkey Planet also doesn’t waste any time getting things pounding as this track starts off very heavy and a little more twisted than the previous track. You can almost feel the electricity omitted from the sonar frequencies of this track, as it progresses into something more melodic near the end as the bassline grooves a little more as well. It’s a very nice track from beginning to end.


Set the Drive keeps things kicking and surely sets the drive on any dancefloor it will appear on. This one takes about 2 seconds longer than the previous one’s before it kicks things off, before these guys serve us another great bassline driven track. Its quiet similar to Audio 59 when we refer to the bassline (but then again, I don’t think I can ever get tired of this type of bassline), only it’s a little less melodic and sounds more “South African” in the style of Pads used.


Headshot brings us to a deserted island, finally giving us honor to an intro before the killing begins.. but wait, whats this, something new?? A much smoother track than what we have just witnessed, also slowing down the pace a little to change up the vibe. So far, it’s the most psycadelic of all the tracks, with interesting delay effects creating the depth of the song. This would be a great track to open up there LIVE act in the near future.. It’s a very interesting track and I must admit it caught me by surprise and touched me in a very positive way.


Ganzales speeds up the pace a little, starting a little more progressive than the first 3 tracks, to build up into something very strong. It almost feels as if the pitch changes during the buildup of this track. Here we have another smasher without any sign of melodies until the last part of the track, yet the melodies aren’t cheesy nor do they take too much room in this track. I really like the way everything flows so well together and progresses slowly as the track moves forward.


One Self features Zero Sequence, as these four guys team up to put together something cool. With the Spectra trademark of this album, this track gets right into the action with a buildup at the very beginning of this tune. You can feel the melodies in this track and the bassline now transposes a couple of times to offer even more variety to this great album. This track sounds like some Astrix at his best, with a very Isrealie sound. It’s probably the best track of this album up to now.


Discoshit features a very dark bassline with some very interesting twists and turns. In this track, Spectra delivers something with a little bit more of a morning flavour, with softer pads and a more standard morning sound. All the sounds are very harmonical and very soothing, yet this track still has what it takes to be played out during the peak times at a party. I really like the breakbeat breakdowns used in this one. Its so relaxing when you have been dancing for hours non-stop.


Last but not least, these guys finish up their debut album with Beyond Belief, another morning inclined track. Lots of melodies are found in this one along with a very interesting bassline, that almost sounds like Wizzy Noise’s style, yet they don’t seem to go exactly in that same direction. It’s a great track to end off this album, with a very soft ending to relax the soul and make you wounder what just went through your mind for the last hour listening to this great album..


In Conclusion, this album as a whole is one of the best albums I’ve heard in a long time. All the tracks are dancefloor designed, and I couldn’t even mention which track I find better than the other, since they are all pretty much top class. This is by FAR Oxygen’s best release, offering nothing less than top notch music. The Mastering is just phenomenal as well, and I’d like to congratulate Audiolize for his hard work.


Regardless, here are my fav’s : 2, 3, 4 ,5, 7, 9


A must by for every DJ and psytrance collector and this should get up there with this years best album releases. Great work TV and crew..

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  • 1 month later...

Spectra – Beyond Belief


Posted Image


Hi-res cover: front + back


Artist: Spectra (Portugal)

Title: Beyond Belief

Format: CD (jewel case)

Label: Oxygen Records (Czech Republic)

Cat. #: OXYCD003

Distribution: Arabesque

Date: 5 December 2005


Track listing:


01. 02’39” Intro

02. 07’33” Audio 59

03. 07’32” Into The Monkey Planet

04. 08’38” Set The Drive

05. 09’54” Headshot

06. 09’26” Ganzales

07. 09’06” One Self (With Zero Sequence)

08. 09’57” Discoshit

09. 08’49” Beyond Belief


.m3u-playlist: http://tinyurl.com/cc2j6 (all tracks!)




Good morning Portugal!


As the 3rd release from Czech morning trance label Oxygen Records, we get the debut album from Portuguese psytrance duo Spectra… The tracks I’ve heard from Paulo & Francisco Oliveira have had varied impact on me… Some of the stuff released on Ketuh has been really nice, whereas I wasn’t too thrilled with the cheesy track on the Parsec compilation… But hey, I know these guys can pull off some proper stuff, so let’s dig deeper into their first full album…


Let me take you thru the tracks…


#01: Intro [145 BPM]

The intro track is pretty sweet… Distorted, tweaked synth-twirls – kept within a crisp, morning trance framework… Promising for the rest of the album… I wouldn’t have minded a full track in this style… Anyway, a very nice intro…


#02: Audio 59 [145 BPM]

We already had an intro track, so this track only runs for 14 seconds before the bass and kick are unleashed… It’s full-power, banging morning trance… The distinction from the endless pool of boring full-on, are the nice, frequent breaks and the twirling melodies... Also the syncopation effect, works surprisingly well in this track… I mean, it’s all been done before, but it actually works pretty well in this track… I like it!


#03: Into The Monkey Planet [145 BPM]

Again the Spectra guys doesn’t use much time on boring, pretentious intros… No time is wasted, and before you know it, this track is in full FX… It’s still uplifting full-on, but this time with a slightly more night time feeling to it… Also, the attempts into acid-stabs are pretty successful, and I like the edgy sound here which again distances the track from the most obvious full-on pitfalls… Oh, and that final build-up is simply impressive and ultimately rewarding… Best track so far!


