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You could have expressed your wish for the track to be released in a more civilized way.. That's all.. Calling somebody, anybody, you don't know in personal, an asshole, because you disagree with his decision, yes for me is serious. I met Juan in Spain at Connection Festival 2018, were discussing about the music, the scene in the past and now etc and asked him about this remix (you see, i share the same wish with you..). He was negative BUT POLITE and KIND.. I am wondering if you were taking part in that discussion, would you call him an asshole..? Anyway, enough said..

Juan is a fucking asshole my good brother! Agreed!

I personally would prefere it if the forum keeps running. I'm only posting once in a blue moon but I do read it way more. And I've been able to discover some amazing tracks/artists/albums through this forum lately so it is still very helpfull for me. I don't think it's that bad if moderating the forum only happens with a delay. Considering the forum is not very active anyway I don't see any harm with that.

Secret meetings, forbidden desires for the night Living Women [URL=https://datesnow.life]Finest Сasual Dating[/URL]

Super track with good production and lovely smooth and delicate synths. I don't know the track and I don't have time to help you search, but for what it is worth the style reminds me of Cass v Slide. Around the millenium Christopher Cutbush and Peter Martin were known as Cass v Slide and they did similar sounding melodic and gentle prog tracks and remixes; the style is similar.

Next up, track 8. This one was finished in early December 1998, and it's the last track I finished that year, before taking a break from making music. I kinda remember I was running out of ideas around this time (evidenced by a bunch of unfinished tracks). This one takes some initial influences from the Transwave/Helium title track, but of course I put my own personal spin on it. Perhaps the most positive track in the collection (no cheese here in any case) and it has a nice groove to it, if I may say so myself

