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Ektoplazm is happy to present a new album by Swiss musician SubConsciousMind. Symphonies of Life, his fifth full-length release, explores different aspects of the human experience: Patience, Truth, Consciousness, Destruction, Love, Creation, Beauty, Humility, and Trust. This is an album that reveals its true intensity the more you listen to it. Every time you hear it another theme might resonate with your inner world, or new revelations may come to pass. One day a theme may not get through to you, another day it will open up an emotional world without description. Keep this in your playlist, let it be part of your life, and the beauty of this musical artwork will unfold even more over time. Just two clicks away for free: http://www.ektoplazm.com/free-music/subconsciousmind-symphonies-of-life http://www.subconsciousmind.ch

For the ones that would like to know a bit more about the album... and beyond here is a little interview!

I just got a few email from psynews. I don't know whether you changed the system or whatever, but this reminded me that Cronomi Records is 10 years old this year, and I decided to share some of the early history of how it came to be. It's funny, because back then we had the "new school old school" debate, and the whole "old school" era was about as long as the time from 2008 until now. Only tells you how this division is absolutely meaningless. Anyway, the teenager me was producing generic psytrance, kind of the usual kind of Israeli full on you'd expect. Some of it even ended up being released for reasons that I'm not certain of now because it was shit. Then, a friend challenged me to produce a goa track. So I did. It was also a challenge to myself, what can I get done using only the "Vanguard" VST plugin. Turns out that it went pretty well, made some amazing goa loops. I continued to finish that track with things other than Vanguard. It was eventually released at Ektoplazm in the first Golden Vibes compilation. The name of the track, "Shomervan" is just a Hebrew way of saying "Vanguard", with "guard" being שומר = shomer. It also required that I find a new name for myself. I was into stars and stuff back then, so I looked up the names of stars in the constellation Leo (I was born August) and saw that the name for the star ο Leonis was Subra and I liked it so I picked it. A few more goa tracks later (Snel Hest which is also in an online compilation, but shit mastering so it's fucked and I don't have the originals any more, Olmec which was nice) I decided I wanted to start my own label. I have zero knowledge of doing so, I was a shit business man (and still am) but apparently it was rather easy to do. I had some money from working so I went for it. I needed a name for the label, and I always thought that all of those mystical sounding names or things influenced by eastern cultures or things based on drugs were stupid. You know, 22 old me objecting to cultural appropriation before it was cool. Then I had a revelation! My artist is Subra, and the star name is ο Leonis, aka Omicron Leonis. Omicron sounded cool, but naming it after a Greek letter seemed non-unique. Playing with the letters a bit led to Cronomi, something that I really thought represented me (at the time). There were several reasons for actually starting the label. Suntrip was doing well at the time, and it felt like there could be more than just one goa label out there. Suntrip was also focusing on just one flavour of goa trance (in my opinion at the time), so I thought I could diversify a bit. And, being a label head was really cool. Hell yea! I got my own label! woohoo. Little I knew how hard it is to actually do it... Stay tuned for the next chapter, the story of our (actually my, I was working alone at the time) first compilation: Freshly Cut Tomato. Once I find the time to actually write it. Shouldn't take long.

