IronSun
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Posts posted by IronSun
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Definitely check these out!
UX - Audissey (Live & Beyond) (https://cronomi.bandcamp.com/album/aud-ssey-live-beyond)
M-Run - Live Session Album (https://cronomi.bandcamp.com/album/live-session-album)
Artha - Dream Telepathy (https://cronomi.bandcamp.com/album/dream-telepathy)
Ufomatka - Off The Beaten Track Of The Universe (https://cronomi.bandcamp.com/album/ufomatka-off-the-beaten-track-of-the-universe)
Todra - Dust From The Past (https://unreleasedgoarecords.bandcamp.com/album/dust-from-the-past)
HYPNOXOCK - Eurythmia (https://beatspace-goamadness.bandcamp.com/album/hypnoxock-eurythmia)
Everything released on DAT Records in the past 4 years
Total Eclipse - Tokyo Live 1998 (https://suntriprecords.bandcamp.com/album/tokyo-live-1998)
Sykespico - Perspective (https://suntriprecords.bandcamp.com/album/perspective)
Triquetra - Human Control (https://suntriprecords.bandcamp.com/album/human-control)
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I think you really outdid yourself on this one! Genre-defying brilliantly detailed psychedelia with a very authentic sound. It's probably one of the best albums I've heard these past few years, I tip my hat to you!
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18 hours ago, the goa constrictor said:
I generally keep things simple for the root tracks. Whatever comes out via XLD is how I leave it. If manually adding, I might put Goa, Psychedelic, or Suomi (but I don't have any rules about these terms and use them loosely and in ways wildly inappropriate). In Rekordbox I may add additional tags as you can do custom tags of whatever, and however many, you choose.
I rarely look for music by genre, so filtering that way just isn't my workflow and process. I also find adding too many labels/terms to be troublesome as so much music can fit in different realms and it gets overly complicated to sub-define too much (but, again, that's just my perspective and flow with it).
=)
So what's your meta-workflow like? I suppose you don't always start from your entire presumably huge collection when selecting tracks for a set? Do you keep something like playlists as an inbetween?
Thanks to the others for the replies, very insightful! It's an incredibly interesting topic I think, one we'll collectively get better at as this whole digitilisation goes on. I used to keep an excel with everything in my collection but maintaining that became too tedious and why do everything manually if you can have automated processes which these tags pretty much fulfill?
The downside with using traktor or rekordbox ofcourse is that there's inherent path dependecy: the longer you go on using that way of working the greater the cost becomes of switching to another way of working. Not entirely given the nature of the id3 tag but still...
Again, thanks for sharing your thoughts!
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Short background: I noticed last year it was foolish of me to back up all my cd's in wav format because it's just impossible for metadata editing and using the files in apps like Traktor, winamp, etc... So I've been busying myself ripping my entire cd collection again in FLAC.
The thing I keep running into though is how to approach genre classification. I generally follow all the discogs conventions but when we arrive at genre/style it's a real conondrum. Everything psy related will become 'electronic' but there's no equivalent to style in metadata (or I just haven't found it yet). But I'll be damned if every electronic music track I have is categorized under genre electronic in traktor for example.
How do you guys and girls handle this? Do you follow a specfic convention, and how do you keep a straight line in that?
For everything Goa it's pretty easy, I just take the style Goa Trance and put it as genre, but the rest of the psy-trance family all gets lumped together under 'Psy-Trance'. To be quite honest I don't want all my forest and full-on to be together under 1 genre... Even though they are subgenre's of the psy-trance genre.
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In general I think cd is as good as dead. Most of my friends don't even have a cd player anymore because it's simply not included in most devices. So you need to specifically invest in a cd player and I think for most casual listeners that's a bridge too far.
So from that perspective it seems only really engaged people and collectors will buy cd's. But that's where the strength of a platform like bandcamp comes in, it offers you everything as a customer.
Personally I still buy cd's but I'm also gradually transitioning to complete digital which has been quite an adventure. Over the past couple of years I've moved away from itunes (what a bad decision to use it in the first place, I know...), bought an amp with wifi for the living room, got a NAS, installed a plex media server on it and can now listen to my entire collection from any of my devices anywhere I want. I also got a traktor controller and started using traktor at home after years of resisting it because djíng with cd's was somehow 'better' in my opinion (which it isn't and to all the people bitching about how a controller makes stuff easier and requires much less skill I would say try it out. You'll be amazed at the control and versatility it gives you while having your entire collection at the click of your mouse).
So the future for sure is digital streaming, most people won't even bother to have the music files somewhere locally because it's much easier to listen to it on spotify, youtube, tidal, bandcamp, etc...
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That's great news! Very curious to hear what you're going to come up with
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Dohm - unstoppable fate ...good forest!
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You forgot the dash of forest
How is it though? I was wondering about this one myself.