하이. 접니다. AZ NHJO HYENNRO(아즈 노흐즈오 현느로)입니다. AZ NOOC HYENNRO(아즈 노크 현느로)입니다. AZ NDNO HYENNRO(아즈 노드노 현느로)입니다. AZ MHSV TKIYCIV(아즈 므흐스브 트크으이시부)입니다. AZ XVER VKTNZER(아즈 흐버 브크큰져)입니다. AZ XROC XPSTXER(아즈 흐록 흐프스터)입니다. AZ XRTK WATHXER(아즈 흐르트크 바쓰써)입니다. AZ XZER GKTNZER(아즈 흐져 그크튼져)입니다. THE SUPERMAN(더 슈퍼맨)입니다. GUGUNGJININ(구궁진인)입니다. HELLO. My new project THE SUPERMAN, GUGUNGJININ, AZ XROC XPSTXER, AZ XRTK WATHXER release. ARTIST: THE SUPERMAN TITLE: PSYCHEDELIC TRANCE CAROL 2024 PART. 1 GENRE/STYLE: GOA/PSYCHEDELIC VOCAL HARDCORE TRANCE TeKNo. SEQUENCING: CUBASE MIC: SENNHEISER 835S COMPUTER: INTEL 10900K 10 CORE, 20 THREAD, 3.7hgz. VOCAL BY: AZ NHJO HYENNRO. Hey people. I am currently recover from disease. I was very much study learn practice exercise guitar synthesizer piano recorder etc. I am now improve than old tracks. haha. I seek team and release to CD, and seek good big label. and I want LIVE/DJING worldwide. THANKS and please listen and enjoy musiks. and I decide my new 2024 carol album worldwide releases. and If you listen my new carol tracks and want WAV file, You send to me emali to nhjohyennro@naver.com and I will send this 2024 carol works wave 12 files send to you. haha. It's really. but Don't release my wav file to other artists names. Please listen my works and spread my 12 wave files. thanks. For me my works spread to worldwide, my reputation is more high. haha. Please joy my works and you can receive original 12 wave 16bit, 44khaz original my carol works. email to me: nhjohyennro@naver.com and I will send my original 12 carols wav files to you as freely. please listen and please spread all over the worlds thanks. and My site: www.aznhjohyennro.com and www.thesupermanr.com www.gugungjinin.com 여러분 반갑습니다. 간만입니다. 최신 작업곡들 릴리스 정보올립니다. 크크크크. 저 요즘최근 VIBE, FLO > VARIOUS DFSB > VARIOUS, THE SUPERMAN MUSICSPRAY > AZ NHJO HYENNRO(아즈 노흐즈오 현느로) DIGITAL RECORDS > AZ XROC XPSTXER(아즈 흐록 흐퍼스터써) CUOMUSIC > AZ XRTK WATHXER(아즈 흐르트브 바쓰써) SELLBUYMUSIC > SUPERMAN 루미넌트 > GUGUNGJININ (구궁진인) 로 앨범곡들 발표하고있습니다. 먼저 소개할 앨범은 가장 최근앨범인 THE SUPERMAN - PSYCHEDELIC TRANCE CAROL 2024 PART. 1 싸이키델릭 트랜스 캐롤 2024 파트.1 AZ NHJO HYENNRO - PSYCHEDELIC TRANCE CAROL 2024 PART. 1 싸이키델릭 트랜스 캐롤 2024 파트.1 입니다. 12곡의 신나는 빠른템포의의 신나는 보컬트랜스캐롤들입니다. 영어, 러시아어, 독일어, 한글 로 불러봤습니다. COMPUTER은 INTEL I10900K 10core 20thread 3.7ghz 5.3ghz과 SENNHEISER 835S로 작업했습니다. 1. iTunes / Apple Music 2. Spotify 3. Googleplay Music / Youtube Music / Youtube Art Tracks 4. Amazon Music 5. Pandora 6. Kkbox 7. Facebook 8. Deezer 9. iHeartRadio 10. AWA 11. Yandex 12. Saavn 13. KuGuo / Kuwo / QQ Music 14. NetEase Cloud Music 15. Xiami Music 16. Tidal 17. TikTok 18. Resso 19. Anghami 20. Boomplay 21. Boom/VKontakte 22. ROXI 와 같은 해외유명 음악스토어에 조만간 다올라갈예정입니다. - Apple Music: https://music.apple.com/album/싸이키델릭-트랜스-캐롤-2024-pt-1/1735910577 - Youtube Music: https://music.youtube.com/playlist?list=OLAK5uy_mVSgcCd--nSoBI9172RQ0CbUpU1mGYMlk - Spotify: https://open.spotify.com/album/5c8bbZ36A1jkpBVOb2rXz1?si=ZCJ-SmKTSbKkPFVoIbkFQw - Amazon Music: https://music.amazon.com/albums/B0CY53RLQP?ref=dm_sh_QNKbn3GXg7nPPLc6wL1VcJlkd - KKBOX: https://www.kkbox.com/my/en/album/L_zlLL7uYWLlScy0eb - Tidal: https://tidal.com/browse/album/351171228 - https://www.youtube.com/watch?v=LRH2xugQtjQ&list=OLAK5uy_mVSgcCd--nSoBI9172RQ0CbUpU1mGYMlk&index=2 등에 4월달안으로 릴리스되고 국내 VIBE, MELON, FLO, BUGS에는 21세기 2024년 4월 중순까지는 올라갈예정입니다. 국내도 올라오면 링크올리겠습니다. 저의 목표가 BEATLES, METALLICA, HELLOWEEN, RAMMSTEIN, ACE OF BASE, 2 UNLIMITED, M.C. SAR & THE REAL MCCOY, VANGELIS, JEAN MICHEL JARRE, MAN WITH NO NAME, ASTRAL PROJETION, JORG KESTANDAD SERVERER능가이기떄문에 12곡 심혈을 만들어 편곡보컬해봤습니다. 크크크크. 감사합니다. 2024년 12월초 저의 사이트 www.aznhjohyennro.com 이 발표됩니다. 저의 모든 테크놀로지를 동원해서 사이트를 만들얘정이고 각종 수많은 정보가 포함될것같습니다. 많은 기대바랍니다. 저의 수많은 사진들과 학창시절받은 상장 성적표들도 스캔해서 올릴예정 크크크크. 한가지 자랑할꺼는 저가 중123떄 8학군학교인 개원중학교를 입학졸업했는데 저가 91년도 1학년때 저가 반에서 6등 저짝이 5등 친한친구가 3등했는데 저만 고졸이고 저짝 성균관대 3등한에 한양대학교 중문학과 같다는. 그리고 12월초 저의 PSYCHEDELIC TRANCE CAROL 2024 PART.2 에서는 더뛰어난구성과편곡보컬 선보이겠습니다.감사합니다. 각종 메이져기획사들 BMG, SONY, EMI, UNIVERSAL, WARNER, SM, JYP, YG등 연락환영합니다. 라이브공연및 파티부킹받습니다. 각종 여러가지 장르작곡자작사편곡문의도 환영합니다. AZ NHJO HYENNRO > 1억곡이상목표 THE SUPERMAN > 1억곡이상목표 AZ XROC XPSTXER > 1억곡이상목표 GUGUNGJININ > 1만곡이상목표 구궁진인은 www.google.com 에서 GUGUNGJININ 구궁진인치면나옵니다. 저의 사이트프로젝트중하니로서 일렉트로니카 테크노 트랜스 고아싸이트랜스 하드코어를 추구합니다. https://www.melon.com/album/detail.htm?albumId=11267683 https://www.genie.co.kr/detail/albumInfo?axnm=83929491 https://music.bugs.co.kr/album/20572148?wl_ref=list_ab_03 https://www.music-flo.com/detail/album/414737999/albumtrack https://vibe.naver.com/album/9756274 https://open.spotify.com/album/7oxjjeKeHFZxXDySYGJHx2 https://music.apple.com/US/album/1692469322?ls=1 https://www.amazon.com/dp/B0C7YY8H9S https://play.anghami.com/album/1040334350 https://listen.tidal.com/album/299764496 https://www.kkbox.com/jp/en/album/KkcdhTXgLfA_PKIeg8 GUGUNGJININ 밴드명으로도 앞으로 수많이명곡들 올릴예정입니다. 