Artist: VA Title: Dimensional Gateway 5 Label: Neogoa Records Date: December 2017 Tracklist:- 01 - Sun Sith - Arrival 02 - BlackStarrFinale - The Scattering 03 - Lectro Spektral Daze - I Ate Seven Of Them 04 - Xamanist - Star Forming Galaxy 05 - Maan - Field Quanta 06 - Third Eye Channel - Katarza 07 - Proxeeus - Nyarlathotep [Short Mix] 08 - Dragon Twins - Shattered Sense 09 - Negan - Wäwära Well wowie, If ever a compilation could fit into the theme of 2017 (Quality over quantity) this is it. Neogoa Records have released their 5th in a series of Dimensional Gateways. Unlike the dark portals of this world, defined by stability and assurance, dimensional gateways are like tunnels bored with unstable magic that can lead to bliss, new worlds or eternal imprisonment. One thing is for sure, the gateways will always be a journey. As a newbie to the genre it would be foolish of me to say something like ‘This has been quite the year for Goa’ But i’m young and foolish so. This has been quite the year for Goa. We’ve seen some pretty remarkable releases that have been top notch in terms of either production, originality, or nostalgia. While the review section for 2017 has been pretty empty most of what is here is gold. Sun Sith: … Holy shit. Sun Sith are Lunar Dawns Kristijan Ilisinovic and Sasa Precanica. Two lifelong friends who have dedicated themselves to absolutely blowing our minds with music. This has gotta be the darkest work of theirs. And i’m going to peg it as the track of the year. Blackstarfinale: Oh no, how is this melody going to work? Am i about to listen to pure aged chedder? Nope, you better not believe it. The scattering is a mix of uplifting twisted chopped and screwed bliss. Pretty freaking awesome how they work this track. Lectrop Spektral Daze: Yea you did LSD, you ate more than seven didn’t you? You ate a whole bag! Whats that? Only seven per bag? Oh well yea, you ate seven then congratulations! Some of us are too busy studying to just go and eat shrooms in Mexico. Great track, if you like drug references in your songs you’ll like this. Also if you like good songs, well this is one for you my friend. Beautiful beautiful track. Xamanist - Star Forming Galaxy: Every now and then i come across a track on a comp that makes me wonder why i passed that artists album up when i came across it. Progressive trance must have been the flavour of the month when i came across 7, but I tell ya, i’m going back to right my wrongs right after this review. A banging track and another one of my favourites. Aaaaah i love rolling basslines. Maan - Field Quanta: A nice driving bit of trance that starts with subtle bits of acid getting tossed around, easy to dance to though not the most unique track floating around with not much to differentiate it from other producers. The builds are all pretty fun though. Instead of leading to explosions of hysteria they end in slightly disappointing returns to the bassline. Katarza - Third Eye Channel: A less exciting track that gets points for being trippy, though without endless amounts of energy pulsing through it. More of a floating track then an arm flail enducing stomper. Instead of keeping your attention with hard melodies Katara mixes the beat up by skipping kicks and messing around with the basslines. Dragon Twins - Shattered Sense: Some spooky throat noises (Singing? chanting?) starts our journey into what is a remarkable track. The melody is insane, but then it disappears? I could have easily had another 6 minutes of that penetrating my cranium. Man i’m bitter about that, the lead was incredible. I guess that’s how some stories go. Proxeeus - Nyarlathotep (Short mix): We are lucky it’s easier to dance to Proxeeus’ tracks than pronounce them. Everytime i try I end up with a deep and very bad Estonian accent... The track is what you would expect from this wizard, awesomeness. Edit: Holy heck Proxeeus! That final 1.5 minutes. Negan - Warawa: Whats that? Fun basslines? Negan (Did Negans lose part of himself) has got us covered. The track is madness from start to finish, the acid lines are all over the place in the best of ways. Hare Krishna would have indeed been a bad boy. And we made it out the other side. Dimensional Gateways aren't so bad are they, 5 down and we are still kicking. I'm starting to think these things are more stable than i've been told. Wizards and their bullshit friends, just like politicians. https://neogoarecords.bandcamp.com/album/dimensional-gateway-5

Complimentary acid?

Normally I do not reply to reviews, but I have to do it now (please take no offence in my words, it is just my humble opinion after listening to this 'genre' for 20 years and numerous talks with Ray and many other psychedelic trance artists in the past decades). I'm not talking about the quality, style or what ever of these tracks, just about what they are and do (imo). These things are up to everyone to decide Apart from that, if you would take even more time to dig deep into the history of this 'genre', you'd realise a few things: a ) goa isn't a genre, it was called 'goa trance' by party organizers in the mid 90's in Goa (India) to attract people; so it was a pure commercial move to call it 'goa trance'. Detail: at that time all sorts of 'weird' electronic music was played at those beaches - info by Ray Castle himself. It is an illusion to pose goa trance started to exist only at the mid 90's, nope, the sounds capes we so adore came a live gradually (listen to some 'proto goa' sets from the early 90's and you'll hear what I mean). b ) That is why 'goa trance' could better be called 'avant garde trance' (quote by Ray Castle), and he is right: that is exactly what this music is all about. Fucking avant garde and out of the box: challenging the mind in a musical way. Goa therefore is a mind set to rethink electronic music to re-invent itself and NOT get stuck into a certain formula or sound scape. c ) So that taken in consideration the term(s) 'old skool goa' (and new skool goa) is (are) far from correct and is (are) utterly useless to determine what has been released here. (my personnel) Conclusion: this CD/album should be for everyone who wants to know about avant garde trance and wants to buy and support a wonderful project/artist/music! -Our minds are polluted with the idea goa is a genre and the fact that goa should sound a certain way: guess again Ray proves goa is a fluent, organic and non deterministic way to make psychedelic electronic dance music. Good thing to wake that up again Ray (and Suntrip): may it inspire more new artists to be more unique and utterly avant garde <3 ...and not just copy a existing sound without searching and using the 'basic' ingredients. -Our minds are polluted with the idea this 'goa trance' has to be melodic and that these (well distinguished) melodies should lay 'on top' of the music. No, melodies are found also here in Rays music, but in a more non obvious way we hear nowadays. Again, Rays music is about being unique, psychedelic and avant garde, and - surprise - this is what (how we call it today) 'goa trance' is all about. -Rays melodies are blasting and crazy...plus: this sound is far from 'early goa sound', it is the 'goa sound' from a certain period. Without the intention to be smart or arrogant...yours truly