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3 hours ago, antic604 said:
What happened to that beautiful artwork?
Why is there a cup of coffee there????
Why does it sound like it was recorded in mid '90 with all those cheap presets and squeaky high-pitched sounds? It sounds NOTHING like the videos he's been posting on his YT, where it seemed much more contemporary and modern.
And there's "voice work..." again??? I'll pass on this one...
Thanks for your feedback Antic!
Pity you don't like it right off the bat. Then again it's not an ordinary goa album but a complete live concept where every track was recorded in 1 take, there's even more detail in the description as Mario added his thoughts on the entire process.
I really recommend to keep listening though as there's a lot to be discovered in here! Good music just keeps on getting better
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Yes yes yes looking forward meeting you all! See you tomorrow!
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The time-table is just bonkers again. I have no clue how to fit in some sleep... Gonna have to make some tough decisions
btw 4 hours of xenomorph live... Poor braincells...
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I'm planning on attending as well, let's meet up!
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On 11/27/2017 at 10:10 PM, Aspartic said:
Wow brother, you made an outstanding goa mix here!
The mix starts directly with high energy goa, modern style such a Triquetra and Artifact303. You got my love choosing those tracks.
Through seamless mixing the mix truly goes deeper and darker to, indeed, cyperpunk space. Perhaps that darkness is not exactly my style, I listened through it all, absorbed it, went all punk'd, and the moment I heard the acid in KOB's Grandiose Thoughts, I climbed out of the dark cybercore. Back to the light.
Red Gravity's Momentary 29 is a bliss from Twist Dreams which I definitely should revisit. The mix ends in total harmony.Man, what a ride you made here! And I must say, as a fellow dj, I'm learning from your goa mixing. It is very very good. Nicely in key, no trainwrecks and perfectly gearing up from one track to the next. That's the challenge and you nailed it.
Thumbs up!
Somehow this is the first time I read this.... Thanks a lot for the nice words! I tried to give the tracks the time to breathe and build the story and I was really thrilled by the way it turned out, indeed reaching that supertwisted place in the middle but then finding exactly the right tracks to flow into Transparent Sea which I find an absolute beauty, so emotional.
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On 10/26/2018 at 8:51 PM, Oopie said:
Maybe my album 'Surrounded By Surreality'... it's more forest/goa hybrid though so it might not suite you if you're looking for classic goa only.
It's great! Everybody looking for a fresh take should check it out imho.
For me the Ufomatka, Smuds, Morphic Resonance and Veasna albums have been the best new ouput this year. The Etnica re-issue is absolutely fantastic as well (duh) and both the long-overdue gangguru .release as well as the compilation with tracks of Ray Castle and collaborators showcase just how good this music was in the nineties.
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20 hours ago, Luminon said:
As for the bad goa melody examples, that would be these albums. It feels like it's supposed to promote suspense, but a whole album of wicked suspense is too much. Hell, it's the whole genre of the suspenseful melody. It's everywhere, even in Khetzal - Corolle, although that album is great otherwise. After all these years, it just sounds to me like somebody long ago in Goa jungle had a troop of monkeys steal 90 % of their keys and was stuck with just a couple of notes, but still had to play a concert. And then it stuck and now many great artists are limiting themselves to just a few suspenseful notes, playing them extra fast, just switching a key here and there. There's just so much variety you can get out of a monkey-raided synth. I know Hallucinogen counts as Goa trance, but he's nothing like that.
Here are some examples. I can tell they're good and they're trying their best, but they're held back by the Goa monkeys.
Hypnoxock - Eurythmia [Goa Madness Records] (2017)
Etnica - Alien Protein
Filteria – Sky Input, Heliopolis
MFG – New Kind Of World
Morphic Resonance - Trip To The Stars
Dimension 5 - TransStellarI chuckled while reading this. Not really the way I see it, but funny none-the-less.
How about the latest Oforia? 'Read more...' is definitely worth the listen. https://www.discogs.com/Oforia-Read-More/release/8985054
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An outstanding compilation in this time of very 'generic' goa-output. Why doesn't this get more reaction? Actually I anticipated some pretty negative feedback due to some tracks straying dangerously close to full-on/minimal sound scapes, but even that didn't materialize. Strange.
To me, one of the more daring ventures this year. Declaration of Unity provide a very hypnotic track and radical distortion has some belters on here, including the sandman collab which is a very rare pleasure in today's goa repertoire.
Recommended!
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Probably Jannis' most mature output to date. While the first half of the album still 'suffers' from too much filteria, the second half more than makes up for it. Great sound design and drive!
Best tracks are Grandiose Thoughts (Original Version), Cousin It (2017 Mix) & Check Out.
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This is just sad. The stupidity of some people never seizes to amaze me.