참고로 구궁진인은 황비홍 2에 나오는 악역보스역인데 저가 좋아해서 밴드명으로 했습니다. ARTIST: The Superman ALBUM TITLE: Psychedelic Trance Carol 2024 Part. 1 GENRE: PSY/GOA CAROL TRANCE MUSIC PRODUCER/COMPOSER: The Superman WORLDWIDE RELEASE DATE: 20240311 ALBUM DESCRIBE: The Superman Project start at 2023/12/26 at Seoul, South Korea. Electronica PSY/GOA Carol Trance tracks. The Superman project can make All kind of musikc etc ROCK/HEAVY METAL/PROGRESSIVE ROCK, METAL/ELECTRONICA GOA/PSY FULL ON TRANCE and CLASSIC, POP, K-POP, J-POP , GERMAN POP, RUSSIAN POP, ELETRONICA, ETC Big Thanks. 1. The Superman - Lookout the window (English Ver.) Remake and Arrange and Vocal by The Superman 2. The Superman - Lookout the window (Korean Ver.) Remake and Arrange and Vocal by The Superman 3. The Superman - Rudolf Reindeer (English Ver.) Remake and Arrange and Vocal by The Superman 4. The Superman - Rudolf Reindeer (Korean Ver.) Remake and Arrange and Vocal by The Superman 5. The Superman - Jingle Bells (English Ver.) Remake and Arrange and Vocal by The Superman 6. The Superman - Jingle Bells (Korean Ver.) Remake and Arrange and Vocal by The Superman 7. The Superman - Silent Night, Holy Night (English Ver.) Remake and Arrange and Vocal by The Superman 8. The Superman - Silent Night, Holy Night (German Ver.) Remake and Arrange and Vocal by The Superman 9. The Superman - Silent Night, Holy Night (Russian Ver.) Remake and Arrange and Vocal by The Superman 10. The Superman - Silent Night, Holy Night (Korean Ver.) Remake and Arrange and Vocal by The Superman 11. The Superman - Silver Bells (English Ver.) Remake and Arrange and Vocal by The Superman 12. The Superman - Silver Bells (Korean Ver.) Remake and Arrange and Vocal by The Superman AZ NHJO HYENNRO(아즈 노흐즈오 현느로)의 2024년 PSYCHEDELIC TRANCE CAROL PART. 1 12곡의 신나고 빠른 보컬댄스캐롤의 진수를 즐겨보자 ENGLISH, RUSSIAN, GERMAN, KOREAN 4개의 언어로 불러봤다. 개인감상용, 나이트클럽용, 클럽용, 드라이브용등이다. 2024년 겨울에 발표될 PART. 2는 곡중간에 기타, 신디솔로애드립이 추가될예정입니다. ARTIST: AZ NHJO HYENNRO(아즈 노흐즈오 현느로) ALBUM TITLE: Psychedelic Trance Carol 2024 Part. 1 GENRE: PSY/GOA CAROL TRANCE MUSIC PRODUCER/COMPOSER: AZ NHJO HYENNRO(아즈 노흐즈오 현느로) WORLDWIDE RELEASE DATE: 20240420 ALBUM DESCRIBE: The The Superman Project start at 2002/12/26 at Seoul, South Korea. Electronica PSY/GOA Carol Trance tracks. The Superman project can make All kind of musikc etc ROCK/HEAVY METAL/PROGRESSIVE ROCK, METAL/ELECTRONICA GOA/PSY FULL ON TRANCE and CLASSIC, POP, K-POP, J-POP , GERMAN POP, RUSSIAN POP, ELETRONICA, ETC Big Thanks. 1. The Superman - Lookout the window (English Ver.) Remake and Arrange and Vocal by AZ NHJO HYENNRO(아즈 노흐즈오 현느로) 2. The Superman - Lookout the window (Korean Ver.) Remake and Arrange and Vocal by AZ NHJO HYENNRO(아즈 노흐즈오 현느로) 3. The Superman - Rudolf Reindeer (English Ver.) Remake and Arrange and Vocal by AZ NHJO HYENNRO(아즈 노흐즈오 현느로) 4. The Superman - Rudolf Reindeer (Korean Ver.) Remake and Arrange and Vocal by AZ NHJO HYENNRO(아즈 노흐즈오 현느로) 5. The Superman - Jingle Bells (English Ver.) Remake and Arrange and Vocal by AZ NHJO HYENNRO(아즈 노흐즈오 현느로) 6. The Superman - Jingle Bells (Korean Ver.) Remake and Arrange and Vocal by AZ NHJO HYENNRO(아즈 노흐즈오 현느로) 7. The Superman - Silent Night, Holy Night (English Ver.) Remake and Arrange and Vocal by AZ NHJO HYENNRO(아즈 노흐즈오 현느로) 8. The Superman - Silent Night, Holy Night (German Ver.) Remake and Arrange and Vocal by AZ NHJO HYENNRO(아즈 노흐즈오 현느로) 9. The Superman - Silent Night, Holy Night (Russian Ver.) Remake and Arrange and Vocal by AZ NHJO HYENNRO(아즈 노흐즈오 현느로)Superman 11. The Superman - Silver Bells (English Ver.) Remake and Arrange and Vocal by AZ NHJO HYENNRO(아즈 노흐즈오 현느로) 12. The Superman - Silver Bells (Korean Ver.) Remake and Arrange and Vocal by AZ NHJO HYENNRO(아즈 노흐즈오 현느로) www.aznhjohyennro.com <2024년 12월 오픈예정 www.thesupermanr.com <2025년 6월 오픈예정 https://search.naver.com/search.naver?where=nexearch&sm=tab_etc&mra=bjky&pkid=1&os=210150&qvt=0&query=조현오 blog.naver.com/nhjohyennro cafe.naver.com/aznhjohyennro cafe.naver.com/goapsyn cafe.naver.com/thesupermanr cafe.naver.com/elecsx8 cafe.naver.com/vfxprojectx cafe.naver.com/gugungjinin www.soundcloud.com/aznhjohyennroofficial www.facebook.com/aznhjohyennro HEANPHONE: 082 010 2278 9334 EMALI: nhjohyennro@naver.com aznhjohyennro@gmail.com WORLDWIDE LIVE/DJING BOOKING WELCOME PLEASE LISTEN MY MUSIKS AND CONTACT TO ME VIA EMAIL. AND I WANT TO ENTER WORLDWIDE BIG LABEL AND WANT RELEASE CDS AND RELEASE. 저의 곡들을 많이 퍼트리기위해서 저의 원본 WAV파일을 공개합니다. 저의 이번 PSYCHEDELIC TRANCE CAROL PART. 1 12곡 WAV파일을 원하시면 EMAIL: nhjohyennro@naver.com 로 메일주시면 WAV 16BIT, 44khz 파일 12개 무료로 보내드리겠습니다. 많이 들어주시고 받아주시고 많이 퍼트려주시고 방송타게해주시면 감사. 나이트클럽, 클럽, 라이브, 파티용, 개인감상용등입니다. 감사합니다. 2024년 12월에 저의 사이트 www.aznhjohyennro.com이 완공되며 2024년 12월초 저의 PSYCHEDELIC TRANCE CAROL 2024 PART. 2가 공개됩니다. 더진화된편곡보컬애드립등. 기대해주세요. 곡많이 들어주시고 SONY, EMI, WARNER, UNIVERSAL, SM, JYP, YG등과 같은 대형기획사 연락도환영하고 WORLDWIDE LIVE/DJ BOOKING도 환영합니다. 연락주세요. 감사합니다.