Okay guys, time for news. Our plan: 1) Median Project - In the Depths of Space (debut album) 2) Omneon - Ascension (debut album) 3) Special project (experiment): Psy-H Project & Zirrex & Centavra Project & Nostromosis & Median Project & Alienapia & Omneon & DJ Adept - Intergalactic Cult (digital single) Epic long track by Global Sect Team. Crazy experiment 4) Atlantis - Psychoactive (debut album) 5) Slow Reflections - Natural Vibrations (downtempo side by Psy-H Project) 6) VA by DJ Masala 7) Katedra - Nagual (debut album) 8) Centavra Project - Alone in Space (debut album) 9) Artifact303 - new album If you have any questions and ideas about our label, you can post it here ॐ

i cannot think of a single occasion that wouldn't instantly be better if psytrance was playing. even if there is no special synergy between whatever you're doing and psytrance. that's true for anything. think of it this way, if you fall from a ladder and break your arm it's shit. but if you fall from a ladder while psytrance was playing you can say: it's shit that i broke my arm while falling from a ladder but at least logic bomb was playing

Dear Suntrippers, here we are with the announcement of our next release! :) Actually, its a classic release from the late 90s and early 00s that never saw the daylight... And we are sure its one of the best psychedelic albums ever made! Psylent Buddhi - Secrets of the Atom! So, why was this release only released today? Its a long story... During early 00s during one of the Psynews contests an artist put some tracks online that were simply FANTASTIC. I never forgot this music and when we had Suntrip around 2005 we contacted him to release this smashing music on CD. By that time he lost ALL his file unfortunately :( So, we thought all was lost, untill last year our Israeli friend Kobi Harosh came to us with the original files! Luckely we still had the mail of the original producer and we managed to contact him! The rest will be legendary! Are you ready to hear his mind blowing music in FULL quality? Pre-Order: https://suntriprecords.bandcamp.com/album/psylent-buddhi-secrets-of-the-atom Samples: https://www.suntriprecords.com/release/cat/SUNCD53/ Release date: 8th of february! Tracklist: 1. Lunar Core 2. Neura 3. Secrets of the Atom 4. Moksha 5. Convergent Images 6. Metalucid 7. Innerscape 8. Lightswitch

Proxeeus made such a good album that it gets praise in reviews of other albums :DDDD

