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  1. Artist: E-Clip Title: Press Hold EP Label: Iono Music Date: November, 2011 1. Press Hold 2. Salva Divinorum This is Marko Radovanovic who was responsible for the best progressive trance release of the year for me called Shuma. Here he is with progressive masters Iono for a quick hitting two track EP. Did I need it? Of course not, but I didn't need that huge breakfast this morning, but I'm glad I made it. Press Hold- Thumping progressive with bass effects curl around the ears as sounds wail in the not too far distance. It's drifting and every sound is in its place. While not as descriptive as his work on Shuma, it is nonetheless a solid progressive rumbler. Salva Divinorum- Now this is more like it., balancing that line between psytrance and progressive trance. Plenty of effects make this a thick beast and it has an ominous atmosphere. New slant with the snare and kick break right into a pretty massive build-up. But it wasn't you're ordinary everyday buildup. Pretty good rocker. This was a nice little get. If you're a fan of his style then this will be a pleasant addition to your collection. It's melodic, drifting, and the 2nd track is more aggressive. It's a bit expensive for 2 tracks, so if you're a little short on cash, keep rocking his album. Can't go wrong there. http://www.beatport.com/release/press-hold-ep/832070 Mdk
  2. Artist: Astropilot Title: Emptiness EP Label: Sun Station Records Date: November, 2011 1. Emptiness 2. Emptiness (Flucturion 2.0 Remix) 3. Emptiness (Dream Stalker Air Mix) Russian label Sun Station Records releases a free EP by Dmitry V. Red'ko who at least for 2010 has been extremely prolific, dropping 4 albums in that year alone. Tells me that he had a lot of material stored up. My favorite was Solar Walk as he crafted some really beautiful ambient. He is known for his downtempo goodness, but this is a progressive track along with two remixes of the same track. Let's see how it goes. Emptiness- It's the type of progressive that is full steam ahead without any changes in it's foundation, but the effects give it depth. The break is really spacey with choirs, cold electronic computer blinking, but it's really short. Makes me feel like I'm alone in outer space and nobody is coming to rescue me. Emptiness (Flucturion 2.0 Remix)- Same style of progressive with different effects. It actually seems a little bit more alive. Sparkles more. It pulsates and shimmers in a more understated tone. Liked it a little better. Emptiness (Dream Stalker Air Mix)- "Our bodies are given life from the mist of nothingness." Ah, but Dmitry saved the best for last. The sample adds a futuristic and mystical air as it chugs along with bass sweeps. The break is reflected sunshine on chrome on a winter's day slowly bringing warmth where there was none. It bubbles and whines with more outer space samples and liquid sounds as it coasts to a conclusion. This is a nice little EP and an example of how remixes are supposed to be different than the original, yet still maintain some of the character of that original track. It's churning progressive that sounds very good loud and is easy to get lost in. Is it the best progressive I've heard? No, of course not. But it ain't bad at all. Couple that with the price (zero. zilch, nada) and you've got nothing to lose. http://www.ektoplazm...pilot-emptiness Mdk
  3. Artist: Sonic Crime Title: Live & Dead Label: Monstruo.ink Crew & Undervoice Records Date: November, 2011 1. The End Is Yet To Come 2. Too Far 3. Schizo Gliufd 4. When & Then This is Nick Piliouris from Greece. The only reason I'm giving it a listen is the cover. And I'm bored. The End Is Yet To Come- Breakbeat, drum n bass, jungle, tribal...did I miss anything? The melody is a slow afternoon bit of sunshine electric piano against a beat. Not much there though. Too Far- Groovy electronics sound sharp with glitch spread all over this thing. The laughing effect is nice and this may be the most melodic track here. Easily my favorite. Schizo Gliufd- Entropy. Electronic sounds that seem to be at war with each other. Very cyber intensive with a slow, plodding beat. It changes frequently and let's face it at 10 minutes it needs to. The melody and drum n bass bit at 2 minutes was pretty cool and it makes a return later in the track. Still, 10 minutes is a long time brother. It's like he got some new beat software and tried hard to work them all into one track. When & Then- Boom! That bass drum is thundrous! With plenty of glitchy effects and varied rhythms this is really interesting. Plenty of breakbeat madness. The middle of the track has me reaching for my microphone wanting to spit a few verses. But then I remember I can't rap and just listen. It's dirty and juicy with several turns. Not the first thing I would reach for, but it's nice to break away from the everyday. "Cruising down the street in my 64"...stop. Just...stop. Loads of different beats and glitchy sounds which make for a nice change of pace. One can't listen to the same stuff over and over, right? That being said, this is great for a few minutes and then I'm looking to see what's in the fridge. http://www.ektoplazm...crime-live-dead Mdk
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