people very thanks for reply and praise. My The Superman new album "Tanzen Musik A1" will release wthin 2024 April to various store worldwide. I think my 2024 carol is 90 score my new album is 98 score. hehe. Please expect. And I will start reply for my topic for answer. I was no reply for my topic to other freiends but I change mind I will alway reply my topic rative. https://y2down.cc/en/youtube-wav.html And If you want my carol works download to wav mp3 etc do use this nice site. only you process link copy and paste and process you will get wav mp3 etc fiels! thank

Xenomorph Netherverse 2024 Suntrip Records 1 Sinister Contours 9:17 2 Dying Sun (Sol Aeternus Mix) 8:03 3 War In Heaven 8:35 4 Negative Time (-L Di/-Dt Mix) 8:20 5 No Beginning No End 8:39 6 Nebula Of Souls 7:47 7 Subdimensional Anomaly 8:38 8 Abode Of The Damned 8:46 9 Netherverse 8:38 So Mark Petrick comes in 2024 with Netherverse, his fourth album and the one to accompany 2023's superb ep "Negative Time". Is it any cop? "Sinister Contours" telegraphs Petrick's self-evident intention: he is for sure following the left hand path. This means a heavily arpeggiated track with a threatening minor melody. There'll be no easy upliftment on this album; and no cheese! But isn't the whole gothic darkness thing quite cheesy? Well yeah, if we are talking Twilight movies with aristocratic pretty boy vampires who bling in the sunlight, or perhaps campy Tim Burton style goth-lite. But we are not talking that here. No easy joy, no happy endings, on this sinister path, but plenty of eerie and other disquieting feelings. A "Dying Sun (Sol Aeternus Mix)" is probably my favourite track on the album. Here we seem to be on a space ship on a quest for a new home and we dive deep into a black hole, or something like that, indicated by the "our sun is dying... we are dust" sample and another spaceship sample (Petrick is a master of the appropriate sample - he really tells stories with his samples, which are carefully chosen). We sense here how cosmic Xenomorph's vision for this album is. The production quality on this track has to be heard on a good hifi to fully appreciate it - mindblowing. EPIC! A+++ "War In Heaven" starts off with a simple four-note melody that summons up fairy tale horror, but at the half way mark the track shifts up a gear and achieves take off with sawing synths. The "war in heaven" sample states succintly Petrick's apparent philosophy that the tension between good and evil is the propulsive force that drives the universe. A dance floor monster! A+ "Negative Time" is from the accompanying ep of that name. Plenty of pretty tinkles and juddering synth melodies here make for a track that is almost progressive trance - a more mellow track than the ones that preceded it, quite blissed out and dreamy. A "No Beginning No End" is an ourobouros in both concept and in big swirling melodies. These melodies do seem like spiralling nebulae. At 3.15 it turns darker with some delightfully chewy bass 303 and then the spiralling begins again, growing out of the darkness. Another epic trancer with massive melodies. Petrick has worked hard on making these melodies as echoing and big in scale as possible. A "Nebula Of Souls" - I love this slightly more minimal track. It features mysterious vaporous synths at the start, which are utterly beautiful and uplifting in a creepy way. There's a whap-whap sound that continues throughout, giving propulsion; it builds to a grinding climax and then ends on moody cello - simply stunning. A+ "Subdimensional Anomaly" starts with twinkling synths (lots of those sounds on this album) and then builds towards twisting leads against a stumping beat. There's a lovely sense of calm and observation behind this track. A "Abode Of The Damned" is as dark as its title, beginning with a sample about a graveyard and its ghosts. There's a great climbing bass arpeggio that kicks things off and then we have minor key choirs so beloved of dungeon synth and black metal and used quite regularly on Cassandra's Nightmare. This track could easily have been from that first album. At the four minute mark the bass goes into double time and here comes the growly acid that slowly morphs into long pads. Yo party people, are you ready to chew your tongue off and lose your shit? I'd love to see what this track would do to a dancefloor. A+ "Netherverse" - the come down track. Vaporous spacey synth, twangy echoes, a slow beat, eventually builds to the expected long and melancholic pads. I'm a huge fan of sloa Goa, but this is not an especially outstanding example, coming across as an unfinished fragment, and is the least good track on the album for me. B So is it any cop? You betcha it is. What I particularly liked about this album is that Xenomorph has not stood still, unsurprisingly perhaps as so many years have passed. This is a unique lighter and more cosmic album in his discography. Terrifying, eerie, haunting, sinister, at moments, but also full of cosmic beauty, Xenomorph's vision achieves maturity here. It seems that his albums are all quite different, despite there being strong similarities (not least the superb production and sound quality of all of them). I characterise them like this: Cassandra's Nightmare 1998: cinematic horror trance Qlippoth 2003: spirit possession Demagoguery of the Obscurants 2007: the conspiracy album Netherverse 2024: cosmic darkness and light In this fourth album, it seems to me that Petrick goes scifi and reaches for the stars, seeing the dialectic between light and darkness, matter and antimatter, creation and destruction, as the cosmic turbine that powers all. His vision has become epic and fully realised by this point it seems to me in that it appreciates all, including the disgusting and repressed, and values all equally. A divinely balanced cosmic vision. Does such a vision appeal to you? It is a bit early in the year, but I have no doubt that this is already one of my records of the year. Actually, my only strong criticism of this album and the ep is the cover art - weak in both cases. Finally, I am inspired to look back over his oeuvre as the body of work that triggered an entire (sub-)genre: darkpsy. You could argue against this notion, pointing out the other great dark Goa albums that helped ignite darker psychedelic trance: Sandman's Witchcraft, Orichalcum and the Deviant Orichalcum and the Deviant, Cydonia Fear of a Red Planet, UX Ultimate Experience, and so on. This would be correct: all played their part. Nevertheless, nothing was nearly as dark and scary as Cassandra's Nightmare and it remains the keystone album. So Xenomorph's latest album deserves to be seen in this wider context as part of the genre that his first album kickstarted. Amazing what can come out of watching a few horror movies and being open-minded enough to meld trance with the gothic, industrial, and metal. ~*~