Artist: Material Music Title: Love & Magic (The Dust Album) Label: Kali Earth Records Date: May, 2018 1. Love & Magic 2. Thunderbrothers - Hausmania Jam 3. Ingenuity Box 4. Twitch Science 5. Jailhouse Suck 6. Space Out...and In 7. Return To Earth 8. Prabudda Jani Professor Rabinowitz? Umm...is my paper still due on Wednesday? Like a lot of genres our particular brand of music has long been over saturated with subpar and generic sounding efforts. It's a copy and paste world these days and every high schooler (or middle aged psychology professor) with a pirated copy of Cubase is poised to make the next LSD. More power to you, I wish you the best because it seems the world could use a little more LSD. However we're still waiting and it seems that (and perhaps it has always been this way) the squeaky wheel gets the grease. Promotion is the name of the game and nobody is going to toot your own horn like you can. Unintentional masturbatory pun. So through repeated messages I reluctantly agreed to give this album a listen and share my pearls of wisdom that nobody seems to agree with. It's not like the old days when I had nothing but time to write reviews on every file someone sent me. I'm a busy man. See? So, taking myself away from a whole day's worth of nothing I found out who the hell this is an boy was I surprised. Erland Yildiz is truly an inspirational story. The music biz is rife with tropes about the perils of substance abuse and history is riddled with those who have succumbed to them. He apparently has been making music for a long time, but fell victim to those forces and fairly recently got himself clean by going cold turkey. I don't know what he was on or what he was going through, but you don't get free of those demons without a lot of strength and support so kudos to him. Also to psytones for helping him shop his albums and getting his music out there. This album is a compilation of tracks he made over time, some while sober some while not. He clearly is proficient with the electronic wizardry with good layers, sound, and groove. Here are a few notes I made after several listens. The only quibble I have with some of the tracks is the excessive length without evolution. The title track is a churning progressive beast that clocks in at a hefty 15 minutes. Good thumping track with a bit of goa sauciness at the end. Felt it went on a little long though. And that will be a theme here. Hausmania Jam to me is filler that went on waaaay too long and seemed like a rough draft of a track that he would get back to later. Like...after nachos. Ingenuity Box is a psychedelic goa track that reminds me of something from COP. If that's your style then this is for you. Not bad at all. Twitch Science sounded very rudimentary, but in an alluring way. It also has that bubbling 303 beneath the surface so it's got that going for it. I liked it the more I listened to it. Jailhouse Suck has a funky house groove with some great tabla, but the mumbling underneath is a tad bit distracting. Space out is a psytrance progressive hybrid that flows with juicy layers. More variation would've been nice, but still good. Return to Earth is rather mellow and after listening to it 3 times I wasn't aware that I had listened to it. Maybe it flew by because it was the shortest track on the album. Prabudda Jani is pure Astral Projection multilayered in your face space goa. Best track for me on the album that sounded like it could be from Global Sect Music. So there you have it, a decent album that is available in digital or CD-R format and perhaps a welcome back to the scene of sorts for another artist. Kali Earth Records Bandcamp

Hey everybody, I finally managed to release my new album, this time through Timewarp records. https://timewarprecords.bandcamp.com/album/exelization-beyond-the-black-lodge-lp-timewarp098-timewarp 1. Ego Transplant 2. Wolvencore 3. Cryolysis 4. The Flash 5. Motor Warrior 6. Gothika 7. The Purple Forest The style is once again dark-ish Goa trance with modern psytrance influences. I hope you like it, cheers!

Furthermore, please read this: At DAT Records we constantly aim to provide a portal to the golden age of trance, when the music was new and a global scene was starting to emerge. While the ‘90s were seen as a halcyon age with creative music and a unique atmosphere at events, there were also a few challenging aspects to the scene. One was the frequent mislabeling of tracks on DAT tapes as music was being traded in various circumstances. DAT label DJ Solitare recalls many such situations, including a case a track by Avi circulating as a live mix by Hallucinogen in 1998 and several tracks inaccurately attributed to X-Dream, and in our recent transfer work of DAT tapes made in the ‘90s we regularly come across inaccurately identified tracks. Unfortunately this kind of situation could occur not only with amateur DJs but also amongst producing artists - and as a result of such a mislabeled DAT tape, our recent 3-disc Etnica release features a track that was inaccurately attributed to Etnica. The track ‘Party Druid’ circulated on DATs for decades and was dutifully copied from a DAT tape filled with Etnica productions by label manager Draeke when archiving the band’s output. It naturally made its way into DAT’s latest Etnica release covering their early compositions, with the artists having noted that while they didn’t recall the details of producing the track (as was the case with some of the experimental works on this release), they recognized it and recalled having played it. It has come to our attention that this track was indeed mislabeled and is in fact a track by the project Evolution entitled Alien Phenomenon - a longer mix than the version that appeared on his album, which was on the same High Society label as Etnica’s first album. Since learning of the error, we at DAT have been in contact with Andreas Roll, the artist behind the Evolution project, who was very understanding of the mishap. Andreas has been most gracious, with no expectation of the set being withdrawn and repressed, simply requesting that the error be addressed online. We are of course very regretful that this CD set dedicated to Etnica features a misattributed track produced by another artist - a completely unintentional and unanticipated throwback to ‘90s era of track distribution. We hope that DAT Records supporters will be as understanding of this unfortunate error as the producer of the track was, and will continue to enjoy what is still a remarkable release of a key cross-section of Etnica’s early productions.