#04: Set The Drive [145 BPM]

On this track, we’re approaching more standard full-on – and the bassline seem a little blunter now... That’s a shame, but luckily the melodic twirls are much more in focus, and the sound spectre seems more refined… Kind of old-school in a sense, but obviously with very fresh production techniques… Reminds me of Mr. Peculiar or Silicon Sound… A pretty nice track, but somehow it lacks a little bite…


#05: Headshot [135 BPM]

Besides from the intro track, this is the only track that ventures away from the 145 bpm range… So, half way thru, we take it down a notch – and that’s a welcomed change! This track cruises at a comfortable speed, offering a break from the dancefloor tunes… This could easily work on the dancefloor too, but more as an opening or transition track – or as a cross-over track between progressive and trance… A nice track, but it’s maybe a little too anonymous – and also a little too long…


#06: Ganzales [145 BPM]

And now we’re straight back to energetic full-on with the speedy Ganzales track [pun intended!]…The syncopated stabs from earlier are back, and this is pretty straight-forward full-on… What I like about this track though, is that it’s focussed… It keeps building straight towards that inevitable climax towards the end… It doesn’t waste time on boring excursions… It’s just plain, driving full-on – and in that sense it’s ultimately rewarding… An honest track, so to speak – and for that reason I like it!


#07: One Self [145 BPM]

On this track the guys are joined by fellow countrymen Pedro & Nando… I’m not familiar with any of their previous work, but who cares!? Again, this is pretty standard full-on – and there’s not much innovation in this track I’m afraid… Sure, it’s uplifting, and its dancefloor friendly… But the bassline is way too uninspired, the melodies are predictable and generally I feel the guys are starting to copy themselves… Would fit right in on one of the endless Israeli neo full-on compilations… *Yawn*


#08: Discoshit [145 BPM]

Well, we’re still in uplifting, morning full-on territory here – but at least this track has a little edge and more variation that the previous one… And again, this has certain elements of 2000-2003 full-on in it… The little breaks offer a welcome break for the dancers, and I’m sure the club-folk will also take well to the floating, uplifting melodies and the climactic nature of the track… I’m not the biggest fan, but I do like the energetic rhythm section… Not a bad track per se, but it’s too long and there are several parts where I loose interest…


#09: Beyond Belief [145 BPM]

The sun has set, and it’s time for the last track… The title track is maybe the most uplifting here, and different parts of it, reminds me of both Silicon Sound, Mr. Peculiar and especially Protoculture… Well-polished, multilayered, energetic morning trance that’s both epic and dancefloor friendly with a few surprises thrown in… The climaxes are just right, and overall this is among the best tracks here… Nicey nice!


Truth be told, I usually stay clear of blatant full-on albums… But there was a certain appeal to this album that was too good to miss – there is indeed a handful of nice, energetic tracks… And as much as I’m sure, they’ll work wonders on the dance floors, they also did pretty damn well in my living room… Sadly, there are also too many tracks with too many boring parts… Not boring as in event-less, but boring in the sense that they lack individuality… That being said, I must also stress that Spectra certainly has unique moments... Indeed! I just wish the entire album was like that! The good tracks are indeed good – and they distance themselves from the vast pool, of copy/paste full-on from Israel… The cover art is lovely – as always with Oxygen Records. Nice work!


To conclude, this is an album for fans of uplifting, melodic morning trance – with a little bite… Not among the best melodic albums of 2005, but certainly not among the worst either… Enjoy!


Favourites: 2, 3(!), 6, 9(!)



Posted Image


External links:

Oxygen Records: http://www.oxygenrecords.com

Discogs: http://www.discogs.com/release/576035

Saiko Sounds: http://tinyurl.com/8sykq

TranceShop: http://tinyurl.com/7vsop

Wirikuta: http://tinyurl.com/bywrc

Psyshop: http://tinyurl.com/92bbz

Chaos: http://tinyurl.com/865fh

Juno: http://tinyurl.com/b99z4

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  • 6 years later...

Posted Image


Artist: Spectra

Title: Beyond Belief

Label: Oxygen Records

Date: December, 2005


1. Intro

2. Audio 59

3. Into the monkey planet

4. Set the drive

5. Headshot

6. Ganzales

7. One self (feat.Zero Sequence)

8. Discoshit

9. Beyond Belief


I see Death Posture gave this the once over already. Truth be told, I molded some of my technique from him. Well, minus all the f words and gifs. That's all me. This project is another one from the one and done cupboard. The Portuguese Oliveira brothers dropped their debut which is...you guessed it. More full-on. But it's Portuguese full-on. High energy, layered acidic stuff. Think of it as full-on that has been working out.


After the somewhat noisy intro you get right into the meat of things. Screaming leads, sticky acid and a fast pace. Into the Monkey Planet is one of my favorites as it undergoes numerous shifts in direction as it bubbles its way through futuristic breaks. Set the Drive wasn't terrible, but it lacked the energy of the last track. Basically it resembled almost every mediocre full-on track you have ever heard. Headshot is a bruising progressive style composition with a sensitive side as well. But you know at almost 10 minutes you've got plenty of time to turn it around. On the surface Ganzales seemed like a generic full-on track, but like DP said it had some bite to it. Discoshit didn't have any disco, but I did listen to it while I took the Browns to the Super Bowl.


No snare buildups, no stops and starts that you can almost set your watch to, and no f*cking autotune. This is about as close to win as you can get for full-on isn't it? Unless you're U-Recken, Mr. Peculiar, or Digicult, full on tracks shouldn't approach 10 minutes. Still, this was an example of some pretty good full-on without the fluffy annoying stuff that genre is known for.


At this rate, I'll never get anything off my hard drive.



"Pleiadians? What the f*ck is that sh*t? Oh, that's gone."






Saiko Sounds



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