you didnt offer a youtube link, i think its pretty common these days to offer a place where you can listen to the album you are reviewing. or is that just me? i dont know where to check it out, i dont have spotify or apple music or all that jazz. if i listen to something these days its going to be youtube. the quality there is good enough for me. most of the time. here is the whole album. look forward to seeing whats up with it. edit: it didnt take long to realise this sounds nothing like xenomorph. this sounds horrible. i dont even make music anymore and can come up with better sounds than this. wtf. Guess it all went downhill after that terrible "Gamma Draconis" comp.

I'm just starting to learn about mastering and in the past it seemed just a little daunting, being so far outside anything I had experience of combined with all the talk of it being a field best left to highly skilled specialists with lots of experience. Since then I've read tutorials and have the basic ideas and techniques now. What surprised me is when I started to watch the spectrum plots of some of my favorite Goa tracks (some of RA's beautifully mastered sounds for example), they were pretty much just totally flat across the whole spectrum, at least at the important parts of peak activity in the tracks with the most instruments playing at once. Now, adjusting EQ to give a flat response for the key parts of a track seems really straightforward to me. There's so much talk about making sure the music sounds good across a range of different sound systems, but surely if the spectrum is flat, it's flat, and it leaves room for the listener to adjust the EQ to fit their listening environment. I guess if I were trying to master some rock music recorded live and needing to correct for anomalies in the recording environment, it could get more complicated. When 99% of the sounds are coming from software synths, surely you're most of the way there to begin with once you get the mix where you want it? I know about compression to increase loudness and I do use it on some of my sounds as well as filters to stop frequencies clashing but I do most of that as I go and not really as part of a separate mastering step. On some tracks I will look at just a little compression on the master channel to make them a bit louder. Is there more to mastering than I am seeing, or is it really this easy for Goa trance?

Falls short of the previous level he's held. I'm personally very unsettled with basic/simple type of melody work where a given pattern is repeated to exhaustion. Now that could be a choice as a matter of fact, but I find the sort of solution unimaginative and lackluster. And unfortunately there's quite a bit of that here.

I doubt youtube's algos have much interest in something as niche as "goa trance" and its different flavours. In any case, that track has already broken the 1K plays mark, and I'm baffled.

Super beat in this track; I'm not so keen on the melody that comes in at the 3 minute mark because it sounds nintendo plasticky, but otherwise this is a winner Astral Projection-style track and I appreciated the breathing sounds at the end - nice touch. It strikes me that mastering and pressing to vinyl in this era helped to make early Goa sound less like arcade games because all the sounds became a bit warmer, more organic, more delicate.

Hi my friends. I try to help with posting news. There are some users who don't like the amount of good music I post. However, the administrators gave me a vote of confidence to help the forum. This way you can always count on me and as much as possible I will do everything to make the forum grow. Big hug to everyone. 🤩

Supersillyus - Imaginary Friends Limited Edition 12" Teal Vinyl Pre-order Supersillyus.com | Bandcamp Limited Edition 1/400 Teal Vinyl record.Individually hand numbered and signed! Experience the adventure of Imaginary Friends the way it was written.... as two monstrous 20 minute seamless audio escapades. Featuring the truly frame-worthy cover artwork by Chris Bohlin. 12" 140 gram vinyl 33rpm. This is a limited run. Only 400 will be made. Purchase will also include a digital download of the seamless 2 track version of the album. (will be sent to your email address on or after April 12) Records are manufactured by Deep Grooves in the Netherlands. They tout themselves as being "the greenest vinyl plant on the planet" and they did a fantastic job with my last album, "Charade." Please note this is a pre order. Please expect about 16-20 weeks to receive the record. Due to the recycled vinyl aspect of the manufacturing process final coloration may vary slightly. Thank you so much for supporting this project!