Hello everyone, sorry it's all been a little slow, and it's time for me to add some proper reply to this thread. Everything has been in the work since a long time, I signed the deal for etnica 3cd in 2015 when i was last in Ibiza with the guys at the studio, and as you can see the cd is going to be finally published in April 2018, did i plan such a long time needed to finalise things? nope, it just happened. But in the meantime I pressed IFO vinyl and many more things happened, so i always work at different projects simultaneously but then i still follow a certain release schedule that was decided a long time ago. There are even more releases that are in the pipeline and not announced, but i cannot announce every release from datcd10 to datcd18, can i? I have plans and ideas for many other discs and even for some vinyl. Contracts have been signed already and tracks have been paid for for some upcoming release. Heck , Analog Visions is almost ready and some tracks we have paid for in 2014, so as you can see, it's just not so quick when dealing with oldschool artists and tracks. Sometimes it takes forever to find a good dat version, and then to get an agreement too, but we want to make things in the best possible way and i can't wait to sign the deals for the last few tracks that i want to publish on Analog Visions. GangGuru album is ready too, but i still need to get the tracks mastered and the artwork done, however the tracklist is final and all is ready, so it will happen soon, together with Analog Visions and not even mercury retrograde will stop us . I also have to add that I am personally volunteering in Thailand at the moment, helping kids at an association called Asian Center Foundation, I welcome you to check them out, they are a Christian organisation that has helped kids in Phuket since 2001 or so, and I am doing a lot with them, loving every minute of it. Because of child protection agreements I cannot really post pictures online of the kids with us, but they are having an amazing time and each and every time they smile, they fill my heart with joy. So that is what I am doing until may but then I will be back in italy and in the meantime in the evenings i am following DAT Records sales and progress in my releasing schedule (slowly but steadily). So thanks for the support and about Mind Rewind 4, as usual not many are helping, but I managed to get the license for at least one track, so it's a start, a vinyl only that will hopefully surprise many as it's not a "common one". Cheers

Every time Duvdev steps to the mic...

awesome review tsotsi! thanks for keeping this section rolling!...do you use headphones or speakers or both while conducting reviews? also, thanks to Neogoa Records for another gem! i don't know if it's the sweet gentle caress of FLAC sound quality or just the mastering, but I listen to this album at around level 60 volume on my mp3 player, whereas most other psy is at around 40. this is totally a positive, as it feels like there is much more dynamic range in the music, compared to a lot of psytrance which gets squashed and can overwhelm. then again, i may just be listening at a higher volume to get the full blast of this fusion reaction of goa vibes. without naming specifics, i felt like 2 tracks didn't meet the standards of the other 7. they are probably good when isolated, but when surrounded by such mastery, they are lagging behind a bit. some standouts are the Proxeeus track which sounds like i am standing in the eye of a storm, calm and centred while there is mayhem going on all around me. definitely a trademark of Proxeeus, not many artists have the skill to craft such high energy tracks that don't get overly aggressive. the Lectro Spektral Daze track is incredible too... i love the trap style bassline that drops in... don't hear that too much in goa but it works really well here. looking forward to more from Neogoa in 2018!

Happy friday everyone! Our latest compilation has been released today and in case you're for some wicked Goa trance grooves, hit this link and download it in WAV/FLAC or MP3: http://bit.ly/GET-DG5. You can also stream full release or track by track on YouTube: http://bit.ly/DG5-YT Happy listening! Samples are available here: https://hearthis.at/neogoarecords/dg5-samples/ And here is the tracklist: 01 - Sun Sith - Arrival (146 BPM) 02 - BlackStarrFinale - The Scattering (145 BPM) 03 - Lectro Spektral Daze - I Ate Seven Of Them (138 BPM) 04 - Xamanist - Star Forming Galaxy (140 BPM) 05 - Maan - Field Quanta (144 BPM) 06 - Third Eye Channel - Katarza (141 BPM) 07 - Proxeeus - Nyarlathotep [Short Mix] (146 BPM) 08 - Dragon Twins - Shattered Sense (144 BPM) 09 - Negan - Wäwära (150 BPM)

What a disgusting post. Really everything that's wrong with Veganism in one post. Kudos. RIP Eyal. You will be missed

plz make elaborate plz.

Giving the vegans yet another chance to tell us all about it

This is a very good exsample for shitty psytrance with an stupid video clip. That shitty music sounds like crappy psytrance, who goes to popular music. And that bad animated video clip, what should it to cause or to be? It's really looking from the 90s, which included some stupid ugly looking aliens, who are also do some idiotic dance moves.