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On 24-10-2017 at 9:44 PM, Paul Eye said:
Well that looks like a yummy tracklist, and I see a bunch of familiar artists from my own sets
I do have a bad habit of barely ever listening to people's DJ sets, but I might take a listen to this in the upcoming weeks.Actually it's part thanks to you this mix came together! A couple of months ago you praised the Kadasarva album again on this forum and as I happened to read it, I decided to revisit it and really got into it myself! Thanks for that
Don't know if you know it, but may I recommend Amygdala's 'Modus Operandi'?
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Like I already mentioned on facebook, I do quite a lot. As a beginning dj I had a lot of inspiration listening to stuff featured on the goat ranch (Solitare, Marsh, Jimm'll mixit & Draeke to name a few).
I was always interested in the more psychedelic side of melodic goa trance but especially the older music on this side of the goa spectrum tends to be difficult to mix so I learned a lot listening to these masters.
Nowadays I'm venturing inside of forest territory a lot too so yur 'we're all math here'-mix for example was a starting point for me to learn how to approach mixing forest
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Listened to this one a couple of weeks ago... total mindbender! Love how you tell your story and do it in a way you don't hear much these days. We need more of these forest/goa crossovers as I think this should be the dominant night time style on a party! I think the diversity achievable through this blend is reason enought o justify this opinion.
I'll still need to check out some of the artists in this set, great stuff!
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Hello dear Psynewsers!
It's been a while but I finally managed to mix something together that satisfies my own tastes and comes close to the story I wanted to tell: a foray into more cyberpunk influenced Goa with an emphasis on newer tracks & some golden oldies in between.
I wanted to create an energetic opening which slowly dwindles into more minimalistic progressive-influenced Goa which in it's part evolves yet again, picks up the pace and has a rather furious last bit with a very emotional ending.
Give it a shot and tell me what you think!
Tracklist:
1. Neutron - Skizologic & Radical Distortion
2. 48 Hours - Portamento
3. Mordroc's Challenge - Triquetra
4. Blood - Overmind Projection
5. Black Light - Artifact303
6. Waking Up To Chaos (Live Remix) - Slide
7. Ohm Sun - Declaration of Unity
8. Mindsweeper - Amygdala
9. Boundless (Skizologic Remix)- Prana
10. Antistatic Circle - Artha
11. Cybermind - Kadasarva
12. Domestic Bliss 2015 - BotfB
13. Grandiose Thoughts (Original Version) - K.O.B.
14. Moon In Your Window (Morphic Resonance Remix) - Pleiadians
15. Momentary 29 - Red Gravity
16. Transparent Sea - Chi A.D.-
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Yes!! So excited when I first read this, very good choice ^^
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Personally I like his magnetic portal album a bit better. Have you checked that out? Other than that you might also give insight from mindwave a go. The middle has some nice Goa influences.
Syb Unity Nettwerk - Goa Years (Singles & Selected Works) - Cronomi Records CD014 - OUT NOW!!!
in Artist News and Labels announcements
Posted
Dear psy-newsers... It is finally here!!
Cronomi Records is pleased to present the first full-length album of Syb Unity Nettwerk, The Goa Years (Singles and Selected Works) is a masterful classic Goa collection revived from the gothic archives of Kris Kylven (UX, Faithealers, Element Over Nature, The Dark Prince). This heavy-hitting selection of original, alternate, and live remixes represents a chronological journey through Kris’s sonic manipulations in his London studio between 1995 and 1996. For the best possible auditory experience, each arrangement has been expertly restored and craftily mastered by Colin Bennun (STOOODIO Mastering).
Conceived between his Odds project and the famed UX (with Pete Martin), Syb Unity Nettwerk is one of Kris’s solo projects and has been released on many labels including Transient, Flying Rhino, Sirius Records, Rumour Records, Aquarius and YoYo. Kris has long been influenced by a passion for sci-fi movies, as well as his love of 70s new age electronica, industrial bands such as Skinny Puppy and Frontline Assembly, plus well-known Goa pioneers, Pleiadians, Kox Box and Total Eclipse.
A true electronic music innovator, Kris leads psychonauts on an unparalleled adventure through 8 distinct tales, along a storyline that manipulates the very fabric of reality itself. We hear in this music a well-crafted and mature approach to the psychedelic experience that hints at what’s yet to come from Kris’s future endeavours. A must for any collection, this timeless masterpiece is sure to shake dance floors from here to Chapora Fort and beyond to other dimensions.
Play loud and dance often. Boom Bolenath!
Get your copy here: https://cronomi.bandcamp.com/album/goa-years-singles-selected-works
All Tracks recorded in London, St. Lukes Road @ Syb Unit 1 Studio, Portobello between 95 & 96
Artwork and Art direction: Kris Kylven
Label Design Adaptation & Editing: Sara Costança
Mastering: Colin Bennun @ STOOODIO Mastering