Only T7 and half of 8 are ,,neighbour friendly", and the title track by default. O:)

Lol ok. Was just trying to be polite I guess I'll take it elsewhere. Peace

C R I N G E yes yes nhjo is launching an only fans in the pleiadies star system, where its christmas now. Very Faking Fanny 🤢 😨 😥

Check out this recent full power psytrance mix from Mearth & follow his new artist page! https://on.soundcloud.com/6GVZBdeFjJiXwayr7

Silver Bells is very emotional. Like having testicular cancer emotional (i would presume). Anyway, too much greatness, what super album, man. Btw. Superwoman is stupid, also firewoman n policewoman.. Know why, man? Bcs the Wo- in woman is for womb. All this human kind madness. PS. I want Blümchen 'boom boom boomerang' to bcm my wife, and she will thru my wish hire NJHO to make, or if poss. perform at our wedding.

'Look Out the Window' song deserves to be covered by Rammstein with a CLaWFiNger T.K.O. RMX. Anyway, for me it will replace Last Christmas on my xmas streaming worldwide playlist. I also think Mariah Carry would sway and twerk nice to this 'holy night silent night' drop Kudos and celebrations! 🎄

I have a set of Etnica – Live In Athens 1996 (Vinyl + CD) Condition of both NEW & Sealed Vinyl 250e + Shipping CD 150e + Shipping Pls PM with any questions. Additional fotos on request. Some notes about the payment: 1. PayPal (in GBR) to my friend in UK. 2. UNISTREAM money transfer directly to me in Russia (in USD). 3. KORONA PAY money transfer directly to me in Russia (in USD). ps - Also i'm selling whole my collection https://www.discogs.com/user/vlnik

Only 11 votes? Come on lurkers, show your support for our shrine to the best, most mind expanding music this side of the multiverse!

Hey. And My new The Superman album - "Tanzen Musik 1 2024" will be finish and will be released at 2024/04 later. Get excited about it! will be 10 new style of melodical goa/psychedelic trance. also movie will be making. thanks.

A long-awaited album by the master of dark goa & psychedelic trance! We got a taster of some of these tracks in Xenomorph's ZNA Gathering 2019 set (https://www.youtube.com/watch?v=NN3N1BEkHB8) and finally five years later the new album is released. However, not all the tracks from that performance, such as the amazing Atrocity Archive, were released on either the recent EP nor this album - hopefully another release is upcoming. Further, a few of the tracks are mixes of existing released tracks with very minor changes. Why do I love Xenomorph's music? 1) A huge part of why I like psychedelic music overall is its ability to create powerful atmospheres. Xenomorph is almost unmatched at that. His tracks tell stories ranging the whole spectrum of darkness from apocalyptic hopelessness to unhinged lunacy to stony-faced esoterica. 2) Xenomorph's melodies are very strong. Classic tracks like Abominations are surprisingly melodic. The combination of dark storytelling talent with melodic payoffs does much more for me than most later darkpsy. 3) Lastly, Xenomorph kept forging a unique path, each album is novel and just so different to what anyone else was doing at the time. It's no surprise that he's gained many fans with this uncompromisingly creative approach. 01 Sinister Contours This track's name describes it perfectly. The first half feels like an intro to the moment when the sinister contours really kick in at around 5:00 with tense eastern melodies, croaking acid, and spooky samples. The main lead is brought back in and the tension just ratchets up and up with so many intertwining ominous layers. A build up which we might anticipate leading to a break down actually leads to the addition of an off-beat clap along with an echoing foreboding sound at 6:55. A driving new melody starts emerging and and at 7:45 most layers drop away leaving this new theme. The pressure release ultimately happens at 8:00 when a cheeky goa melody drops! At this point I have a huge grin on my face. Despite how much I love this track, some aspects seem a little overprocessed for my taste, such as the main lead when it first comes in. The break at 6:50, which was previously understated in the ZNA Gathering clip with just the clap added, now also brings in another layer which makes that section a little crowded - maybe my headphones need upgrading. 02 Dying Sun (Sol Aeternus Mix) A fantastic song already released on the Gamma Draconis compilation. I didn't do a detailed comparison but it sounds like the bassline has been thickened and some minor tweaks have been made (the original track did have poor mastering for some reason), otherwise everything is the same. The storytelling of the sense of melancholia about the dying sun is beautifully expressed. 03 War In Heaven This one is a cool change of mood and pace, and recalls industrial/EBM artists like Velvet Acid Christ and Hocico when they have dabbled in trance. Less of the high-tech psy leads or Xenomorph's signature menacing atmosphere. The focus is more on danceable high energy with a gothic touch that can actually end up sounding euphoric. The interlacing arpeggiated melodies at 4:00 are absolutely gorgeous!! 04 Negative Time (-L Di-Dt Mix) Again, it says this is a mix but the version sounds pretty much identical to what was released in the Negative Time EP. The track takes off like a rocket with a bouncy bassline, and at 0:55 comes a massive and absolutely delicious lead. Then a slower response section with more metallic sounds, which finally runs out of energy at 2:40. Suddenly to be replaced by another massive resonant lead, mirrored by a shimmering second melody, I could listen to this section all day as the modulations sound so nice. A series of acid melodies slowly build up the energy back to a metallic section, it's clear we're heading for something big. At 6:40 there's a spine-tingling breakdown leading to a very old-school goa climax! 05 No Beginning No End Not such a fan of this track personally, feels like it's perched between the styles of the last two tracks. Lots of interesting ideas but not structured with the urgency of previous tracks nor with any real stand out sections. The only dud on the album. 06 Nebula Of Souls Yet another change of style, this track is more of a slow-burner compared to the others and evokes the mood of hopelessness and weirdness most similar to the Qlippoth album. Intriguing start feels like being in a space station drifting through freezing space. Again the title is fitting. At 3:00 a crunchy growling lead starts to takes the fore. The track builds up in intensity until at 5:45 a sad stringed instrument melody comes in. I can see why for some fans this would be the top pick of the album, it's easily the darkest track here. 07 Subdimensional Anomaly Time for another more trancey track, but with a pensive mood. Big sweeping pads and a lot of more subtle layers over the top take us all the way to 3:00 where we get a radiant psy lead along with a big snappy snare. The track doesn't evolve in any major way from here but doesn't need to. It's absolutely beautiful. 08 Abode Of The Damned This one heavily reminds me of Cassandra's Nightmare, still my most loved Xenomorph album. The first half has the twisted horror style with a playful array of spooky squelchy sounds. The second half breaks out into powerful melodies that just get better and better on top of a pumping bassline. The melodies aren't particularly memorable however unlike the previous track. 09 Netherverse Wow a rare psybient track from Xenomorph, this one also wouldn't have felt out of place as the last track on many oldschool albums. The first half is deeply atmospheric and intriguing, similar to Koxbox's Searching For Psychoactive Herbs. Unfortunately the change of direction that feels like it's coming at some point never does arrive, besides a small modulation near the end. Still an enjoyable track but could have been more. Overall, there's a large variety of styles here, and at first I think this makes the album as a whole difficult to comprehend. It's harder to fully appreciate tracks 7 and 8 after you've just listened to the nightmare tour de force of Nebula of Souls. After repeated listens I really appreciate the quality of each track and there's only one that I feel is weak. Perhaps the biggest surprise is how euphoric a few of the tracks are, especially Negative Time, one of the least dark songs Xenomorph has produced. But still has that signature intensity and urgency and I love it. I'm a sucker for the big psychedelic leads used and production level is high as you'd expect. I expect the range of styles is due to the long time period this album took to put together, and my only disappointment is we didn't see more new tracks instead of a few minor mixes of existing songs.