Отличный релиз! Не без недостатков, но в целом очень понравилось. Так держать! Really like the album. It indeed does have many similarities in sound and overall atmosphere to Artifact303's Back to Space, which is my favourite newschool goa album so far, and it does approach almost the same level of awesomeness. My favourite kind of goa, melodic in a good way (I mean, real pleasant melodies, not chaotic mess of notes like in many other "melodic goa" releases), deep, warm and lush. The production is pretty good. On the other hand I agree that there is not enough variety both between the tracks and within the tracks, at least as it appears at the first couple of listens. Some tracks are a bit darker (but it never gets actually dark) some others are downright euphoric (which I always appreciate anyway) but they all follow the same formula, a short intro with filter sweeps and some pads, then the track starts almost full power, fully unfolds in first two minutes and then just rides on. Comparing it to Back to Space the latter has more unexpected turns, more variety in melodies, moods and textures, even though it's the same kind of smooth floating goa. I can skip over to any random part of any track and while I'll most probably hear something I like it all will sound very similar. I think the tracks from this album must work better if mixed up with tracks by other artists, as a whole the album is a bit too much of the same thing. Anyway, I'm glad that this kind of goa lives on, this album offers exactly what I actually expect from goa trance. Being a big AP fan, i'm finding most newschool goa too harsh and chaotic. I hope Median Project will continue working in this style just making his tracks a bit more varied and challenging. Btw, is there such a rule that any goa act from Russia must have "project" in its name? I mean, Psy-H Project, Median Project, Atlantis Project, Centavra Project, Nord Project.

"Zirrex - Zirrex" can be found at 40:10 in this set (incredible and honestly one of the most accomplished goa trance track I have ever heard): ECT - Helpless Dimension 5 - Utopian dream Cosmosis - Psychofunk PS: The Rotatum track is so good, cannot get bored with it.

well, i master stuff like this (goa) - includning this - at -10 dB RMS average... whereas most of todays psytrance goes below -8... to -7, or even louder, so it sounds like a brick wall. -10 also isn't super great for dynamics, but for a loudness compromise, i guess i managed to preserve enough of it

Did a little modding to my precious. High time I make a proper trance song.

That's true but it's not because artist are not trying. Problem is in listeners i must say. That's what's holding us back. Goa came from many different styles, merged to become Goa Trance later. Now most of us whos doing this thinks same, about doing something 'fresh'. Ofcourse you can't merge it with Jazz or Country music but more to with other subgenres of Psytrance or techno (like Zenon does) or trance, euro trance etc. Then we do this, using patterns and technics used in other styles which were used back in 90s aswel: - offbeat or triplets from Progressive - FM/zap fart sounds - so called 'fullon filters' on kick/bass group - many other things... Not so unique but still not used in Goa Trance, and when you combine all of different technics from different styles and put into Goa, then it becomes something different. Then you spend months and months of that track, playing and testing around on dancefloor, finaly get it released, you are really happy with some fresh work and blaaah... Then you get from 'true Goa' people something like: - Meh, it's not old school! Bro, this kick is too sharp. That bass too phat, cmon that's fullon! Mate, that's not Goa, listen to Astral Projection or Hallucinogen! You worked on this track 6 months? You fucking wasted your time... At first you are being acused for ripping off Goa from 90's. So you take your time and energy and you try something new. Wrong, now you betrayed true spirit of Goa Trance. With Goa scene being so small and limited you literaly have no much freedom for evolving. You will try, release something you think is different, people won't accept that new thing, sales will sucks and label will say NO. So you can't release music you made by your taste and what you love, without releases there is no promotion - no gigs - no money, you loose chance to upgrade your equipment and to advance. You are being tired and depresed by this and you stop. One by one will stop doing it or switch to other style or genre. I am having a lot of conversations with other artists last few years and I must say lots of them are depresed by such matter. That's a huge problem! But you see, younger generations love and accept those changes, fresh things, modern sound. Yet older guys can't accept that is not 1995... And then you get most funniest/stupid comment like: Ah bro, this music is too loud, can't listen it because my kid is sleeping in another room????? Cmon. I understand we all have families and no much free time for parties and festivals, but don't judge music without hearing it at dancefloor! GOA TRANCE IS DANCEFLOOR MUSIC! I am not pointing out to anyone, with this post I just wan't you to think about it. As a Goa lover you are presenting your self, do you really love this music and try to keep it alive or destroy it? Goa is small as I said and this is one of places where you come to share it with others, to hear their opinion. To most of artist this place has value. But somehow we have no more freedom regarding how to produce what we love, we can't have mastering we like because you need more dynamic range, we can't have covers we want. Basicly no freedom. No freedom - no inspiration, no inspiration - no music. In other subgenres there is no such problem, you can make whatever you want and it will be accepted and supported.

I'm not sure if I'm ready for that. No, wait. On the forum?