Listen to it again!

Not a review but more of a first impression comment; I was listening to it for free a few days ago on 1 jbl flip 5 bt speaker while making food (not tripping, not smoking, mind you) .. And after my very good impression of his EP a few days before that... I felt bored and unimpressed by it, underwhelmed as I had too high hopes coming into it.. and concluded at it's end that I only felt the album from that little melody (..) and especially from track 6, Nebula of Souls and onwards .. At the last track, is where I turned it off half-ways to sit down and eat. I bet it's much better than my first impression.

Ephedra is one of the best neo goa artists. Nova fractal, filteria and e-mantra keeps him company. This sounds really good musicwise but I'm not too keen on the mastering, it's a bit too mid/mid-high focused, making it a tad sharp and "telephone" like. Also perhaps the music is a bit generic now? it kinda reminds me alot of cosmic dimension.. I want to like it more than I do but it's still pretty damn good, hopefully the end product will sound even better.

I may have this wrong but it does seem many here are rather Goa Trance focused, be it classics or neo Goa etc. And that is fine by me though I like modern as much as old. Less people discuss modern trance. Maybe it is these 20-30 something that are on social media more. I suppose one can achieve greater attention on social media if that is what you need. Personally I find social media generally to be a vast drain of my energy and psyche so I feel much better not being on the usual platforms. People use it as a business tool as much as a personal share. I don't think it would be much to ask for a few movers and shakers to post a little. Thin skinned ? Well I suppose that might be an issue but surely people are a bit stronger than that. Scene success will surely overcome a few anonymous internet moaners. Maybe on social media say FB it is easier on artists as the only people who visit your page are people who like what you do. There you have to active seek a specific artist where as here it rather broader than a single page set up for yourself as an artist. Anyway you can only lead a horse to water as they say. Whatever happens I hope it stays online. I suspect a lot of artists come by for a look and never post. It will be, what it will be. Moderation is quite important, that cannot be denied it takes time to do that properly. i.e. allowing people to post opinions but without extreme behaviour which is a turn off for all. Moderation can make a forum a good place to be or a place to avoid. I would like to have hoped that there would be some mutual respect between members. It can be difficult with a mix of anon and non anon profiles, anons spouting their mouth off with little regards and with luck non anons representing their actual selves. With forums it can be a difficult mix to handle.

Who knows when it is from. But it feels like it's kind of new, maybe 2005s and beyond. But noone knows. Brother. Why sit on something the fans love? What is the harm of releasing it? It's just an ego thing. "this is too good to be released I'm just gonna play it live and not release it." That's asshole tactics. Makes no sense. What if he died, God forbid, and it was forever lost in his hard drive? No, the right thing to do is to release it.

Coulda woulda shoulda. Why are you so uptight? Clearly I called him a asshole in GIST, with love (my fav track is spiritual healing all categories), so why take it so serious???? Cmoon man snap out of it. Yes I'd tell him to his face, with a smile, "you fucking asshole release the damn track man!!" I'm almost 45 and talking like this is very normal as it is said with a touch of humour. Clearly you are just a tightass. Also, you calling me pathetic is even worse, imho. That's personal whereas I said asshole clearly in gist. I love the man ffs. Check yourself before you wreck yourself. So before lecturing me about calling someone an asshole jokingly, maybe don't go around calling people pathetic?? edit: hmm maybe its not in "gist", i thought that word meant something else. "jokingly, with love". but you know what im trying to say.

"Your" genius then. He sucks.

I think it would be sad if the forum closed despite being used less. We cannot know or control the future, there is a chance there is a mass movement towards, not away from forums in the future. May I ask.. how come the gigging artists of the scene do not come an invigorate a forum that would be in their interests to invigorate ? Their absence is quite loud. We can all say we have no time. We prioritize and make time for what we like and what benefits us most, as is natural. Like many genre specific forums there are the fans side to discuss music and producers sub forum. I believe one factor for the production side is that making psy trance sound as a top level production is extremely difficult, we may as well not lie about this and it takes long term practice and dedication. It can be disheartening, I bet 95pct give up and even if you pay for the courses available it does not make a great track for you. Maybe some big producers will see this and they could spend a little time to engage and support something that will be missed if/when gone. Even just a little personal presence, not giving away their top kick and bass secret sauce. Just saying hello once in a while. In any event things go where they go, we cannot control all. In life a little spreading of bets is no bad thing.

Why are you still replying to that mug?

My suspicion is that there are more lurkers here than one might think, if only we could entice those to participate somehow? Maybe some free cookies and soda? And yeah maybe unban some people. I mean a life time ban seems a rather strict measure? Some drama and popcorn could be necessary sometimes.

Hey-hey. How's it? This is a bit of a large scale topic to tackle but I've been thinking about it every now and then. So the main question is - how's everything changed considering psytrance culture? What do you think? It's obviously a question that's intertwined with our technological/social/human progression. It's difficult to start making an analysis but to get things started... I'm arguing people are in collective terms less focused. This means what we "consume" needs to be easy and fast to digest. Any person needs to make a conscious effort to withhold a long attention span in the age is smart phones and social media. A shorter attention span is not the only thing - if you browse through endless amounts of data (phone/computer...), the creators of this data are in battle to win your attention. Your attention is money, straight and honest. It's views, likes and ad revenue. As you might have noticed, this battle is intense and ugly. It's almost like as if you've suddenly landed in this weird zoo with endless amount of monkeys hitting cymbals together. The loud and obscene run the show. Attention is also a drug like phenomenon, some people crave for it and are willing to take any measure to achieve it. And it certainly has been this way before the invention of internet, but nowadays you can't escape this toxic energy that easily. We're physically less in contact and digitally affected by behavior that we can easily classify sub standard. But isn't it so, that we've actually developed a skill to avoid the negative aspect of internet to some degree? That skill is indifference. People are far more indifferent than before. We just have to ignore a lot of things, because the amount of stimulus has significantly risen in the 10-15 years or so. In global terms the rise of indifference is great for the ones in control. But for the majority, for the planet, for the evolution of mankind... it's toxic. It creates a world of apathy and that's when things get dark when we run out of empathy and hopefulness. Let's see how the aforementioned, in my opinion, affects psytrance culture: 1) Drop of quality / When it's "fast-food" it means you only have to figure out a few things like production standards to achieve the pop-appeal. And sure, there's a place for easily digestible music and it can be fun too. But how about the very opposite? The ruthlessly difficult yet intelligent sound? The reason to do music, the idea behind it, has certainly changed for the worse. The big names are very clinical in their approach and pretty much create the same track over and over again. These days there's more ego & less Soul. 2) Drop of interest / People are less engaged. Less focus means we give each other, not to mention our art, less time and appreciation. We hardly stop to admire a great work even when we hear it. We don't write reviews. Those take time and who cares! Right? That's just the way cookie crumbles these days. 3) No more classics / There's no consensus on what's good and what's not. Just a few single opinions at most. There's no real indicators of quality and popularity these days neither, because views and stardom can be bought. We can all probably agree Hallucinogen's Twisted is a classic yes? But come to talk about anything from the last 10 years I wouldn't know. I couldn't know. 4) Less story-telling albums / ...and more digital singles! Because singles can be released more often therefore staying "active" as an artist/label. Activity is one of the key elements to gaining attention online. A full length album? Yesterday's antics.

yes! they are! give it to the fans ffs. why holding it in like you have to go to the bathroom. okay, thanks for your opinion. whats happened to this place. everyone got a stick up their ass lately and takes everything so serious.. oh well, keep doing you

Maybe who knows, the whole world seems bipolar/depressed atm. But yeah sometimes or probably very often, good music comes from such states of minds. Kinda like Vinnie Paz. Eminem's music always seemed like that to me as well, you know either really dark or very very too much happy/manic. But yeah difficult to know what's what, with the excessive substance abuse issues Eminem had. Could be the psychedelic influence or the MDMA. Btw Erez had a side project/alias called I-Zen. I think maybe only one track made under that alias, but very nice nonetheless, "Into the Matrix" maybe it was Duvdev ft I-Zen, have to check later. *found it:

So, for you, artists who decide not to release THEIR music for one reason or another are assholes.. Why do i get the feeling that this is pathetic to say the least..

Wow amazing thankyou, this is awsome!

Definitely confusing, and agreed, most likely a homage.

Fuck yes! The build up starting at 2:45 with the acid lines, epic!

Heh, thanks. You're of course free to enjoy it even if I don't

The Destination Goa compilations were compiled by Robert Jarnroth, and sometimes with help from Peter Hartzell and DJ Anti. The podcast guys are not the same, so not related. Anyway, thanks for recommending the podcast, will listen to it.

I think he's just on coke tbh

I just run across this once again and laughed so hard... Thanks again Tsotsi, it was pleasure reading / watching this review. Review master MDK has a serious competition.

Another generic sounding psy/goa. If this is supposed to be great goa trance in 2022 then I suppose I'm giving up on goa trance. :-/

Daze of Our Lives (extended) is just rereleased with 2 additional tracks. Check out here: https://filteria.ban...-lives-extended thank you for the support and all the reviews Best regards / Jannis

I'd have to go for Classical Mushroom as well. Such a great album. Loved it in the middle of a huge forest